What fantastic tricks are played by fate or circumstance! Here is a horrible war that shall redeem a nation, that shall restore civilization, that shall establish Christianity. Here is a university of slavery that shall lead the savage to citizenship. Here is a conflagration that shall rebuild a city. Here is the stroke of a pen that shall change the destinies of many peoples. Here is the bundle of fagots that shall light the fires of liberty. As in great things, so in small. Tragedy drags comedy across the stage, and hard upon the heels of the hero tread the heavy villain and the painted clown.

What a preface to write before the name of Billville!

Years ago, when one of the ex-Virginian pioneers who had settled in Wilkes County, in the State of Georgia, concluded to try his fortune farther west, he found himself, after a tedious journey of a dozen days, in the[8] midst of a little settlement in middle Georgia. His wagons and his negroes were at once surrounded by a crowd of curious but good-humored men and a swarm of tow-headed children.

“What is your name?” he asked one of the group.

“Bill Jones.”

“And yours?” turning to another.

“Bill Satterlee.”

The group was not a large one, but in addition to Jones and Satterlee, as the newcomer was informed, Bill Ware, Bill Cosby, Bill Pinkerton, Bill Pearson, Bill Johnson, Bill Thurman, Bill Jessup, and Bill Prior were there present, and ready to answer to their names. In short, fate or circumstance had played one of its fantastic pranks in this isolated community, and every male member of the settlement, with the exception of Laban Davis, who was small and puny-looking, bore the name of Bill.

“Well,” said the pioneer, who was not without humor, “I’ll pitch my tent in Billville. My name is Bill Cozart.”

This is how Billville got its name—a name that has clung to it through thick and thin. A justifiable but futile attempt was[9] made during the war to change the name of the town to Panola, but it is still called Billville, much to the disappointment of those citizens who have drawn both pride and prosperity in the lottery of life.

It was a fortunate day for Billville when Mr. William Cozart, almost by accident, planted his family tree in the soil of the settlement. He was a man of affairs, and at once became the leading citizen of the place. His energy and public spirit, which had room for development here, appeared to be contagious. He bought hundreds of acres of land, in the old Virginia fashion, and made for himself a home as comfortable as it was costly. His busy and unselfish life was an example for his neighbors to follow, and when he died the memory of it was a precious heritage to his children.

Meanwhile Billville, stirred into action by his influence, grew into a thrifty village, and then into a flourishing town; but through all the changes the Cozarts remained the leading family, socially, politically, and financially. But one day in the thirties Berrien Cozart was born, and the wind that blew aside the rich lace of his cradle must have been an ill one, for the[10] child grew up to be a thorn in the side of those who loved him best. His one redeeming quality was his extraordinary beauty. This has, no doubt, been exaggerated; but there are still living in Billville many men and women who knew him, and they will tell you to-day that Berrien Cozart was the handsomest man they have ever seen—and some of them have visited every court in Europe. So far as they are concerned, the old saying, “Handsome is that handsome does,” has lost its force. They will tell you that Berrien Cozart was the handsomest man in the world and—probably the worst.

He was willful and wrongheaded from the first. He never, even as a child, acknowledged any authority but his own sweet will. He could simulate obedience whenever it suited his purpose, but only one person in the world had any real influence over him—a negro named Balaam. The day Berrien Cozart was born, his proud and happy father called to a likely negro lad who was playing about in the yard—the day was Sunday—and said:—

“How old are you?”

“I dunno ’zackly, marster, but ole Aunt Emmeline she know.”

[11]

“Do you do any work?”

“Yes, suh; I totes water, an’ I drives de cows ter de pastur’, an’ I keeps off de calfs, an’ I runs de chickens out ’n de gyardin.”

The sprightly and intelligent appearance of the lad evidently made a favorable impression on the master, for he beckoned to him and said:—

“Come in here; I want to show you something.”

The negro dropped his hat on the ground and followed Mr. Cozart, who led the way to the darkened room where Berrien, the baby, was having his first experience with existence. He lay on the nurse’s lap, with blinking eyes and red and wrinkled face, trying to find his mouth with his fists. The nurse, black as she was, was officious, and when she saw the negro boy she exclaimed:—

“Balaam, w’at you doin’ in yere? Take yo’se’f right out! Dis ain’t no place fer you.”

“Marster says so,” said Balaam, sententiously.

“Balaam,” said Mr. Cozart, “this baby will be your master. I want you to look after him and take care of him.”

“Yes, suh,” said Balaam, regarding his[12] new master with both interest and curiosity. “He look like he older dan w’at he is.” With that Balaam retreated to the negro quarters, where he had a strange tale to tell the other children about the new white baby.

