Moony AFTER HIS ILLNESS Birkin went to the south of France for a time. He did not write, nobody heard anything of him. Ursula, left alone, felt as if everything were lapsing out. There seemed to be no hope in the world. One was a tiny little rock with the tide of nothingness rising higher and higher She herself was real, and only herself -- just like a rock in a wash of flood-water. The rest was all nothingness. She was hard and indifferent, isolated in herself.

There was nothing for it now, but contemptuous, resistant indifference. All the world was lapsing into a grey wish-wash of nothingness, she had no contact and no connection anywhere. She despised and detested the whole show. From the bottom of her heart, from the bottom of her soul, she despised and detested people, adult people. She loved only children and animals: children she loved passionately, but coldly. They made her want to hug them, to protect them, to give them life. But this very love, based on pity and despair, was only a bondage and a pain to her. She loved best of all the animals, that were single and unsocial as she herself was. She loved the horses and cows in the field. Each was single and to itself, magical. It was not referred away to some detestable social principle. It was incapable of soulfulness and tragedy, which she detested so profoundly.

She could be very pleasant and flattering, almost subservient, to people she met. But no one was taken in. Instinctively each felt her contemptuous mockery of the human being in himself, or herself. She had a profound grudge against the human being. That which the word `human' stood for was despicable and repugnant to her.

Mostly her heart was closed in this hidden, unconscious strain of contemptuous ridicule. She thought she loved, she thought she was full of love. This was her idea of herself. But the strange brightness of her presence, a marvellous radiance of intrinsic vitality, was a luminousness of supreme repudiation, nothing but repudiation.

Yet, at moments, she yielded and softened, she wanted pure love, only pure love. This other, this state of constant unfailing repudiation, was a strain, a suffering also. A terrible desire for pure love overcame her again.

She went out one evening, numbed by this constant essential suffering. Those who are timed for destruction must die now. The knowledge of this reached a finality, a finishing in her. And the finality released her. If fate would carry off in death or downfall all those who were timed to go, why need she trouble, why repudiate any further. She was free of it all, she could seek a new union elsewhere.

Ursula set off to Willey Green, towards the mill. She came to Willey Water. It was almost full again, after its period of emptiness. Then she turned off through the woods. The night had fallen, it was dark. But she forgot to be afraid, she who had such great sources of fear. Among the trees, far from any human beings, there was a sort of magic peace. The more one could find a pure loneliness, with no taint of people, the better one felt. She was in reality terrified, horrified in her apprehension of people.

She started, noticing something on her right hand, between the tree trunks. It was like a great presence, watching her, dodging her. She started violently. It was only the moon, risen through the thin trees. But it seemed so mysterious, with its white and deathly smile. And there was no avoiding it. Night or day, one could not escape the sinister face, triumphant and radiant like this moon, with a high smile. She hurried on, cowering from the white planet. She would just see the pond at the mill before she went home.

Not wanting to go through the yard, because of the dogs, she turned off along the hill-side to descend on the pond from above. The moon was transcendent over the bare, open space, she suffered from being exposed to it. There was a glimmer of nightly rabbits across the ground. The night was as clear as crystal, and very still. She could hear a distant coughing of a sheep.

So she swerved down to the steep, tree-hidden bank above the pond, where the alders twisted their roots. She was glad to pass into the shade out of the moon. There she stood, at the top of the fallen-away bank, her hand on the rough trunk of a tree, looking at the water, that was perfect in its stillness, floating the moon upon it. But for some reason she disliked it. It did not give her anything. She listened for the hoarse rustle of the sluice. And she wished for something else out of the night, she wanted another night, not this moon-brilliant hardness. She could feel her soul crying out in her, lamenting desolately.

She saw a shadow moving by the water. It would be Birkin. He had come back then, unawares. She accepted it without remark, nothing mattered to her. She sat down among the roots of the alder tree, dim and veiled, hearing the sound of the sluice like dew distilling audibly into the night. The islands were dark and half revealed, the reeds were dark also, only some of them had a little frail fire of reflection. A fish leaped secretly, revealing the light in the pond. This fire of the chill night breaking constantly on to the pure darkness, repelled her. She wished it were perfectly dark, perfectly, and noiseless and without motion. Birkin, small and dark also, his hair tinged with moonlight, wandered nearer. He was quite near, and yet he did not exist in her. He did not know she was there. Supposing he did something he would not wish to be seen doing, thinking he was quite private? But there, what did it matter? What did the small priyacies matter? How could it matter, what he did? How can there be any secrets, we are all the same organisms? How can there be any secrecy, when everything is known to all of us?

He was touching unconsciously the dead husks of flowers as he passed by, and talking disconnectedly to himself.

