It was my grandaunt, Euphemia D'Esterre's gown; and when my mother said that I must wear it to the fancy-dress party, superstitious terror thrilled through me. It lay in an old chest, under a heterogeneous collection of D'Esterre relics, and was a peculiarly soft, sheeny lilac silk, made in a quaint fashion, with a slender, pointed bodice, puffed shoulders, and a full, straight skirt. Frills of fine yellow old lace finished off the low neck and short sleeves, and a faint, exquisite perfume lingered in its delicate, shimmering folds. A portrait of my grandaunt—painted in that very lilac gown by some long-forgotten New Orleans artist—hung over our sitting-room mantel, and many a time I stood before it, brooding over the mystery enshrouding the final fate of the original.

It was a beautiful picture of a beautiful young woman, with radiant blue-gray eyes, golden hair rolled high on her proudly poised head, and lips ready to curve in happy laughter. A cluster of cream-white roses drooped against her bosom, and a string of pearls encircled her full, white throat, A curious sympathy seemed to exist between me and this fair kinswoman, who had lived, loved, and passed from the earth long before my birth. She had been a belle and beauty in the days when the D'Esterres were rich, with plantations on Red River and a winter home in New Orleans. She was the flower of the family, her father's favorite, and he had promised her in marriage to one of the wealthiest planters in Louisiana, when he discovered that she had fallen deeply in love with a young man he had employed as overseer—a handsome, cultivated, but poor young German. There were scenes and violent words, but Euphemia firmly refused to give up her lover until he was proven guilty of the theft of a large sum of money from her father. It was a terrible blow to her, but more terrible still was an account of his death a few weeks after he sailed away to the West Indies. He had died of yellow fever.

She fell into a state of the deepest melancholy; and, being a devout Catholic, entreated to be allowed to enter a convent and spend the remainder of her life in pious works; but her family refused. They permitted her to convert the dressing-room attached to her bedroom into an oratory, and, wisely or unwisely, left her alone for a season to indulge her grief, to pray for the soul of her departed lover, and to find healing for her own wounded heart. Then they sought to draw her back into the world again; the wealthy suitor reappeared, and, wearied by arguments and entreaties, she promised to marry him.

The wedding was to take place on the plantation, and many guests were bidden, and a great feast prepared.

On her wedding-eve Euphemia came down clothed in the lilac gown, cream-white roses on her breast, and the string of pearls around her fair throat. Her family were puzzled and indignant, for that gown somehow seemed linked with the memory of her sweetheart, who had died in disgrace. It was a strange whim to wear it the night before her marriage. But the evening passed merrily enough, and at eleven o'clock the bedroom candles were lighted, and she went up the stairs to her room with a smile on her lips, the lilac gown felling around her in soft, shimmering folds.

It was the last time family, lover or friends ever looked upon Euphemia D'Esterre. The next morning her room was empty. The pearls lay on the dressing-table with the withered roses, and the lilac gown hung over the back of a chair; but bride, bridal-gown and veil were gone. They looked into the oratory, thinking that she had gone in there to breathe her last virginal prayer before the simple altar, where she had knelt so many times; but the light shining dimly through the narrow, veiled window, revealed the sacred place silent, untenanted. They sought her everywhere; they spent money lavishly, but to no purpose. She had vanished forever.

Time and the fortunes of war had wrought many changes in the D'Esterre family. My mother, a pale, melancholy young widow, and I—another Euphemia D'Esterre—and Uncle Peter were the last of the family. And we had drifted away from Louisiana to an old mansion on the Chattahoochee, in Middle Georgia. Across the river lay the idle, sleepy old town of Magnoliaville, with its shady streets, ivy-covered churches, and inn, rarely visited by a traveler and stranger.

We had some old silver, my grandaunt's picture, the pearls, and the lilac gown. These were all the real treasures we had gathered from the wreck of family fortunes; and Uncle Peter was the last living link between us and the past. He was a very old man, his black face shriveled into a network of wrinkles, his shoulders bent, his head white, almost, as snow. He possessed great pride and dignity. His long life had been spent in the services of the D'Esterres, and he refused to leave them when freedom was proclaimed.

"Tu late fo' dat now. I praise de Lawd I gwine die a free man, but I b'long dis fambly tu long tu leave 'em now. Let all go dat feels lack dey wanter, ole Peter gwine stay tel 'e dies; yes, tel 'e dies."

And he did stay, and was the favorite playfellow and companion of my childhood.

"Yo's de las', Miss Phemy, honey, de las' o' dem all, and yo's nuff lack Miss Euphemy tu 'a' been 'er twin. Lawd, but dis is er mighty strange worl'—mighty strange," he would often say, shaking his white head. He seemed to feel a certain responsibility and care toward me as the last of the family.