Berrien grew and thrived, and when he was a year old Balaam took charge of him, and the two soon became devoted to each other. The negro would take the child on his back and carry him from one end of the plantation to the other, and Berrien was never happy unless Balaam was somewhere in sight. Once, when it was found necessary to correct Balaam with a switch for some boyish offense, his young master fell on the floor in a convulsion of rage and grief. This manifestation made such an impression on the family that no further attempt was ever made to punish Balaam; and so the two grew up together—the young master with a temper of extreme violence and an obstinacy that had no bounds, and the negro with an independence and a fearlessness extremely rare among slaves.

It was observed by all, and was a cause of special wonder among the negroes, that, in spite of Berrien Cozart’s violent temper,[13] he never turned his hand against Balaam, not even when he was too young to reason about the matter. Sometimes, when he was seen throwing stones in a peculiarly vicious way at a tree, or at the chickens, or at some of the other children, the older negroes would laughingly shake their heads at one another and say that the child was mad with Balaam.

These queer relations between master and slave grew stronger as the two grew older. When Berrien was ten and Balaam twenty they were even more inseparable than they had been when the negro was trudging about the plantation with his young master on his back. At that time Balaam was not allowed to sleep in the big house; but when Berrien was ten he had a room to himself, and the negro slept on a pallet by the side of the bed.

About this time it was thought necessary to get a private tutor for Berrien. He had a great knack for books in a fitful sort of way, but somehow the tutor, who was an estimable young gentleman from Philadelphia, was not very much to Berrien’s taste. For a day or two matters went along smoothly enough, but it was not long before Balaam,[14] lying on the floor outside the door, heard a tremendous racket and clatter in the room. Looking in, he saw his young master pelting the tutor with books and using language that was far from polite. Balaam went in, closing the door carefully behind him, and almost immediately the tumult ceased. Then the negro appeared leading his young master by the arm. They went downstairs and out on the lawn. The tutor, perplexed and astonished by the fierce temper of his pupil, saw the two from the window and watched them curiously. Berrien finally stopped and leaned against a tree. The negro, with his hand on the boy’s shoulder, was saying something unpleasant, for the tutor observed one or two fierce gestures of protest. But these soon ceased, and presently Berrien walked rapidly back to the house, followed by Balaam. The tutor heard them coming up the stairway; then the door opened, and his pupil entered and apologized for his rudeness.

For some time there was such marked improvement in Berrien’s behavior that his tutor often wondered what influence the negro had brought to bear on his young master; but he never found out. In fact, he soon[15] forgot all about the matter, for the improvement was only temporary. The youngster became so disagreeable and so unmanageable that the tutor was glad to give up his position at the end of the year. After that Berrien was sent to the Academy, and there he made considerable progress, for he was spurred on in his studies by the example of the other boys. But he was a wild youth, and there was no mischief, no matter how malicious it might be, in which he was not the leader. As his character unfolded itself the fact became more and more manifest that he had an unsavory career before him. Some of the older heads predicted that he would come to the gallows, and there was certainly some ground for these gloomy suggestions, for never before had the quiet community of Billville given development to such reckless wickedness as that which marked the daily life of Berrien Cozart as he grew older. Sensual, cruel, impetuous, and implacable, he was the wonder of the mild-mannered people of the county, and a terror to the God-fearing. Nevertheless, he was attractive even to those who regarded him as the imp of the Evil One, and many a love-lorn maiden was haunted by his beautiful face in her dreams.

[16]

When Berrien was eighteen he was sent to Franklin College at Athens, which was supposed to divide the responsibility of guardianship with a student’s parents. The atmosphere the young man found there in those days suited him admirably. He became the leader of the wildest set at that venerable institution, and proceeded to make a name for himself as the promoter and organizer of the most disreputable escapades the college had ever known. He was an aggressor in innumerable broils, he fought a duel in the suburbs of Athens, and he ended his college career by insulting the chancellor in the lecture-room. He was expelled, and the students and the people of Athens breathed freer when it was known that he had gone home never to return.

There was a curious scene with his father when the wayward youth returned to Billville in disgrace. The people of that town had received some inkling of the sort of education the young man was getting at college, though Mr. Cozart was inclined to look somewhat leniently on the pranks of his son, ascribing them to the hot blood of youth. But when Berrien’s creditors began to send in their accounts, amounting to[17] several thousands of dollars, he realized for the first time that the hope and pride of his later years had been vain delusions. Upon the heels of the accounts came Berrien himself, handsomer and more attractive than ever. Dissipation was not one of his vices, and he returned with the bloom of youth on his cheek and the glowing fires of health in his sparkling eyes. He told the story of his expulsion with an air as gay as any cavalier ever assumed. The story was told at the table, and there was company present. But this fact was ignored by Berrien’s father. His hand shook as he laid down his knife and fork.

