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CHAPTER XXI. NO. 8 RUELLE ST. JACOB
 Between the Rue de Lille and the Boulevard St. Germain, in the narrow streets which to this day have survived the sweeping influence of Baron Haussmann, once Prefect of the Seine, there are many houses which scarcely seem to have opened door or window since the great Revolution. One of these, to be precise, is situated in the Ruelle St. Jacob, hardly wider than a lane—a short street with a blind end against high walls—into which any vehicle that enters must needs do so with the knowledge of having to back out again. For there is no room to turn. Which is an allegory. All the windows, in fact, that look forlornly at the blank walls or peep over the high gateways into the Ruelle St. Jacob are Royalist windows looking into a street which is blinded by a high wall and is too narrow to allow of turning.
Many of the windows would appear to have gathered dust since those days more than a hundred years ago when white faces peeped from them and trembling hands unbarred the sash to listen to the roar of voices in the Rue du Bac, in the open space by the church of St. Germain des Pres, in the Cite, all over Paris, where the people were making history.
To this house in the Ruelle St. Jacob, Dormer Colville and Loo Barebone made their way on foot, on their arrival in Paris at the termination of their long journey.
It was nearly dark, for Colville had arranged to approach the city and leave their horses at a stable at Meudon after dusk.
“It is foolish,” he said, gaily, to his companion, “to flaunt a face like yours in Paris by daylight.”
They had driven from Meudon in a hired carriage to the corner of the Champ de Mars, in those days still innocent of glass houses and exhibition buildings, for Paris was not yet the toy-shop of the world; and from the Champ de Mars they came on foot through the ill-paved, feebly lighted streets. In the Ruelle St. Jacob itself there was only one lamp, burning oil, swinging at the corner. The remainder of the lane depended for its illumination on the windows of two small shops retailing firewood and pickled gherkins and balls of string grey with age, as do all the shops in the narrow streets on the wrong side of the Seine.
Dormer Colville led the way, picking his steps from side to side of the gutter which meandered odoriferously down the middle of the street toward the river. He stopped in front of the great gateway and looked up at the arch of it, where the stone carving had been carefully obliterated by some enthusiastic citizen armed with a hatchet.
“Ichabod,” he said, with a short laugh; and cautiously laid hold of the dangling bell-handle which had summoned the porter to open to a Queen in those gay days when Marie Antoinette light-heartedly pushed a falling monarchy down the incline.
The great gate was not opened in response, but a small side door, deep-sunken in the thickness of the wall. On either jamb of the door was affixed in the metal letters ordained by the municipality the number eight. Number Eight Ruelle St. Jacob had once been known to kings as the Hotel Gemosac.
The man who opened carried a lantern and held the door ajar with a grudging hand while he peered out. One could almost imagine that he had survived the downfall and the Restoration, and a couple of republics, behind the high walls.
The court-yard was paved with round cobble-stones no bigger than an apple, and, even by the flickering light of the lantern, it was perceptible that no weed had been allowed to grow between the stones or in the seams of the wide, low steps that led to an open door.
The house appeared to be dark and deserted.
“Yes, Monsieur le Marquis—Monsieur le Marquis is at home,” muttered the man with a bronchial chuckle, and led the way across the yard. He wore a sort of livery, which must have been put away for years. A young man had been measured for the coat which now displayed three deep creases across a bent back.
“Attention—attention!” he said, in a warning voice, while he scraped a sulphur match in the hall. “There are holes in the carpets. It is easy to trip and fall.”
He lighted the candle, and after having carefully shut and bolted the door, he led the way upstairs. At their approach, easily audible in the empty house by reason of the hollow creaking of the oak floor, a door was opened at the head of the stairs and a flood of light met the new-comers.
In the doorway, which was ten feet high, the little bent form of the Marquis de Gemosac stood waiting.
“Ah! ah!” he said, with that pleasant manner of his generation, which was refined and spirituelle and sometimes dramatic, and yet ever failed to touch aught but the surface of life. “Ah! ah! Safely accomplished—the great journey. Safely accomplished. You permit—”
And he embraced Barebone after the custom of his day.
“From all sides,” he said, when the door was closed, “I hear that you have done great things. From every quarter one hears your praise.”
He held him at arm's length.
“Yes,” he said. “Your face is graver and—more striking in resemblance than ever. So now you know—now you have seen.”
“Yes,” answered Barebone, gravely. “I have seen and I know.”
The Marquis rubbed his white hands together and gave a little crackling laugh of delight as he drew forward a chair to the fire, which was of logs as long as a barrel. The room was a huge one, and it was lighted from end to end with lamps, as if for a reception or a ball. The air was damp and mouldly. There were patches of grey on the walls, which had once been painted with garlands of roses and Cupids and pastoral scenes by a noted artist of the Great Age.
The ceiling had fallen in places, and the woodwork of the carved furniture gave forth a subtle scent of dry rot.
But everything was in an exquisite taste which vulgarer generations have never yet succeeded in imitating. Nothing was concealed, but rather displayed with a half-cynical pride. All was moth-ridden, worm-eaten, fallen to decay—but it was of the Monarchy. Not half a dozen houses in Paris, where already the wealth, which has to-day culminated in a ridiculous luxury of outward show, was beginning to build new palaces, could show room after room furnished in the days of the Great Louis. The very air, faintly scented it would seem by some forgotten perfume, breathed of a bygone splendour. And the last of the de Gemosacs scorned to screen his poverty from the eyes of his equals, nor sought to hide from them a desolation which was only symbolic of that which crushed their hearts and bade them steal back from time to time like criminals to the capital.
“You see,” he said to Colville and Barebone, “I have kept my promise, I have thrown open this old house once more for to-night's meeting. You will find that many friends have made the journey to Paris for the occasion—Madame de Chantonnay and Albert, Madame de Rathe and many from the Vendee and the West whom you have met on your journey. And to-night one may speak without fear, for none will be present who are not vouched for by the Almanac de Gotha. There are no Royalists pour rire or pour vivre to-night. You have but time to change your clothes and dine. Your ............
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