Diva Thane, it is perhaps needless to say, was a child of the North. Her peculiar type of beauty blossoms only out of soil, which, for half the year, withdraws its warmth into its deep heart, and wraps itself in a chill, white robe of snow. She had made her appearance in Savalla, about a twelvemonth before, unheralded and unknown, had rented the parlor of a decayed aristocratic mansion as a studio, and had tacked on the door a card signifying to the public that she was a painter in oils. She had thenceforth been an example of that freedom and independence of life which Art makes possible for its votaries, of either sex, as a compensation, in some sort, for the sacrifices that they are bound to make to her.
It soon became known that the Youles endorsed Miss Thane to the fullest extent, both socially and financially; else society might have given her a cool reception. But it could scarcely, in its haughtiest mood, have meted out to her a fuller measure of scornful indifference than she accorded to it, when, in due time, it made up its mind to hold out a condescending hand to her. She declined its invitations, she took no notice of its calls, she would none of its patronage. Just in proportion as it grew more eager, piqued by her indifference, and curious to penetrate the mystery which surrounded her, she became colder and more distant. Finally, society was compelled to understand that the sole favor which she would accept at its hands, was forgetfulness of her existence.
Nor was the public treated much better, in her capacity of artist. Visitors at her studio found free admission, and opportunity to examine, at their leisure, the pictures, sketches, and studies, which crowded the walls; but rarely did she turn from her easel, to give them more than the briefest glimpse of her statuesque beauty, or the most concise of answers to their questions. Generally, she found some reason for declining their orders; and fully one half of the pictures on her walls were labelled, "Not to be Sold," while the sale of the remainder was plainly a matter of the profoundest indifference to her. It must needs be inferred that she had means of subsistence other than her art, amply sufficient for her quiet, inexpensive mode of life.
Nevertheless, she worked with indefatigable industry, as well as undeniable talent. If her pictures evinced some lack of technical skill, they were endued with a force and feeling which more than atoned for its absence; since the one would address itself chiefly to connoisseurs, while the other went straight to the universal heart. They covered a wide range of subjects, yet a profound observer would have traced a certain connection and sequence in them all. The earlier and cruder efforts of her pencil were pleasant outdoor scenes,—children wading in a sunshine brook, farm youths and maidens tossing about new-mown hay, and village girls dancing under wide-spreading boughs,—scenes so perfect in their idealization as to seem familiar to every eye, yet never without that inestimable something added or eliminated, which constitutes the difference between the picturesque and the commonplace. After these came works not only marked by greater skill of design and felicity of color, but informed with a deeper feeling;—yet so delicately indicated that none but the finest instinct would have perceived how softly Love illumined the landscape, or shone in the smile of the youth, or looked up to the maiden from her own downcast eyes reflected in the water. Then came a sudden change,—pictures and sketches wherein the artist\'s pencil must have been driven by some terrible intensity of feeling, to have wrought with such sombre power;—such as an illimitable desert, with a man riding fast toward a wan, setting sun, and his long, backward shadow falling upon a woman\'s outstretched, yearning hands,—or the black silhouette of a drifting and dismantled ship, seen against a blood-red moon, setting in a dun and angry sea,—or a deep and dismal cavern, with a female figure lying bruised and broken at the bottom of a fissure, and a man, also torn and bleeding, seen at the end of a long vista, searching for what he will not find. These pictures affected the spectator like a nightmare; there was such a fell shadow of immitigable fate in them all, and so notable an absence of anything like hope or faith, that while he acknowledged their power, he shuddered at their spirit.
Of course, Rumor could not help busying herself with a subject so inviting as the artist, though so bare of definite results. She was variously reported to be an escaped nun, a bride that had nearly lost her life at the hands of an insane bridegroom, a widow—barely one month a wife—seeking to throw off an intolerable burden of grief by the help of new scenes, new faces, and a new manner of life, and an heiress, fled from the importunities of harsh guardians and an unwelcome suitor. It will serve as an indication of the occasional correctness of the popular instinct, that not one of these conjectures cast any shadow upon the whiteness of her fame. Not more inevitably did her face suggest snow, marble, and whatever was at once white and cold, than her demeanor suggested their chill purity. Moreover, notwithstanding that she led so unfettered and independent a life, as compared with the majority of her sex—dwelling under her own guardianship, and ordering her day\'s routine to her own liking—the closest scrutiny could not detect anything therein, that was not austere, lonely, and laborious enough to suit the cell of an anchorite.
Yet, though there was so little in her way of living to suggest affluence, it soon became known that her hands were open, and her purse deep, to any claim upon her benevolence. While it never appeared that she set herself to seek out objects of charity, to such as came to her, either in person or by proxy, her bounty was generally far in excess of the demand. The only grace which it lacked, was that subtle element of the giver in the gift, which imparts a sympathetic warmth to the silver or the gold, as it is dropped in the outstretched hand; augmenting, to a degree incalculable by any known arithmetic, its power of relieving the distressed heart. Though Miss Thane gave generously, she gave none the less carelessly and coldly.
The only person whom she distinguished by any mark of affection, or measure of confidence, was Coralie Youle. The two had been classmates at a Northern boarding-school, where the native girl had first soothed and petted the stranger through a severe attack of homesickness, and then had been devotedly nursed, in her turn, during a trying dispensation of scarlet fever; in consequence of which a friendship of more than ordinary warmth and tenacity had grown up between them; manifesting itself on Coralie\'s part, by a half worshipping admiration, and on Diva\'s, by the strong, yearning clasp of a nature that puts forth no slender, fragile tendrils, but clings only in virtue of a bend or coil of its own tough fibre. To Coralie she was never cold, never unresponsive; the girl knew that there was no veiled, inner chamber of her friend\'s heart to which she had not some time penetrated, and which she would be allowed to enter again, whenever her presence could throw one ray of light across its dusk. With that she was satisfied. One thing the two possessed in common—the most absolute trust in each other.
Still, though Diva always received Coralie at her studio with deep-lit eyes of welcome, and a hand-clasp into which she had the power of putting more tenderness than ordinary women would express by a close embrace, and though she often joined her in long walks through the city and suburbs, it was rarely that she could be persuaded to visit her in her own home. If she did so, it was usually at an hour when she would be little likely to meet the other members of the family. It was as a great favor, therefore, that she had consented to stay to dinner, on the day when Bergan had met her. Nevertheless, when Coralie really set her heart upon anything in her friend\'s power to give, she always gained her point. And so it came to pass that, a few weeks later, when the family left for their summer residence of Farview, in the hill-region of the State, she carried Diva with her, for a visit of a fortnight.
Thither, also, after awhile, came Bergan; yielding to Mr. Youle\'s entreaty that he would close the office, for at least a day or two, and give himself a breath of fresh air. Secure in his dearly bought acclimation, he had not purposed to leave the city; anticipating no worse effect from its summer atmosphere than a kind of dreamy languor, which, in his present state of mind, was perhaps more to be desired than any bracing of his energies. Nevertheless, he had come to feel for Mr. Youle a degree of filial affection; and he would not pain him by a churlish disregard of his kindness.
He reached Farview about sunset. For the last three or four miles, he had seen the low roof and broad piazzas of his goal looking down upon him from the hill top, as he journeyed up the valley, and when he finally stood on the green and flowery lawn, he felt as if his own being were suddenly and sympathetically magnified an hundred degrees, so wide was the lovely and luxuriant Southern landscape outspread before him. Field and forest spotted it with various verdure; a river drew a bright, wavy line across it; here, the yellow sunshine brought out clearl............