`You can't go away,' he was saying. `There is no away. You only withdraw upon yourself.'

He threw a dead flower-husk on to the water.

`An antiphony -- they lie, and you sing back to them. There wouldn't have to be any truth, if there weren't any lies. Then one needn't assert anything --'

He stood still, looking at the water, and throwing upon it the husks of the flowers.

`Cybele -- curse her! The accursed Syria Dea! Does one begrudge it her? What else is there -- ?'

Ursula wanted to laugh loudly and hysterically, hearing his isolated voice speaking out. It was so ridiculous.

He stood staring at the water. Then he stooped and picked up a stone, which he threw sharply at the pond. Ursula was aware of the bright moon leaping and swaying, all distorted, in her eyes. It seemed to shoot out arms of fire like a cuttle-fish, like a luminous polyp, palpitating strongly before her.

And his shadow on the border of the pond, was watching for a few moments, then he stooped and groped on the ground. Then again there was a burst of sound, and a burst of brilliant light, the moon had exploded on the water, and was flying asunder in flakes of white and dangerous fire. Rapidly, like white birds, the fires all broken rose across the pond, fleeing in clamorous confusion, battling with the flock of dark waves that were forcing their way in. The furthest waves of light, fleeing out, seemed to be clamouring against the shore for escape, the waves of darkness came in heavily, running under towards the centre. But at the centre, the heart of all, was still a vivid, incandescent quivering of a white moon not quite destroyed, a white body of fire writhing and striving and not even now broken open, not yet violated. It seemed to be drawing itself together with strange, violent pangs, in blind effort. It was getting stronger, it was reasserting itself, the inviolable moon. And the rays were hastening in in thin lines of light, to return to the strengthened moon, that shook upon the water in triumphant reassumption.

Birkin stood and watched, motionless, till the pond was almost calm, the moon was almost serene. Then, satisfied of so much, he looked for more stones. She felt his invisible tenacity. And in a moment again, the broken lights scattered in explosion over her face, dazzling her; and then, almost immediately, came the second shot. The moon leapt up white and burst through the air. Darts of bright light shot asunder, darkness swept over the centre. There was no moon, only a battlefield of broken lights and shadows, running close together. Shadows, dark and heavy, struck again and again across the place where the heart of the moon had been, obliterating it altogether. The white fragments pulsed up and down, and could not find where to go, apart and brilliant on the water like the petals of a rose that a wind has blown far and wide.

Yet again, they were flickering their way to the centre, finding the path blindly, enviously. And again, all was still, as Birkin and Ursula watched. The waters were loud on the shore. He saw the moon regathering itself insidiously, saw the heart of the rose intertwining vigorously and blindly, calling back the scattered fragments, winning home the fragments, in a pulse and in effort of return.

And he was not satisfied. Like a madness, he must go on. He got large stones, and threw them, one after the other, at the white-burning centre of the moon, till there was nothing but a rocking of hollow noise, and a pond surged up, no moon any more, only a few broken flakes tangled and glittering broadcast in the darkness, without aim or meaning, a darkened confusion, like a black and white kaleidoscope tossed at random. The hollow night was rocking and crashing with noise, and from the sluice came sharp, regular flashes of sound. Flakes of light appeared here and there, glittering tormented among the shadows, far off, in strange places; among the dripping shadow of the willow on the island. Birkin stood and listened and was satisfied.

Ursula was dazed, her mind was all gone. She felt she had fallen to the ground and was spilled out, like water on the earth. Motionless and spent she remained in the gloom. Though even now she was aware, unseeing, that in the darkness was a little tumult of ebbing flakes of light, a cluster dancing secretly in a round, twining and coming steadily together. They were gathering a heart again, they were coming once more into being. Gradually the fragments caught together re-united, heaving, rocking, dancing, falling back as in panic, but working their way home again persistently, making semblance of fleeing away when they had advanced, but always flickering nearer, a little closer to the mark, the cluster growing mysteriously larger and brighter, as gleam after gleam fell in with the whole, until a ragged rose, a distorted, frayed moon was shaking upon the waters again, re-asserted, renewed, trying to recover from its convulsion, to get over the disfigurement and the agitation, to be whole and composed, at peace.

Birkin lingered vaguely by the water. Ursula was afraid that he would stone the moon again. She slipped from her seat and went down to him, saying:

`You won't throw stones at it any more, will you?'

`How long have you been there?'

`All the time. You won't throw any more stones, will you?'

`I wanted to see if I could make it be quite gone off the pond,' he said.

`Yes, it was horrible, really. Why should you hate the moon? It hasn't done you any harm, has it?'

`Was it hate?' he said.

And they were silent for a few minutes.

`When did you come back?' she said.

`Today.'

