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HOME > Classical Novels > The Alexandria Quartet > Justine (1957) Part IV Chapter 2
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Justine (1957) Part IV Chapter 2
On these spring mornings while the island slowly uncurls from the sea in the light of an early sun I walk about on the deserted beaches, trying to recover my memories of the time spent in Upper Egypt. It is strange when everything about Alexandria is so vivid that I can recover so little of that lost period. Or perhaps it is not so strange — for compared to the city life I had lived my new life was dull and uneventful. I remember the back-breaking sweat of school work: walks in the flat rich fields with their bumper crops feeding upon dead men’s bones: the black silt-fed Nile moving corpulently through the Delta to the sea: the bilharziaridden peasantry whose patience and nobility shone through their rags like patents of dispossessed royalty: village patriarchs intoning: the blind cattle turning the slow globe of their waterwheels, blind-folded against monotony — how small can a world become? Throughout this period I read nothing, thought nothing, was nothing. The fathers of the school were kindly and left me alone in my spare time, sensing perhaps my distaste for the cloth, for the apparatus of the Holy Office. The children of course were a torment — but then what teacher of sensibility does not echo in his heart the terrible words of Tolstoy: ‘Whenever I enter a school and see a multitude of children, ragged thin and dirty but with their clear eyes and sometimes angelic expressions, I am seized with restlessness and terror, as though I saw people drowning’? Unreal as all correspondence seemed, I kept up a desultory contact with Melissa whose letters arrived punctually. Clea wrote once or twice, and surprisingly enough old Scobie who appeared to be rather annoyed that he should miss me as much as he obviously did. His letters were full of fantastic animadversion against Jews (who were always referred to jeeringly as ‘snipcocks’) and, surprisingly enough, to passive pederasts (whom he labelled ‘Herms’, i.e. Hermaphrodites). I was not surprised to learn that the Secret Service had gravelled him, and he was now able to spend most of the day in bed with what he called a ‘bottle of wallop’ at his elbow. But he was lonely, hence his correspondence. These letters were useful to me. My feeling of unreality had grown to such a pitch that at times I distrusted my own memory, finding it hard to believe that there had ever been such a town as Alexandria. Letters were a lifeline attaching me to an existence in which the greater part of myself was no longer engaged. As soon as my work was finished I locked myself in my room and crawled into bed; beside it lay the green jade box full of hashish-loaded cigarettes. If my way of life was noticed or commented upon at least I left no loophole for criticism in my work. It would be hard to grudge me simply an inordinate taste for solitude. Father Racine, it is true, made one or two attempts to rouse me. He was the most sensitive and intelligent of them all and perhaps felt that my friendship might temper his own intellectual loneliness. I was sorry for him and regretted in a way not being able to respond to these overtures. But I was afflicted by a gradually increasing numbness, a mental apathy which made me shrink from contact. Once or twice I accompanied him for a walk along the river (he was a botanist) and heard him talk lightly and brilliantly on his own subject. But my taste for the landscape, its flatness, its unresponsiveness to the seasons had gone stale. The sun seemed to have scorched up my appetite for everything — food, company and even speech. I preferred to lie in bed staring at the ceiling and listening to the noises around me in the teachers’ block: Father Gaudier sneezing, opening and shutting drawers; Father Racine playing a few phrases over and over again on his flute; the ruminations of the organ mouldering away among its harmonies in the dark chapel. The heavy cigarettes soothed the mind, emptying it of every preoccupation. One day Gaudier called to me as I was crossing the close and said that someone wished to speak to me on the telephone. I could hardly comprehend, hardly believe my ears. After so long a silence who would telephone? Nessim perhaps? The telephone was in the Head’s study, a forbidding room full of elephantine furniture and fine bindings. The receiver, crepitating slightly, lay on the blotter before him. He squinted slightly and said with distaste ‘It is a woman from Alexandria.’ I thought it must be Melissa but to my surprise Clea’s voice suddenly swam up out of the incoherence of memory: ‘I am speaking from the Greek hospital. Melissa is here, very ill indeed. Perhaps even dying.’ Undeniably my surprise and confusion emerged as anger. ‘But she would not let me tell you before. She didn’t want you to see her ill — so thin. But I simply must now. Can you come quickly? She will see you now.’ In my mind’s eye I could see the jogging night train with its interminable stoppings and startings in dust-blown towns and villages — the dirt and the heat. It would take all night. I turned to Gaudier and asked his permission to absent myself for the whole week-end. ‘In exceptional cases we do grant permission’ he said thoughtfully. ‘If you were going to be married, for example, or if someone was seriously ill.’ I swear that the idea of marrying Melissa had not entered my head until he spoke the words. There was another memory, too, which visited me now as I packed my cheap suitcase. The rings, Cohen’s rings, were still in my stud-box wrapped in brown paper. I stood for a while looking at them and wondering if inanimate objects also had a destiny as human beings have. These wretched rings, I thought — why, it was as if they had been anxiously waiting here all the time like human beings; waiting for some shabby fulfilment on the finger of someone trapped into a mariage de convenance. I put the poor things in my pocket. Far off events, transformed by memory, acquire a burnished brilliance because they are seen in isolation, divorced from the details of before and after, the fibres and wrappings of time. The actors, too, suffer a transformation; they sink slowly deeper and deeper into the ocean of memory like weighted bodies, finding at every level a new assessment, a new evaluation in the human heart. It was not anguish I felt so much at Melissa’s defection, it was rage, a purposeless fury based, I imagine, in contrition. The enormous vistas of the future which in all my vagueness I had nevertheless peopled with images of her had gone by default now; and it was only now that I realized to what an extent I had been nourishing myself on them. It had all been there like a huge trust fund, an account upon which I would one day draw. Now I was suddenly bankrupt. Balthazar was waiting for me at the station in his little car. He pressed my hand with rough and ready sympathy as he said, in a matter-of-fact voice: ‘She died last night poor girl. I gave her morphia to help her away. Well.’ He sighed and glanced sideways at me. ‘A pity you are not in the habit of shedding tears. .a aurait été un soulagement.’ ‘Soulagement grotesque.’ ‘Approfondir les émotions … les purger.’ ‘Tais-toi, Balthazar, shut up.’ ‘She loved you, I suppose.’ ‘Je le sais.’ ‘Elle parlait de vous sans cesse. Cléa a été avec elle toute la semaine.’ ‘Assez.’ Never had the city looked so entrancing in that soft morning air. I took the light wind from the harbour on my stubbled cheek like the kiss of an old friend. Mareotis glinted here and there between the palm-tops, between the mud huts and the factories. The shops along Rue Fuad seemed to have all the glitter and novelty of Paris. I had, I realized, become a complete provincial in Upper Egypt. Alexandria seemed a capital city. In the trim garden nurses were rolling their prams and children their hoops. The trams squashed and clicked and rattled. ‘Th............
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