“You have damaged my credit,” he said to his son across the table; “you have disgraced your mother’s name and mine; and now you have the impudence to make a joke of it at my table, sir. Let me not see your face in this house again until you have returned to college and wiped out the blot you have placed on your name.”

“As you please, sir,” said Berrien. His eyes were still full of laughter, but some of those who were at the table said his nether lip trembled a little. He rose, bowed, and passed out.

[18]

Balaam was in his young master’s room when the latter went in. He had unpacked the trunk and the valise and was placing the things in a clothes-press, meanwhile talking with himself, as most negroes will when left to themselves. Berrien entered, humming the tune of a college glee.

“I ’lowed you was at dinner, Marse Berry,” said Balaam.

“I have finished,” said young Cozart. “Have you had yours?”

“Lord! no, suh. Hit’ll be ’way yander todes night ’fo’ I kin git dese clo’es straightened out.”

“Well,” said the young man, “you go and get your dinner as soon as you can. This valise must be repacked. Before the sun goes down we must be away from here.”

“Good Lord, Marse Berry! I ain’t said howdy wid none er de folks yit. How come we got ter go right off?”

“You can stay, if you choose,” said Berrien. “I reckon you’d be a better negro if you had stayed at home all the time. Right now you ought to be picking your five hundred pounds of cotton every day.”

“Now, you know, Marse Berry, dat of you er gwine, I’m gwine too—you know[19] dat p’intedly; but you come in on me so sudden-like dat you sorter git me flustrated.”

“Well,” said Berrien, seating himself on the side of the bed and running his fingers through his curling hair, “if you go with me this time you will be taking a big jump in the dark. There’s no telling where you’ll land. Pap has taken the studs, and I have made up my mind to leave here for good and all. You belong to me, but I’ll give you your choice; you can go with me, or you can stay. If you go, I’ll probably get into a tight place and sell you; if you stay, Pap will make a pet of you for my sake.”

Regarding this as a very good offhand joke, the young man laughed so loud that the sound of it penetrated to the dining-room, and, mellow and hearty as it was, it struck strangely on the ears of those still sitting at the table.

“I knowed in reason dat dey was gwine to be a rippit,” said Balaam; “kaze you know how you been gwine on up yander, Marse Berry. I tole an’ tole you ’bout it, an’ I dunno whar in de name er goodness you’d been ef I hadn’t been right dar fer ter look atter you.”

[20]

“Yes,” remarked Berrien, sarcastically, “you were just about drunk enough half the time to look after me like a Dutch uncle.”

Balaam held his head down and chuckled. “Yes, suh,” he said, “I tuck my dram, dey ain’t no ’sputin’ er dat; yit I never has tuck so much dat I ain’t keep my eye on you. But ’t ain’t do no good: you des went right ’long; an’ dar was ole Mistiss, which she done sick in bed, an’ Miss Sally Carter, which she’s yo’ born cousin—dar dey all was a-specktin’ you ter head de whole school gang. An’ you did head ’em, mon, but not in de books.”

“My fair Cousin Sarah!” exclaimed Berrien in a reminiscent way.

“Yes, suh,” said Balaam; “an’ dey tells me down in de kitchen dat she comin’ yere dis ve’y day.”

“Then,” said the young man, “it is time for me to be going. Get your dinner. If I am to have your company, you must be ready in an hour; if you want to stay, go to the overseer and tell him to put you to work.”

Laughing good-naturedly, Balaam slipped out. After a little while Berrien Cozart went down the stairway and into the room[21] of his mother, who was an invalid. He sat at her bedside and talked a few moments. Then he straightened and smoothed her pillows, stroked her gray hair, gazed into her gentle eyes, and kissed her twice. These things the poor lady remembered long afterwards. Straying into the spacious parlor, the young man looked around on the familiar furniture and the walls covered with portraits. Prominent among these was the beautiful face of Sally Carter. The red curtains in the windows, swaying to and fro in the wind, so swiftly changed the light and shadow that the fair face in the heavy gilt frame seemed to be charged with life. The lustrous eyes seemed to dance and the saucy lips to smile. Berrien remembered his fair cousin with pleasure. She had been his playmate when he was younger, and the impression she made on him had been a lasting one. Beautiful as she was, there was no nonsense about her. She was high-spirited and jolly, and the young man smiled as he recalled some of their escapades together. He raised his hand to salute the portrait, and at that moment a peal of merry laughter greeted his ears. Turning, he saw framed in the doorway the rosy[22] original of the portrait. Before he could recover from his astonishment the young lady had seized and kissed him. Then she held him off at arm’s length and looked at him.

