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X THE BIRTH OF AN ARTIST
The following night he was paddling on the Isar when he became aware that he approached the house of Margarethe Styr. It stood on a branch of the river that separated the Englischergarten from Schwabing, an old village now incorporated in the city of Munich. From the back projected a tower whose foundation was not in the garden, but in the bed of the stream. Her grounds were surrounded by a high wall, and on the day he had left his card he had seen nothing of the house but its baroque fa?ade; but more than one of his friends, when driving him in the park, had pointed out the tower and commented upon the lonely dwelling of the Styr. There was a story that Ludwig I had built this villa for a beautiful woman of Siena, intending to visit her by way of the Isar, which flowed not far from the palace walls. The lady, however, could not make up her mind to brave the rigours of the North, and it had become the property of a romantic young couple, whose grandchildren had sold it to the present King when the whim seized him to present a dwelling to the Styr.

Ordham did not rest on his oars, but used them more slowly perhaps as he raised his face, hoping for a glimpse of the great artist whom he still permitted himself to admire even if no longer consumed by a desire to know her. Just as the boat slipped past the tower such a shriek of horror rang from the lowest of its rooms, that Ordham, without hesitating a second, reached the shore with a stroke and swung himself through a window in the opposite curve. He expected to find Countess Tann struggling in the arms of a burglar, and was astonished to see her standing alone in the middle of the room, staring down through the window to which he had raised his eyes as the boat rounded the corner. He did not enter noiselessly, but it was fully a moment before she turned. Then she drew a spasmodic breath of relief.

“Of course—you! But when I saw that white face down in the water—your face down there did look so white—I thought it was—”

Although the room was nearly dark he could see that she made an effort to recover her natural poise, and she added: “Thank you for coming to my rescue. Of course you thought I was being murdered?”

“Or Kundry!” He was recovering from his own fright.

“Oh, don’t jest! I have had a terrible shock. You have no idea what your face down there brought back. I thought it was the ghost of a young man who once gave his life for me; and yet there is no reason why he should haunt me. I begged him to go.”

His complete silence expressed his right to hear the story, and in a moment it was evident that she would tell it. Her head was bent, her brows drawn, giving her eyes the expression of tragedy most familiar to him. The shock, no doubt, had set her sense of drama in action. He wondered if it were ever far from the surface of the artist that lived for his art, as this woman did.

“I will tell you,” she said at length. “Why not? You have come into my life in odd ways. As oddly you compel me to talk. I even wrote you long letters—and tore them up. I have told you that I was on the stage in America. I always had small parts, but I had some influence, nevertheless. Over there it is called ‘pull’—but you never use slang, do you? I scarcely ever went ‘on the road,’ as another phrase goes. But one summer, after I had been cultivating my voice for about three years with the old Wagnerian devotee I had discovered in New York, I quarrelled with a man I had come to hate, and, it being impossible that he should leave New York, I made up my mind to join a travelling company that would demand my services for months to come. It was not the salary of an actress that I needed in order to put the continent between us, but the protection of the company. Women in that great free country, to be admitted to hotels, or at least to remain in them, must be accompanied by some member of their family, by some man who at least pretends to be their husband, must be known (favourably known), must be shabbily respectable, or must have a raison d’être. An actress travelling with a company has always the right to live, no matter if she can do nothing but dust the furniture. So I went barnstorming, and, accustomed to luxury as I had grown, I was very uncomfortable, disgusted; no doubt, had I been less hardy, I should have fallen ill. If the adventure I am about to relate had not happened, I might not have—I might have returned to New York in a very different fashion. My voice might not have been enough. I cannot tell.

“We played across the continent to San Francisco, then up to Portland, Oregon, intending to return in the same leisurely manner by the northern route from Seattle. We took the steamer from Portland. It is an infamous piece of coast, called, indeed, the ‘graveyard of the Pacific,’ but the weather was fair, and as there are only twenty or thirty wrecks a year, everybody in that optimistic section of the country expects to be among the favoured. Before night one of those terrible winds of the North Pacific suddenly descended upon us. I had often crossed the Atlantic, but I had never heard such a wind, seen such waves. Only the old phrase, ‘mountains high,’ gives any impression the waves made upon me, at least. Nearly everybody was ill. I remained on deck, enjoying the storm, the roaring wind, the great green glassy waves with their soft white combs. There was no rain, and the sky, as we rolled about, seemed to shake out the folds of a spangled flag. I soon noticed an athletic young fellow trying to stride up and down the deck. He gave it up after a time, and, having helped me to my feet, after I had gone for the third time into the scuppers, we fell into conversation. He was a Harvard man, had been visiting relatives in San Francisco, and was on his way to British Columbia for some shooting before returning to his home in Boston. He confessed that he had cultivated sport to such an extent that he had neglected his studies, and intended to take a post-graduate course. I do not recall anything else that he said, but he looked so young, so strong, so clean and thoroughbred, that I liked him, as I have always liked the few of his type that I have met. After a time he advised me to go to my room and get some sleep. I bade him good-night; and although my small state-room was close and crowded, I soon fell asleep. I knew nothing more until we were on the rocks.”

She flung out those famous expressive hands of hers. “That awful scene of confusion! The sharp animal-like cries of the women! The hoarse yells and curses of the men! The frantic rush! The horrible darkness—for every light went out. Finally I found myself on deck—swept there, I suppose, by that fighting mass of people. But it was all unreal at first, like a scene in the theatre. I remember hearing the l............
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