FOUR roads in Sussex mark out a patch of country that from the wooded, sea-viewing hills behind Dallington slips down over fields and ponds and spinneys to the marshes of Hailsham and Horse Eye. The North Road, slatting the heights with its pale, hard streak, runs from far Rye to further Lewes, a road of adventures and distances, passing Woods Corner and Three Cups Corner, Punnetts Town and Cade Street, till it joins the London Road at Cross-in-Hand. The South Road borders the marsh, sometimes dry on the shelving ground above it, sometimes soggy on the marsh level, or perhaps sheeted with the overflow of the Hurst Haven. It comes from Senlac and Hastings, and after skirting the flats, crosses the River Cuckmere, and runs tamely into Lewes, where all roads meet. The East Road is short and shaggy, running through many woods, from the North Road, which it joins at Woods Corner, to the throws at Boreham Street. Along this road is a string of farms—Cowlease, and Padgham, and Slivericks, mangy holdings for the most part, with copses running wild and fields of thistles, doors agape and walls atumble, and gable-ends stooping towards the ponds. The West [10] Road is grass-grown, and in July St. John’s wort and rest-harrow straggle in the ruts and make the dust smell sickly-sweet. It forks from the North Road at Punnetts Town, and runs through Rushlake Green and the Foul Mile to Hailsham in the south.

In the swale of the day, towards Easter-time, the Reverend Mr. Sumption was walking along the North Road from Dallington to Woods Corner. Dallington is the mother-parish of the country bounded by the Four Roads, though there is also a church at Brownbread Street, in charge of a curate. Mr. Sumption had no truck with either Rector or curate, for he was a minister of the Particular Baptists, who had a Bethel in Sunday Street, as the lane was called which linked the East Road with one that trailed in and out of farms and woods to the throws at Bucksteep Manor. Not that the sect of the Particular Baptists flourished in the parish of Dallington, but the Bethel being midway between the church and the chapel, a fair congregation could be raked in on wet Sundays from the middle district, where doctrine, like most things in that land of farms, was swung by the weather.

The Reverend Mr. Sumption was a big, handsome man of forty-five, and wore a semi-clerical suit of greenish-black, with a shabby hat and a dirty collar. His face was brown, darkening round the jaw with a beard that wanted the razor twice a day, but did not get it. His eyes were dark and sunk deep in his head, gleaming like deep ditch-water under eyebrows as smooth and black as broom-pods. His teeth were very white, and his hair was grey and curly like a fleece.

As he walked he muttered to himself, and from time to time cracked the joints of his fingers with a loud rapping sound. These two habits helped form the local opinion that he was “queer,” an opinion bolstered by [11] more evidence than is usual in such cases. Women standing in their cottage doors noticed him twice halt and stoop—once to pick up a beetle which was laboriously crawling from ditch to ditch, another time to pick up a swede dropped from some farm-cart. He carefully put the beetle on the opposite bank—“Near squashed you, my dear, I did. But He Who created the creeping things upon the earth has preserved you from the boot of man.” The swede he dusted and crammed in his pocket. It was known throughout the hamlets—the “Streets” and “Greens”—of Dallington Parish that the minister was as poor as he was unblushing about his poverty.

The evening was very still. Eddies and swells of golden, watery light drifted over the hills round Dallington. In the north the sharp, wooded hill where Brightling stood was like a golden cone, and the kiln-shaped obelisk by Lobden’s House which marked the highest point of South-east Sussex was also burnished to rare metal. The scent of water, stagnant on fallen leaves, crept from the little woods where the primroses and windflowers smothered old stumps in their pale froth, or spattered with milky stars the young moss of the year. At Woods Corner the smoke of a turf fire was rising from the inn, and there was a smell of beer, too, as the minister passed the door, and turned down the East Road towards Slivericks. The fire and the beer both tempted him, for there was neither at the Horselunges, the tumble-down old cottage where he lodged in Sunday Street. But the former he looked on as an unmanly weakness, the latter as a snare of the devil, so he swung on, humming a metrical psalm.

About a hundred yards below Woods Corner, just where the road, washed stony by the rains, runs under the webbing of Slivericks oaks, he turned into a field, [12] across which a footpath led a pale stripe towards Sunday Street. From the top of the field he could look down over the whole sweep of country within the Four Roads, to the marshes and the sea, or rather the saffron and purple mists where the marshes and the sea lay together in enchantment. The yellow light wavered up to him from the sunset, over the woods of Forges and Harebeating; there was a sob of wind from Stilliands Tower, and a gleam of half-hidden ponds in the spinneys by Puddledock. Mr. Sumption stood still and listened.

The air was full of sunset sounds—the lowing of cows came up with a mingled cuckoo’s cry, there was a tinkle of water behind him in the ditch, and the soft swish of wind in the trees and in the hedge, nodding ashes and sallows and oaks to and fro against the light-filled sky. On the wind was a mutter and pulse, a throb which seemed to be in it yet not of it, like the beating of a great heart, strangely remote from all the gleam and softness of spring sunset, pale fluttering cuckoo-flowers, and leaf-sweet pools of rain. A blackbird called from the copse by Cowlease Farm, and his song was as the voice of sunset and April and pooled rain ... still the great distant heart throbbed on, its dim beats pulsing on the wind, aching on the sunset, over the fields of peaceful England dropping asleep in April.

The Reverend Mr. Sumption cracked his fingers loudly once or twice:

“You hear ’em pretty plain to-night ... the guns in France.”