“Why, how handsome you have grown;” she cried. “Just think of it! I expected to meet a regular border ruffian. My dear boy, you have no idea what a tremendous reputation your friends have given you. Ann Burney—you remember that funny little creature, don’t you? as fat as a butterball—Ann told me the other day that you were positively the terror of everybody around Athens. And now I find you here kissing your fingers at my portrait on the wall. I declare, it is too romantic for anything! After this I know you will never call me Sarah Jane.”

“You have taken me by surprise,” said Berrien, as soon as he could get in a word. “I was admiring the skill of the artist. The lace there, falling against the velvet bodice, is neatly done.”

“Ah, but you are blushing; you are confused!” exclaimed Miss Carter. “You haven’t even told me you are glad to see me.”

[23]

“There is no need to tell you that,” said Berrien. “I was just thinking, when you rushed in on me, how good and kind you always were. You are maturer than the portrait there, but you are more beautiful.”

Miss Carter bent low with a mock courtesy, but the color in her face was warmer as she exclaimed:—

“Oh, how nice you are! The portrait there is only sixteen, and I am twenty-five. Just think of that! And just think of me at that age—what a tomboy I was! But I must run and tell the rest of the folks howdy.”

Berrien Cozart walked out on the veranda, and presently he was joined by his father. “My son,” said the old gentleman, “you will need money for your traveling expenses. Here is a check on our Augusta factor; you can have it cashed in Madison. I want you to return to college, make all proper apologies, and redeem yourself.”

“Thank you, sir,” said Berrien, taking the check and stuffing it into his pocket. His father turned to go indoors, hesitated a moment, and looked at Berrien, who was drumming idly on one of the pillars. Then the old gentleman sighed and went in.

[24]

Shortly thereafter Berrien Cozart and Balaam were journeying away from Billville in the conveyance that had brought them there.

On the high hill beyond the “town branch” Balaam leaned out of the hack and looked back at Billville. The town appeared insignificant enough; but the setting sun imparted a rosy glow to the roof of the yellow court-house and to the spire of the old church. Observing the purpose of the negro, Mr. Cozart smiled cynically and flipped the hot ashes of his cigar into Balaam’s ear.

“As you are telling the town good-by,” said the young man, “I’ll help you to bow.”

“Yasser!” said Balaam, shaking the ashes from his ear; “I was des a-lookin’ back at de place. Dat sun shine red, mon, an’ de jail look like she de bigges’ house dar. She stan’ out mo’ bigger dan w’at de chu’ch do.”

It may be that this statement made no impression on Berrien, but he leaned back in his seat and for miles chewed the end of his cigar in silence.

It is not the purpose of this chronicle to follow him through all his adventures and escapades. As he rode away from Billville[25] on that memorable day he seemed to realize that his career had just begun. It was a career to which he had served a long and faithful apprenticeship, and he pursued it to the end. From Madison he went to Atlanta, where for months he was a familiar, albeit a striking figure. There were few games of chance in which he was not an adept. No conjurer was so adroit with the cards or the dice; he handled these emblems of fate and disaster as an artist handles his tools. And luck chose him as her favorite; he prospered to such a degree that he grew reckless and careless. Whereupon one fine day luck turned her back on him, and he paraded on fine afternoons in front of Lloyd’s Hotel a penniless man. He had borrowed and lost until he could borrow no longer.

Balaam, who was familiar with the situation, was not surprised to learn that his master had made up his mind to sell him.

“Well, suh,” said Balaam, brushing his master’s coat carefully,“you kin sell me, but de man dat buys Balaam will git a mighty bad bargain.”

“What do you mean?” exclaimed Berrien.

“You kin sell me, suh, but I ain’t gwine stay wid um.”

[26]

“You can’t help yourself,” said the master.

“I got legs, Marse Berry. You know dat yo’se’f.”

“Your legs will do you no good. You’ll be caught if you go back home.”

“I ain’t gwine dar, suh. I’m gwine wid you. I hear you say yistiddy night p’intedly dat you gwine ’way f’om dis place, an’ I’m gwine wid you. I been ’long wid you all de time, an’ ole marster done tol............