He lived in the little cabin at the foot of the garden, provided for out of our slender income and exempted from all labor; but he insisted on regarding himself as our servant, weeded the garden, or sat in the wide, bare hall, ready to meet chance visitors and usher them into the barer parlor with old-time ceremony.

To me a halo of romance surrounded his venerable head. Such stories as he could tell me of the past! They were highly colored and delightfully exaggerated. My mother, absorbed in melancholy retrospection, left me much to my own devices, and many an evening I spent in Uncle Peter's cabin, listening to his rambling talk, and questioning him about my ill-fated grandaunt. Nearly all that I had ever learned of her history had been gleaned from his conversations. He would sit at the corner of the hearth, bent forward in his chair, his wrinkled old hands folded on the knob of his walking stick, the firelight playing in uncertain, flickering gleams over his black face and kinky white locks. He was a fair type of the old-fashioned plantation negro, simple, superstitious, but shrewd and faithful to his trusts. Of Euphemia D'Esterre he always spoke with reverential pride, but keeping a certain guard over himself as though he possessed some knowledge he did not want to betray.

"She wus mighty proud, oh yes, honey, dey all helt dey heads high; but she neber was hard on de black fo'ks. She al'ays had er smile, or kind word for um, tel bimeby she got in dat trubble, en had no smiles for ennybody. Ole marse had jes done gimme tu be Marse Albert's boy, en I was little; but I seed en hear more'n ennybody things I does. I seed 'er comin' down de stairs dat night in dat laylock gown, en smilin' so strange lack a chill crope down my back. De tables was done spread fo' de weddin', de cakes backed, de silber shinin', en de fo'ks all done come. Hit would 'a' been de bigges' weddin' eber on Red River ef Miss Euphemy hadn't tuk en vanished as she did. Lawd, Lawd, what did become o' 'er?"

He always came round to that hopeless question, shaking his head with a deep sigh. Then, after a reflective pause, he would cast a glance over his shoulder into the shadowy corners of the room, and, lower his voice to a solemn whisper, say:

"Miss Phemy, honey, I feels lack she gwinter come back—lack she gwinter 'pear tu ole Peter 'fo' 'e dies."

I had listened to the utterance of that superstitious belief countless times, but repetition could not rob it of its impressiveness. I ceased to shiver and feel as though my blood was curdling, but I would cast an awed, half-fearful glance out into the night, almost expecting to see her come floating downward through its solemn gloom, clothed in white raiment, radiant as the stars.

No wonder a thrill of apprehension chilled my young blood, when the lilac gown was suggested as a suitable costume for the first fancy-dress party I had ever known to be given in Magnoliaville.

"It is quaint, and lovely, and with the pearls will be quite charming; and then I have heard that there are visitors—yes, actually three or four visitors in Magnoliaville," said my mother, with a sparkle of animation.

"But I don't want to wear that dress; indeed, I would rather stay at home than put it on!" I faltered, ashamed, yet determined to speak out my fears.

"Why, Phemie!" she exclaimed, in gentle scorn, "what nonsense! You are nineteen years old, and have too few opportunities of going into the world to give up one for a childish whim. I was married at your age," sighing softly; then her eyes strayed from me to the picture. "How strangely you resemble her! It would really be a fine idea to copy the picture as closely as possible."

"Oh, mother!" I shuddered: but she chided me gently, and I had to yield to her wishes. She superintended my toilet that night, and I trembled when I looked at myself in the mirror; for it was not Phemie D'Esterre, the obscure country girl, but Euphemia D'Esterre, the Louisiana belle and beauty, reflected before my startled eyes. The string of pearls around my throat and a cluster of white roses completed the illusion.

Friends were coming over the river for me, and my mother hastened down stairs to be ready to meet them, leaving me to follow more leisurely. A light burned in the lower hall, and Uncle Peter sat in his favorite chair dozing. Did the rustle of my gown disturb him as I stepped softly from stair to stair? He moved uneasily, raised his head, and glancing upward, saw me. For a moment he stared vacantly, his dim old eyes clouded with sleep; but as I drew nearer a dull, ashy hue overspread his face—a convulsive trembling seized him.

