Up to this time, the history of Astra Lyte may be compressed into a few sentences. She was the daughter of Dr. Harvey Lyte, who had been, for many years, the leading physician of Berganton. Her artistic talent having early manifested itself, her father had taken pleasure in fostering and developing it; first, by giving her the benefit of whatever rudimentary instruction the neighborhood offered, and then, by affording her a year\'s enjoyment of the best art advantages to be procured in New York.

Little more than a year ago, however, the good doctor had been forced to succumb, in his own person, to the two powerful foes that he had spent his lifetime in battling for others,—namely, disease and death. His professional income necessarily dying with him, only a moderate provision remained for his family; enough to enable them to eat the bread of carefulness, but not sufficient to maintain them in the degree of easy comfort and luxury to which they had long been accustomed. In due time changes and sacrifices became necessary; among which may be mentioned the letting of the vacant medical office to Doctor Remy, and the subsequent handing over of other dispensable rooms to the occupancy of Bergan Arling.

Before this last arrangement was effected, however, Astra had gone to New York, to see what could be done to make her art productive of something besides pleasure. That had been a very bright moment, amid the gloom and straitness following upon her father\'s death, wherein it had occurred to her that she possessed in brain and fingers, in her wonderful power of kneading together thought and matter into beautiful and significant shapes, the means of restoring to her mother the ease and independence which had been impaired by her father\'s death. Never had her art looked so divine as when it cast aside the soft drapery of personal gratifications and aims, and stood forth a young athlete, eager for strife, a sturdy son of toil, ready to earn its bread by the sweat of its brow.

Not that Astra expected to win success all at once, or quickly. There was a vast deal of practicality underlying her imaginativeness and enthusiasm,—the solid foundation which is needed to make genius available. She foresaw (no one more clearly) the difficulties, delays, and disappointments, before her. But what of that? She was young; she was in good health; she had a courageous heart, an energetic temperament, and buoyant spirits; she could afford to work and wait. Her tastes were simple, her wants, outside the domain of art, few,—and, even there, deficiencies could be supplied, in a measure, by severe study and closer application. If the superior masters, the sojourn in Europe, to which she had looked forward, were denied her, she was not going to break her heart nor cloud her brow, about it. God, who had given her talent, would not leave it without due means of increase. Her duty was to work, to be brave, and to be cheerful; all else would come, in good time.

This, then, was the sort of a person who had now come to dwell under the same roof with Bergan; and who straightway set to work in her studio, which was divided from his office only by the airy breadth of the main hall. Of course, he saw her frequently; her art afforded them broader, freer ground upon which to meet than is always open to man and woman. Not that the proprieties need have been scandalized had Miss Lyte\'s occupation been the embroidering of roses in worsted, instead of the modelling of figures in clay; for the door between studio and sitting-room stood always open, and Mrs. Lyte, from her work-table, frequently threw a passing remark into the conversation that came so freely to her ears; while Cathie continually flashed in and out like a fire-fly or a humming bird. But the worsted roses would scarcely have constituted a subject of mutual interest for the young man and woman, as did the clay figures; nor would the talks over them have run so naturally, and almost inevitably, upon the same elevated and impersonal plane of thought. Setting the worker entirely aside, Bergan could not fail to be deeply interested in the work. He liked to understand its process, and watch its progress. It was wonderful to him to see the dull clay slowly taking the shape of the viewless, informing thought. He went back to his office, not only with a deeper comprehension of the respective functions of mind and matter, but with a wider view of their scope and influence. Words, he saw, were also a kind of plastic material, through which thought revealed itself to eye and ear. He began to study expression, as well as meaning; he selected words, and constructed sentences, with greater care and conscientiousness; he saw that, since thought could only become visible through form, form was a matter of more moment, and involved a stricter duty, than he had hitherto believed.