`Why did you never write?'

`I could find nothing to say.'

`Why was there nothing to say?'

`I don't know. Why are there no daffodils now?'

`No.'

Again there was a space of silence. Ursula looked at the moon. It had gathered itself together, and was quivering slightly.

`Was it good for you, to be alone?' she asked.

`Perhaps. Not that I know much. But I got over a good deal. Did you do anything important?'

`No. I looked at England, and thought I'd done with it.'

`Why England?' he asked in surprise.

`I don't know, it came like that.'

`It isn't a question of nations,' he said. `France is far worse.'

`Yes, I know. I felt I'd done with it all.'

They went and sat down on the roots of the trees, in the shadow. And being silent, he remembered the beauty of her eyes, which were sometimes filled with light, like spring, suffused with wonderful promise. So he said to her, slowly, with difficulty:

`There is a golden light in you, which I wish you would give me.' It was as if he had been thinking of this for some time.

She was startled, she seemed to leap clear of him. Yet also she was pleased.

`What kind of a light,' she asked.

But he was shy, and did not say any more. So the moment passed for this time. And gradually a feeling of sorrow came over her.

`My life is unfulfilled,' she said.

`Yes,' he answered briefly, not wanting to hear this.

`And I feel as if nobody could ever really love me,' she said.

But he did not answer.

`You think, don't you,' she said slowly, `that I only want physical things? It isn't true. I want you to serve my spirit.'

`I know you do. I know you don't want physical things by themselves. But, I want you to give me -- to give your spirit to me -- that golden light which is you -- which you don't know -- give it me --'

After a moment's silence she replied:

`But how can I, you don't love me! You only want your own ends. You don't want to serve me, and yet you want me to serve you. It is so onesided!'

It was a great effort to him to maintain this conversation, and to press for the thing he wanted from her, the surrender of her spirit.

`It is different,' he said. `The two kinds of service are so different. I serve you in another way -- not through yourself -- somewhere else. But I want us to be together without bothering about ourselves -- to be really together because we are together, as if it were a phenomenon, not a not a thing we have to maintain by our own effort.'

`No,' she said, pondering. `You are just egocentric. You never have any enthusiasm, you never come out with any spark towards me. You want yourself, really, and your own affairs. And you want me just to be there, to serve you.'

But this only made him shut off from her.

`Ah well,' he said, `words make no matter, any way. The thing is between us, or it isn't.'

`You don't even love me,' she cried.

`I do,' he said angrily. `But I want --' His mind saw again the lovely golden light of spring transfused through her eyes, as through some wonderful window. And he wanted her to be with him there, in this world of proud indifference. But what was the good of telling her he wanted this company in proud indifference. What was the good of talking, any way? It must happen beyond the sound of words. It was merely ruinous to try to work her by conviction. This was a paradisal bird that could never be netted, it must fly by itself to the heart.

`I always think I am going to be loved -- and then I am let down. You don't love me, you know. You don't want to serve me. You only want yourself.'

A shiver of rage went over his veins, at this repeated: `You don't want to serve me.' All the paradisal disappeared from him.

`No,' he said, irritated, `I don't want to serve you, because there is nothing there to serve. What you want me to serve, is nothing, mere nothing. It isn't even you, it is your mere female quality. And I wouldn't give a straw for your female ego -- it's a rag doll.'

`Ha!' she laughed in mockery. `That's all you think of me, is it? And then you have the impudence to say you love me.'

She rose in anger, to go home.

You want the paradisal unknowing,' she said, turning round on him as he still sat half-visible in the shadow. `I know what that means, thank you. You want me to be your thing, never to criticise you or to have anything to say for myself. You want me to be a mere thing for you! No thank you! If you want that, there are plenty of women who will give it to you. There are plenty of women who will lie down for you to walk over them -- go to them then, if that's what you want -- go to them.'

`No,' he said, outspoken with anger. `I want you to drop your assertive will, your frightened apprehensive self-insistence, that is what I want. I want you to trust yourself so implicitly, that you can let yourself go.'

`Let myself go!' she re-echoed in mockery. `I can let myself go, easily enough. It is you who can't let yourself go, it is you who hang on to yourself as if it were your only treasure. You -- you are the Sunday school teacher -- You -- you preacher.'

The amount of truth that was in this made him stiff and unheeding of her.

`I don't mean let yourself go in the Dionysic ecstatic way,' he said. `I know you can do that. But I hate ecstasy, Dionysic or any other. It's like going round in a squirrel cage. I want you not to care about yourself, just to be there and not to care about yourself, not to insist -- be glad and sure and indifferent.'

`Who insists?' she mocked. `Who is it that keeps on insisting? It isn't me!'

