Curiosity of the wood—How the rock disintegrated—Extraordinary shapes—A labyrinth—La Gleyzasse—Hermitage—the King of Pa?olive—The Royalists of 1792—Jalès—The Bailli of Suffren—Taking the inventories.
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LE BOIS DE PA?OLIVE is in repute among the inhabitants of the plain and its great cities as one of the wonders of the world, at least of that self-contained world of France, in which is everything, outside of which nothing. Pa?olive is Pagus Oliv?. Curious the wood is, but cannot compare with Mourèze or Montpellier le Vieux, which have characteristics in common with it. The characteristics are these. There is an extensive elevated platform of cretaceous limestone of very unequal consistency. The result of this inequality has been that the softer matter has been washed away, whether at the retreat of the Tertiary ocean, or whether by atmospheric degradation alone is uncertain, leaving the cores of greater resistance isolated, as turrets, obelisks, bridges. And these cores themselves containing soluble matter have been riddled in all directions by the rain that, resting on them for a moment, has been then absorbed, and has carried forth through every crevice what it was able to dissolve. But even the masses of hardest texture are so soft that [Pg 154] the rain soaking into them and then running out at every perforation has furrowed the white face with its trickling tears.

The wood measures three miles in each direction, and a guide is needed through the labyrinth of galleries and masses of insulated rock, all buried in a wood of oaks, here and there cleared for mulberry plantations.

It lies beside the road from the station of S. Paul le Jeune to Les Vans, and reaches to the river Chassezac, that has cut its way through the plateau in a profound ravine. In fact, the same formation continues on the further side of the stream, but the shapes of the rocks assumed there are less eccentric. A guide lives in a cottage where a road to the right joins that coming from S. Paul, and he charges three francs for showing visitors the principal sights in the wood, five francs for a complete exploration.

The path, or track rather, changes direction at every moment, wriggling in and out among the rocks, over fallen masses, down descents where the brambles throw long streamers across one's path to arrest progress; the thorns claw and rend ladies' dresses. But the turf is purple with violets, and the fantastic shapes of the rocks draw one forward in defiance of thorn and prickle.

Some rocks resemble monstrous beasts. Near the road are the Lion and the Bear, engaged in a wrestle. There are castles with windows and doors, pointed arches, a very orgy of natural architecture in which every style is represented. We pass through narrow rifts into which the sun never penetrates, arrive by long galleries at culs-de-sac, and are forced to retrace our steps. Everywhere cavities, grottoes, piercing the rock that glares white in the sun and almost blinds the eye. [Pg 155] We arrive in a great cirque, in the midst of which are mulberries. In and out, everywhere grow oaks and broom; suddenly we come forth upon the gaping chasm through which rolls the Chassezac. A narrow and dangerous path down a rift enables one to descend to the river.
Pa?olive: The Lion and the Bear

By scrambling among fallen blocks, after having passed under a little natural arch, a tunnel is reached in which a score of persons might shelter from the rain. Then a path emerging into the light leads along a terrace above the abyss, and by climbing and sliding and clinging to the bushes La Gleyzasse (the Church) is reached, a rift and cavern, once inhabited, as has been proved by the discovery under the soil of flint weapons and fragments of pottery.

This is the best known of the caverns of Pa?olive. But the mysterious wood grows above a whole subterranean world of vaults and passages. The entrances to these grottoes are known only to the guide; they are hidden among bushes, and often they are pot-holes, wells that open without warning, and down which an incautious visitor might fall. Stones thrown in strike the sides with a sound that becomes ever feebler till they reach the unexplored bottom.

M. de Malbos describes some of these:—

"I visited as well a grotto forming a gallery, on a very rapid slope. I would not speak of it but that, entering it without a candle, I found that my right foot did not touch the ground; so I retraced my steps to light a candle, and thus illumined I saw with horror that I had had half my body suspended over a precipice, sustaining myself only by my left foot on a slide of loose stones.

"On ascending the river of Chassezac, on top of the [Pg 156] precipice one can reach the Grotte of the Chouans. One descends, or rather jumps, down to it, where it opens on a precipice with a ledge before it. Down to this cave one has to climb with difficulty. It divides into several galleries, that are lighted by small cracks, visible at the height of one hundred feet above the Chassezac. It was in this grotto that seven Royalists, who had fled to it, were taken by means of fires of straw and sulphur lighted in the entrance. They were shot at a little distance from it. One only, Gavidel, managed to escape, having managed to breathe through the barrel of his gun, which he had unscrewed and thrust through one of the cracks I have mentioned."

Near the entrance to the wood is the group that goes by the name of the Lion and the Bear, already mentioned. There is a Lot's Wife, there is a nun, a sphynx, and so on. The Castle of the Trois Seigneurs does seem actually to have possessed a little fortress, built in and out among the spires of rock, for fragments of wall are worked into the fissures and surmount some of the points.

But perhaps the most remarkable spot is the Cros de la Perdrix, where the limestone is in a craggy jumble of all kinds of forms.

One enters this sort of fortified circus with precipitous sides by a noble rock, pierced by a natural arch, at the entry to a cleft, something like that of Gleyzasse—already described.

If we follow the edge of the ravine of the Chassezac we see the river gliding smoothly below through green pastures between sheer walls. On the promontor............