The immediate outcome of this was money—more money than Eden Row had ever imagined. Mrs. Sheerug refused to leave Orchid Lodge.

“I’ll help you splash,” she told Alonzo, “but I won’t move out of Orchid Lodge.”

As a compromise, Orchid Lodge was re-decorated in violent colors, and a carriage and pair waited before it. Mrs. Sheerug used her carriage for hunting up invalids that she might dose them with medicines of her own invention. She inclined to the garish in her method of dress, wearing yellow feathers and green plush, as in the old days when Jimmie Boy had dashed to the window to make sketches of her for the faery-godmother. And to him she was a faery-godmother, for she bought his pictures and insisted on having an exhibition of them at The Beauty Palace.

“Ah, my dear,” she would say, crossing her hands, “God sends us poverty that we may be kind when our money comes.”

Was she happy? Teddy wondered. Sometimes he fancied that she coveted the days of careless uncertainty and happy-go-lucky comfort. One of her chief hobbies had been taken from her: it was no longer possible to get into debt And her gifts didn’t mean so much, now that her giving could be endless. It would be absurd for the wife of the great Alonzo Sheerug to produce black bottles from under her mantle and thrust them at people with the information that the contents would “build you up.” She had to send whole cases of wine now, and there wasn’t the same personal pleasure.

She had saved the spare-room from the imagination of the decorators. More than once Teddy caught her there, shuffling about in her woolen slippers and plum-colored dressing-gown. She seemed more natural like that It was so that he loved her best.

For him the success of Beauty Incorporated brought two results: an income and a friend. Mr. Sheerug had rewarded his escapade at Brighton by allotting him shares in the company. The boom increased their value beyond all expectations; he found himself possessed of over three hundred pounds per annum. But the more valuable result was the knowledge of life which he gained from his friendship with Madame Josephine.

To the world in general she was a notorious woman who had sinned splendidly and with discretion. She seemed to deny the advantages of virtue. Was she not beautiful? Was she not young? Hadn’t she wealth? Teddy had come to an age when youth tests the conventions; it was Madame Josephine who answered his doubts on the subject.

The Madame Josephine he knew was a white-haired old lady who liked him to treat her as a grandmother. She would talk to him by the hour about books and dead people, and sometimes about love.

There was an adventure in going to see her, for she only dared to be old in his presence—to the rest of the world it was her profession to be young. As Duke Nineveh was always telling her, appearances had to be kept up.

She had a secret room at the top of her house to which Teddy alone was admitted. The servants were ignorant of what went on there. They invented legends.

He had to speak his name distinctly; then a chair would be pushed back, footsteps would sound, and the key would turn. The moment he was across the threshold, the lock grated behind him. And there, after all these mysteries, was an old lady, sweet-featured and wistful-looking—an old lady who an hour before had been admired for her youth by the London crowds.

Hanging from the ceiling was a cage with a canary. On the sill were flower-boxes. From the window, across trees, one could catch a glimpse of Kensington Gardens and the blown petals of children. It was an old lady’s room, filled with memories. On the walls were faded photographs with spidery signatures; on the table a work-basket; beside the table a rocking chair.

“Here’s where my soul lives,” she said. “The other person, phew!” Her hands opened expressively. “She’s the husk. Those who live to please, must please to live, Teddy. It’s a terrible thing to have to go on shamming when you’re seventy—shamming you’re gay, shamming you’re flippant, shamming you’re wicked. So few things matter when you’re seventy. Money doesn’t.”
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