"It isn't as though she were the sort of girl who can't take care of herself," said Lady St. Craye to the Inward Monitor who was buzzing its indiscreet common-places in her ear. "I've really done her a good turn by sending her to Grez. No—it's not in the least compromising for a girl to stay at the same hotel. And besides, there are lots of amusing people there, I expect. She'll have a delightful time, and get to know that Temple boy really well. I'm sure he'd repay investigation. If I weren't a besotted fool I could have pursued those researches myself. But it's not what's worth having that one wants; it's—it's what one does want. Yes. That's all."

Paris was growing intolerable. But for—well, a thousand reasons—Lady St. Craye would already have left it. The pavements were red-hot. When one drove it was through an air like the breath from the open mouth of a furnace.

She kept much within doors, filled her rooms with roses, and lived with every window open. Her balcony, too, was full of flowers, and the striped sun-blinds beyond each open window kept the rooms in pleasant shadow.

"But suppose something happens to her—all alone there," said the Inward Monitor.

"Nothing will. She's not that sort of girl." Her headache had been growing worse these three days. The Inward Monitor might have had pity, remembering that—but no.

"You told Him that all girls were the same sort of girls," said the pitiless voice.

"I didn't mean in that way. I suppose you'd have liked me to write that anonymous letter and restore her to the bosom of her furious family? I've done the girl a good turn—for what she did for me. She's a good little thing—too good for him, even if I didn't happen to—And Temple's her ideal mate. I wonder if he's found it out yet? He must have by now: three weeks in the same hotel."

Temple, however, was not in the same hotel. The very day of the river rescue and the double omelette he had moved his traps a couple of miles down the river to Montigny.

A couple of miles is a good distance. Also a very little way, as you choose to take it.

"You know it was a mean trick," said the Inward Monitor. "Why not have let the girl go away where she could be alone—and get over it?"

"Oh, be quiet!" said Lady St. Craye. "I never knew myself so tiresome before. I think I must be going to be ill. My head feels like an ice in an omelette."

Vernon, strolling in much later, found her with eyes closed, leaning back among her flowers as she had lain all that long afternoon.

"How pale you look," he said. "You ought to get away from here."

"Yes," she said, "I suppose I ought. It would be easier for you if you hadn't the awful responsibility of bringing me roses every other day. What beauty-darlings these are!" She dipped her face in the fresh pure whiteness of the ones he had laid on her knee. Their faces felt cold, like the faces of dead people. She shivered.

"Heaven knows what I should do without you to—to bring my—my roses to," he said.

"Do you bring me anything else to-day?" she roused herself to ask. "Any news, for instance?"

"No," he said. "There isn't any news—there never will be. She's gone home—I'm certain of it. Next week I shall go over to England and propose for her formally to her step-father."

"A very proper course!"

It was odd that talking to some one else should make one's head throb like this. And it was so difficult to know what to say. Very odd. It had been much easier to talk to the Inward Monitor.

She made herself say: "And suppose she isn't there?" She thought she said it rather well.

"Well, then there's no harm done."

"He doesn't like you." She was glad she had remembered that.

"He didn't—but the one little word 'marriage,' simply spoken, is a magic spell for taming savage relatives. They'll eat out of your hand after that—at least so I'm told."

It was awful that he should decide to do this—heart-breaking. But it did not seem to be hurting her heart. That felt as though it wasn't there. Could one feel emotion in one's hands and feet? Hers were ice cold—but inside they tingled and glowed, like a worm of fire in a chrysalis of ice. What a silly simile.

"Must you go?" was what she found herself saying. "Suppose she isn't there at all? You'll simply be giving her away—all her secret—and he'll fetch her home."

That at least was quite clearly put.

"I'm certain she is at home," he said. "And I don't see why I am waiting till next week. I'll go to-morrow."

If you are pulling a rose to pieces it is very important to lay the petals in even rows on your lap, especially if the rose be white.

"Eustace," she said, suddenly feeling quite coherent, "I wish you wouldn't go away from Paris just now. I don't believe you'd find her. I have a feeling that she's not far away. I think that is quite sensible. I am not saying it because I—And—I feel very ill, Eustace. I think I am—Oh, I am going, to be ill, very ill, I think! Won't you wait a little? You'll have such years and years to be happy in. I don't want to be ill here in Paris with no one to care."

She was leaning forward, her hands on the arms of her chair, and for the first time that day, he saw her face plainly. He said: "I shall go out now, and wire for your sister."

"Not for worlds! I forbid it. She'd drive me mad. No—but my head's running round like a beetle on a pin. I think you'd better go now. But don't go to-morrow. I mean I think I'll go to sleep. I feel as if I'd tumbled off the Eiffel tower and been caught on a cloud—one side of it's cold and the other's blazing."

He took her hand, felt her pulse. Then he kissed the hand.

"My dear, tired Jasmine Lady," he said, "I'll send in a doctor. And don't worry. I won't go to-morrow. I'll write."

"Oh, very well," she said, "write then,—and it will all come out—about her being here alone. And she'll always hate you. I don't care what you do!"

"I suppose I can write a letter as though—as though I'd not seen her since Long Barton." He inwardly thanked her for that hint.

"A letter written from Paris? That's so likely, isn't it? But do what you like. I don't care what you do."

She was faintly, agreeably surprised to notice that she was speaking the truth. "It's rather pleasant, do you know," she went on dreamily, "when everything that matters suddenly goes flat, and you wonder what on earth you ever worried about. Why do people always talk about cold shivers? I think hot shivers are much more amusing. It's like a skylark singing up close to the sun, and doing the tremolo with its wings. I'm sorry you're going away, though."

"I'm not going away," he said. "I wouldn't leave you when you're ill for all the life's happinesses that ever were. Oh, why can't you cure me? I don't want to want her; I want to want you."

"I'm certain," said Lady St. Craye brightly, "that what you've just been saying's most awfully interesting, but I like to hear things said ever so many times. Then the seventh time you understand everything, and the coldness and the hotness turn into silver and gold and everything is quite beautiful, and I think I am not saying exactly what you expected.—Don't think I don't know that what I say sounds like nonsense. I know that quite well, only I can't stop talking. You know one is like that sometimes. It was like that the night you hit me."

"I? Hit you?"

He was kneeling by her low chair holding her hand, as she lay back talking quickly in low, even tones, her golden eyes shining wonderfully.

"No—you didn't call it hitting. But things aren't always what we call them, are they? You mustn't kiss me now, Eustace. I think I've got some horrid fever—I'm sure I have. Because of course nobody could be bewitched nowadays, and put into a body that feels thick and thin in the wrong places. And my head isn't too big to ............