If John Turner expected Colville to bring Loo Barebone with him to the Rue Lafayette he was, in part, disappointed. Colville arrived in a hired carriage, of which the blinds were partially lowered. The driver had been instructed to drive into the roomy court-yard of the house of which Turner's office occupied the first floor. Carriages frequently waited there, by the side of a little fountain which splashed all day and all night into a circular basin.
Colville descended from the carriage and turned to speak to Loo, who was left sitting within it. Since the unfortunate night at the Hotel Gemosac, when they had been on the verge of a quarrel, a certain restraint had characterised their intercourse. Colville was shy of approaching the subject upon which they had differed. His easy laugh had not laughed away the grim fact that he had deceived Loo in such a manner that complicity was practically forced upon an innocent man.
Loo had not given his decision yet. He had waited a week, during which time Colville had not dared to ask him whether his mind was made up. There was a sort of recklessness in Loo's manner which at once puzzled and alarmed his mentor. At times he was gay, as he always had been, and in the midst of his gaiety he would turn away with a gloomy face and go to his own room.
To press the question would be to precipitate a catastrophe. Dormer Colville decided to go on as if nothing had happened. It is a compromise with the inconveniences of untruth to which we must all resort at some crisis or another in life.
“I will not be long,” he assured Barebone, with a gay laugh. The prospect of handling one hundred thousand francs in notes was perhaps exhilarating; though the actual possession of great wealth would seem to be of the contrary tendency. There is a profound melancholy peculiar to the face of the millionaire. “I shall not be long; for he is a man of his word, and the money will be ready.”
John Turner was awaiting his visitor, and gave a large soft hand inertly into Colville's warm grasp.
“I always wish I saw more of you,” said the new-comer.
“Is there not enough of me already?” inquired the banker, pointing to the vacant chair, upon which fell the full light of the double window. A smaller window opposite to it afforded a view of the court-yard. And it was at this smaller window that Colville glanced as he sat down, with a pause indicative of reluctance.
Turner saw the glance and noted the reluctance. He concluded, perhaps, in the slow, sure mind that worked behind his little peeping eyes, that Loo Barebone was in the carriage in the court-yard, and that Colville was anxious to return to him as soon as possible.
“It is very kind of you to say that, I am sure,” pursued Turner, rousing himself to be pleasant and conversational. “But, although the loss is mine, my dear Colville, the fault is mostly yours. You always know where to find me when you want my society. I am anchored in this chair, whereas one never knows where one has a butterfly like yourself.”
“A butterfly that is getting a bit heavy on the wing,” answered Colville, with his wan and sympathetic smile. He sat forward in the chair in an attitude antipathetic to digression from the subject in hand.
“I do not see any evidence of that. One hears of you here and there in France. I suppose, for instance, you know more than any man in Paris at the present moment of the—” he paused and suppressed a yawn, “the—er—vintage. Anything in it—eh?”
“So far as I could judge, the rains came too late; but I shall be glad to tell you all about it another time. This morning—”
“Yes; I know. You want your money. I have it all ready for you. But I must make out some sort of receipt, you know.”
Turner felt vaguely in his pocket, and at last found a letter, from which he tore the blank sheet, while his companion, glancing from time to time at the window, watched him impatiently.
“Seems to me,” said Turner, opening his inkstand, “that the vintage of 1850 will not be drunk by a Republic.”
“Ah! indeed.”
“What do you think?”
“Well, to tell you the truth, my mind was more occupied in the quality of the vintage than in its ultimate fate. If you make out a receipt on behalf of Mrs. St. Pierre Lawrence, I will sign it,” answered Colville, fingering the blotting-paper.
“Received on behalf of, and for, Mrs. St. Pierre Lawrence, the sum of one hundred thousand francs,” muttered the banker, as he wrote.
“She is only a client, you understand, my dear Colville,” he went on, holding out his hand for the blotting-paper, “or I would not part with the money so easily. It is against my advice that Mrs. St. Pierre Lawrence realises this sum.”
“If a woman sets her heart on a thing, my dear fellow—” began Colville, carelessly.
“Yes, I know—reason goes to the wall. Sign there, will you?”
Turner handed him pen and receipt, but Colville was looking toward the window sunk deep in the wall on the inner side of the room. This was not a double window, and the sound of carriage wheels rose above the gentle, continuous plash of the little fountain in the court-yard.
Colville rose from his seat, but to reach the window he had to pass behind Turner's chair. Turner rose at the same moment, and pushed his chair back against the wall in doing so. This passage toward the window being completely closed by the bulk of John Turner, Colville hurried round the writing-table. But Turner was again in front of him, and, without appearing to notice that his companion was literally at his heels, he opened a large cupboard sunk in the panelling of the wall. The door of it folded back over the little window, completely hiding it.
Turning on his heel, with an agility which was quite startling in one so stout, he found Colville's colourless face two feet from his own. In fact, Colville almost stumbled against him. For a moment they looked each other in the eyes in silence. With his right hand, John Turner held the cupboard-door over the window.
“I have the money here,” he said, “in this cupboard.” And as he spoke, a hollow rumble, echoing in the court-yard, marked the exit of a carriage under the archway into the Rue Lafayette. There had been only one carriage in attendance in the court-yard—that in which Colville had left Barebone.
“Here, in this cupboard,” repe............