"Great land! ef dar ain't Miss Euphemy now, done come at las'!" he muttered, hoarsely. "Honey, I'se been 'spectin' en lookin' fo' yo' menny a day. Dar, dar, don't come tu nigh," raising a shaking hand pleadingly. "I 'spect I know what yo' come fo'. Hit's 'bout dem letters dey tuk, en de way dey treated young marse 'bout dat money dey made lack 'e stole. I knowed dar'd be no res' fo' yo' tel yo' foun' hit all out. Hit wusn't me, honey. I neber done yo' no harum. Hit was ole Dan'l. Yo' 'member Dan'l, what waited on ole marse, en knowed all de comin'-in en goin'-out o' de place? Hit wus Dan'l ole marse gin dem gold dollars tu, tu he'p git young marse in trubble, tu spy on yo', en tu steal de letters what yo' writ 'im. Oh, yes, yes. Peter wus mighty young den, des big ernuff tu wait on Marse Albert; but 'e know all long how dey wus treatin' yo'. 'E watch en listen, but 'e 'feered tu speak, en 'e wouldn't say nuffin arterwards fo' de fambly's sake; 'e des keep hit all tu 'isse'f."

So there had been fraud and dishonor on the part of my family, and Uncle Peter had kept the secret through all his long life. I was too confused and agitated by the mistake he had made in my identity to fully comprehend all his words at the moment, but later they returned clearly to me.

"Uncle Peter," I cried, "don't you know me?"

"Yes, yes, honey, ain't I been tellin' yo' hit wus Dan'l he'ped ole marse break yo' po' heart, en fix dat money tel fo'ks b'lieve young marse stole hit. When dar wus no weddin', kase yo' done gone whar no man could fine yo', Dan'l 'e 'pented o' 'is sin; 'e fine no res' fo' 'is soul; 'e take de money what had been gin tu 'im, in tu ole marse, en lay hit down 'fo' 'im, en sez:

"'I can't keep hit, Marse, hit des burn my hands, des burn my soul. I'm gittin' ole, I gwine die 'fo' menny year, sah, en I can't go tu de jedgment long o' dat money; en den Miss Euphemy she des 'pear tu me, en she say: "Dan'l, Dan'l, what yo' been doin'? 'Pent, Dan'l, 'pent 'fo' de Lawd's wrath be turned ag'in' yo'!" I sees 'er in eber' shadder, hears 'er in eber' win' dat blows. She come in de night-time, en she come in de daytime. Oh, Marse, take hit back, fo' de lub o' Gawd, en let me be de hardes' wuked man on de place, so ez I git ease o' my trubble.'

"En Dan'l, 'e des brake down, en cry out loud, de tears a-rollin' frum 'is eyes, en ole marse groan, en sez:

"'She done gone, Dan'l—she done gone, en all de 'pentin' in de worl' ain't gwine bring 'er back, en dar ain't nuffin' 'ud ease my trubble. De Lawd's wrath be on me, Dan'l—de Lawd's wrath be on me. Go, ef wuk gwine do enny good, but don't come nigh me 'g'in. I ain't blamin' yo', Dan'l, but 'pear lack de sight o' yo' make me feel wus.'

"En Dan'l, 'e tuk en go out, en neber look on ole marse' face agin. Dan'l 'e 'pented o' 'is sin. 'E live by 'isse'f; 'e see ha'nts, en 'e hear sperits talkin', en 'e wuk all de days o' 'is life. En ole marse 'e mus 'a' seed ha'nts tu, fo' 'e fine no res' tel 'e die."

He sunk to his knees before me, his white head bowed to the floor.

"Trufe what I been tellin' yo', Miss Euphemy, all trufe. Now go 'way, honey, go 'way, en don't ax ole Peter to tell enny more tel 'e come to die."

I have no words in which to describe the effect of his confession on my excited mind, and how I pitied his fear. I tried to draw near to him, to convince him of my identity; but he rose, and retreated before me.

"Honey, I knows yo', I 'member how yo' come down de stairs dat odder night in dat laylock gown."

You can easily fancy that I was in no mood for the party. My friends were charmed with my costume.

"And I have a special reason for desiring you to look your loveliest to-night," said Mrs. Landsdell, as we made our way down to the ferry. "We have a stranger with us."

"A stranger!" I echoed, my thoughts still running on Uncle Peter and his strange hallucination.

"Yes; Mr. Herman Vandala, from New Orleans. He arrived only yesterday, to look after some land an agent had bought for him. My dear, he is a splendid fellow, rich, and a pet of society, but not in the least spoiled. He came across the river with us."

We were at the ferry, and in the light of the boatman's lantern I could see the stranger leaning on the railing guarding the water's edge. He was slender, and not above medium height, and when he threw his cigar into the water, and turned toward us, a curious sensation, conviction—I know not which—came over me, that I had met him before; that his dark, handsome face, and clear, winning eyes were familiar to me, I stammered when introduced, and stumbled so awkwardly when he held out his hand to assist me into the boat, that my cloak dropped to the ground. It was his turn to lose composure. He grew very pale, and stared at me as though I embodied a ghost.

"I beg your pardon," he murmured; my wraps were restored, and I sank tremblingly to the seat.

Th............