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Chapter 11
Paul had gone home too, and was feeling his way upstairs in the dark: he dimly remembered going up some stairs in the dark like this when he was a boy, but he could not remember where it had been. Now, as then, he had the feeling that there was some danger near him which he could only escape by strict attention to what he was doing. He reached the landing, he stood before his own door, he was safe. But he hesitated an instant before opening it, then crossed over and tapped lightly with the knuckle of his forefinger at his mother's door and entered without waiting for a reply.

"It is I," he said brusquely; "don't light the candle, I have something to tell you."

He heard her turning round in her bed, the straw mattress creaking under her: but he could not see her, he did not want to see her; their two souls must speak together in the darkness as though they had already passed to the world beyond.

"Is it you, Paul? I was dreaming," she said in a sleepy yet frightened voice; "I thought I heard dancing, some one playing on the flute."

"Mother, listen," he said, paying no attention to her words. "That woman, Agnes, is ill. She has been ill since this morning. She had a fall; it seems she hurt her head and is bleeding from her nose."

"You don't mean it, Paul? Is she in danger?"

In the darkness her voice sounded alarmed, yet at the same time incredulous. He went on, repeating the breathless words of the servant:

"It happened this morning, after she got the letter. All day long she was pale and refused to eat, and this evening she grew worse and fell into convulsions."

He knew that he was exaggerating, and stopped: his mother did not speak. For a moment in the silence and the night there was a deathlike tension, as though two enemies were seeking each other in the darkness and seeking in vain. Then the straw mattress creaked again; his mother must have raised herself to a sitting position in the high bed, because her clear voice now seemed to come from above.

"Paul, who told you all this? Perhaps it is not true."

Again he felt that it was his conscience speaking to him through her, but he answered at once:

"It may be true. But that is not the question, mother. It is that I fear she may commit some folly. She is alone in the hands of servants, and I must see her."

"Paul!"

"I must," he repeated, raising his voice almost to a shout; but it was himself he was trying to convince, not his mother.

"Paul, you promised!"

"I know I promised, and for that very reason I have come to tell you before I go. I tell you that it is necessary that I should go to her; my conscience bids me go."

"Tell me one thing, Paul: are you sure you saw the servant? Temptation plays evil tricks on us and the devil has many disguises."

He did not quite understand her.

"You think I am telling a lie? I saw the servant."

"Listen—last night I saw the old priest, and I thought I heard his footsteps again just now. Last night," she went on in a low voice, "he sat beside me before the fire. I actually saw him, I tell you: he had not shaved, and the few teeth he had left were black from too much smoking. And he had holes in his stockings. And he said, 'I am alive and I am here, and very soon I shall turn you and your son out of the presbytery.' And he said I ought to have taught you your father's trade if I did not wish you to fall into sin. He so upset my mind, Paul, that I don't know whether I have acted rightly or wrongly! But I am absolutely sure that it was the devil sitting beside me last night, the spirit of evil. The servant you saw might have been temptation in another shape."

He smiled in the darkness. Nevertheless, when he thought of the fantastic figure of the servant running across the meadow, he felt a vague sense of terror in spite of himself.

"If you go there," continued his mother's voice, "are you certain you will not fall again? Even if you really saw the servant and if that woman is really ill, are you sure not to fall?"

She broke off suddenly; she seemed to see his pale face through the darkness, and she was filled with pity for him. Why should she forbid him to go to the woman? Supposing Agnes really died of grief? Supposing Paul died of grief? And she was as wracked with uncertainty as he had been in the case of Antiochus.

"Lord," she sighed; then she remembered that she had already placed herself in the hands of God, Who alone can solve all our difficulties. She felt a sort of relief, as if she had really settled the problem. And had she not settled it by entrusting it in the hands of God?

She lay back on her pillow and her voice came again nearer to her son.

"If your conscience bids you go, why did you not go at once instead of coming in here?"

"Because I promised. And you threatened to leave me if I went back to that house. I swore...." he said with infinite sadness. And he longed to cry out, "Mother, force me to keep my oath!" but the words would not come. And then she spoke again:

"Then go: do whatever your conscience bids you."

"Do not be anxious," he said, coming close up to the bed; and he stood there motionless for a few minutes and both were silent. He had a confused impression that he was standing before an altar with his mother lying upon it like some mysterious idol, and he remembered how, when he was a boy in the Seminary, he was always obliged to go and kiss her hand after he had been to confession. And something of the same repugnance and the same exaltation moved him now. He felt that if he had been alone, without her, he would have gone back to Agnes long since, worn out by that endless day of flight and strife; but his mother held him in check, and he did not know whether he was grateful to her or not.

"Do not be anxious!" Yet all the time he longed and feared that she would say more to him, or that she would light the lamp and, looking into his eyes, read all his thoughts and forbid him to go. But she said nothing. Then the mattress creaked again as she stretched herself in the bed.

And he went out.

He reflected that after all he was not a scoundrel: he was not going with any bad motive or moved by passion, but because he honestly thought that there might be some danger he could avert, and the responsibility for this danger rested upon him. He recalled the fantastic figure of the servant running across the moonlit grass, and turning back to look at him with bright eyes as she said:

"My little mistress will take courage if only you will come."

And all his efforts to break away from her appeared now base and stupid: his duty was to have gone to her at once and given her courage. And as he crossed the meadow, silvery in the moonlight, he felt relieved, almost happy, he was like a moth attracted by the light. And he mistook the joy he felt at the prospect of seeing Agnes again in a few moments for the satisfaction of doing his duty in going to save her. All the sweet scent of the grass, all the tender radiance of the moon bathed and purified his soul, and the healing dew fell upon it even through his clothes of deathlike black.

Agnes, little mistress! In truth, she was little, weak as a child, and she was all alone, without father or mother, living in that labyrinth of stone, her dark house under the ridge. And he had taken advantage of her, had caught her in his hand like a bird from the nest, gripping her till the blood seemed driven from her body.

He hurried on. No, he was not a bad man, but as he reached the bottom of the steps that led up to the door he stumbled, and it was sharply borne in upon him that even the stones of her threshold repulsed him. Then he mounted softly, hesitatingly, raised the knocker and let it fall. They were a long time coming to answer the door, and he felt humiliated standing there, but for nothing in the world would he have knocked a second time. At last the fanlight over the door was lit up and the dark-faced maid let him in, showing him at once into the room he knew so well.

Everything was just as it had been on other nights, when Agnes had admitted him secretly by way of the orchard; the little door stood ajar, and through the narrow opening he could smell the fragrance of the bushes in the night air. The glass eyes in the stuffed heads of stags and deer on the walls shone in the steady glow of the big lamp, as though taking careful note ............
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