But if Bergan learned so much from the work, it must be acknowledged that he also learned something from the worker. She was so loyal to her art and her aims. She wrought with such cheerful diligence, such unwasting enthusiasm, and such thorough conscientiousness. Having done the best of which she was capable, she maintained such a steady front against the assaults of depression and discouragement, deploying their forces upon the wide space between her conception and her achievement. If she failed, she cheerfully declared that the failure had taught her more than any success could have done, and commenced anew; if she succeeded, she was soberly glad, as having gained an inch or two of the field,—over which, however, it might be long ere she could wave the banner of victory. The spectacle could not fail to have a healthful influence upon Bergan, inasmuch as Miss Lyte\'s patrons were not more numerous than his clients; he saw that she kept her face bright, and her spirit brave, under very real trials of limitation, delay, and disappointment. He always went to his own work with a stouter heart and steadier purpose, after watching hers for some moments; whether she merely retouched and revised the preceding day\'s labor, with minute, inexhaustible patience; or quietly gathered up the fragments of a model overtaken by sudden disaster; or moulded moist clay, with rapt face, eyes lit by a deep, inward fire, and fingers so swift and forceful as to suggest the guidance of some unseen power. In this last case, he did not disturb her by so much as a word. He only looked on in silence until her white heat of inspiration had kindled something like a kindred glow in his own mind; when he noiselessly stole out, to plunge into his own work with renewed ardor. We may well believe that, just at the moment when Bergan\'s lonely life and dim prospects were beginning to tell upon his spirits and energies, it was not without providential design that an object so inspiring and heartening as Astra Lyte in her studio, was placed before his eyes.

Nor was the benefit wholly on one side. Astra found real help and cheer in Bergan\'s intelligent interest and hearty appreciation. Moreover, he was quick to see whenever mechanical contrivance or manly strength could come to her aid; and he knew how to furnish both, in fit and delicate measure. His perceptions were scarcely less nice than her own; he knew just when to extend the helping hand, and when to withdraw it; neither hesitation nor officiousness marred his aid.

But Bergan was not the only visitor at the studio. Doctor Remy\'s straight-featured, intellectual face was often to be seen there, with its chill and satirical expression half-obliterated by a look of kindly interest. And his aid was not less ready than Bergan\'s, and, perhaps, more valuable. Hints and criticisms, suggested by his profound anatomical and physiological knowledge, often came just in time to prevent a blunder, or clinch a success.

So time rolled on, for another month or two, doing much for the growth of acquaintance, and even a degree of intimacy, between the artist, the lawyer, and the physician, thus thrown together under one roof, but very little for the pecuniary advantage of the two former. Astra had received a commission for a small portrait-medallion; Bergan had been employed to draw up a few law-papers. The two often exchanged good-humored jests upon the manifest ability of the world to get on without their help. But it was a much more serious matter for the young man than the maiden. Astra had understood that, Art being a luxury, it must first create the demand which it meant to supply; but Bergan knew well that law was neither unknown nor unsought, in Berganton. Courts were held, and lawyers gathered, there; it was strange that so little of the work came to his hands. Meanwhile, the funds with which he had been supplied, on leaving home, were rapidly melting away; and he was unwilling to apply for more, both because he desired to be self-dependent, and disliked to admit failure.

He was sitting in his office, one afternoon, dividing his thoughts between his books and the unpromising state of his affairs, when there came a cautious knock at the door.

"Come in!" he called out, wondering if his long-expected client were about to present himself.

First, appeared a black hand and a nondescript hat; next, a woolly head and a wide, delighted grin; finally, a loose, slouching form, in a shapeless suit of plantation gray. No client was this. It was only his would-be property, Brick.

Perhaps Bergan\'s disappointment showed itself in his countenance, for the negro hastily began to explain the reason of his coming.

"Gramma Rue, she sent me, massa. She don\'t feel right smart, dese yere times, an\' she say she tink her days drawin\' to her close, an\' she\'s mighty anxious to see you, massa, \'fore she done gone. So she tole me to ax you, could n\' you come to yer ole room in de Hall, some ob dese yere ebenins, jes\' so\'s to gib her a chance to talk wid you. Ole massa need n\' know nothin\' \'bout it; he\'s allers safe \'nough in de cottage dem times. An\' she hopes you\'ll hab de kin\'ness to come, \'case she\'s got suthin\' bery partic\'lar to say to you."

Bergan hesitated. He could not visit the old Hall without reviving painful recollections; besides, it did not suit his natural straightforwardness to go thither in a half-clandestine way. Yet how could he refuse the urgent request of Maumer Rue, weighted not only with the probability of coming death, but with the consideration of her long, faithful, life service of his mother\'s family? And, after all, there was no great harm in a visit to the deserted Hall, to gratify an old, infirm, attached dependent. He certainly need do no skulking; if he chanced to co............