There was a weary, mocking bitterness in her voice. He was silent for some time.

`I know,' he said. `While ever either of us insists to the other, we are all wrong. But there we are, the accord doesn't come.'

They sat in stillness under the shadow of the trees by the bank. The night was white around them, they were in the darkness, barely conscious.

Gradually, the stillness and peace came over them. She put her hand tentatively on his. Their hands clasped softly and silently, in peace.

`Do you really love me?' she said.

He laughed.

`I call that your war-cry,' he replied, amused.

`Why!' she cried, amused and really wondering.

`Your insistence -- Your war-cry -- "A Brangwen, A Brangwen" -- an old battle-cry. Yours is, "Do you love me? Yield knave, or die." '

`No,' she said, pleading, `not like that. Not like that. But I must know that you love me, mustn't I?'

`Well then, know it and have done with it.'

`But do you?'

`Yes, I do. I love you, and I know it's final. It is final, so why say any more about it.'

She was silent for some moments, in delight and doubt.

`Are you sure?' she said, nestling happily near to him.

`Quite sure -- so now have done -- accept it and have done.'

She was nestled quite close to him.

`Have done with what?' she murmured, happily.

`With bothering,' he said.

She clung nearer to him. He held her close, and kissed her softly, gently. It was such peace and heavenly freedom, just to fold her and kiss her gently, and not to have any thoughts or any desires or any will, just to be still with her, to be perfectly still and together, in a peace that was not sleep, but content in bliss. To be content in bliss, without desire or insistence anywhere, this was heaven: to be together in happy stillness.

For a long time she nestled to him, and he kissed her softly, her hair, her face, her ears, gently, softly, like dew falling. But this warm breath on her ears disturbed her again, kindled the old destructive fires. She cleaved to him, and he could feel his blood changing like quicksilver.

`But we'll be still, shall we?' he said.

`Yes,' she said, as if submissively.

And she continued to nestle against him.

But in a little while she drew away and looked at him.

`I must be going home,' she said.

`Must you -- how sad,' he replied.

She leaned forward and put up her mouth to be kissed.

`Are you really sad?' she murmured, smiling.

`Yes,' he said, `I wish we could stay as we were, always.'

`Always! Do you?' she murmured, as he kissed her. And then, out of a full throat, she crooned `Kiss me! Kiss me!' And she cleaved close to him. He kissed her many times. But he too had his idea and his will. He wanted only gentle communion, no other, no passion now. So that soon she drew away, put on her hat and went home.

The next day however, he felt wistful and yearning. He thought he had been wrong, perhaps. Perhaps he had been wrong to go to her with an idea of what he wanted. Was it really only an idea, or was it the interpretation of a profound yearning? If the latter, how was it he was always talking about sensual fulfilment? The two did not agree very well.

Suddenly he found himself face to face with a situation. It was as simple as this: fatally simple. On the one hand, he knew he did not want a further sensual experience -- something deeper, darker, than ordinary life could give. He remembered the African fetishes he had seen at Halliday's so often. There came back to him one, a statuette about two feet high, a tall, slim, elegant figure from West Africa, in dark wood, glossy and suave. It was a woman, with hair dressed high, like a melon-shaped dome. He remembered her vividly: she was one of his soul's intimates. Her body was long and elegant, her face was crushed tiny like a beetle's, she had rows of round heavy collars, like a column of quoits, on her neck. He remembered her: her astonishing cultured elegance, her diminished, beetle face, the astounding long elegant body, on short, ugly legs, with such protuberant buttocks, so weighty and unexpected below her slim long loins. She knew what he himself did not know. She had thousands of years of purely sensual, purely unspiritual knowledge behind her. It must have been thousands of years since her race had died, mystically: that is, since the relation between the senses and the outspoken mind had broken, leaving the experience all in one sort, mystically sensual. Thousands of years ago, that which was imminent in himself must have taken place in these Africans: the goodness, the holiness, the desire for creation and productive happiness must have lapsed, leaving the single impulse for knowledge in one sort, mindless progressive knowledge through the senses, knowledge arrested and ending in the senses, mystic knowledge in disintegration and dissolution, knowledge such as the beetles have, which live purely within the world of corruption and cold dissolution. This was why her face looked like a beetle's: this was why the Egyptians worshipped the ball-rolling scarab: because of the principle of knowledge in dissolution and corruption.

There is a long way we can travel, after the death-break: after that point when the soul in intense suffering breaks, breaks away from its organic hold like a leaf that falls. We fall from the connection with life and hope, we lapse from pure integral being, from creation and liberty, and we fall into the long, long African process of purely sensual understanding, knowledge in the mystery of dissolution.

He realised now that this is a long process -- thousands of years it takes, after the death of the creative spirit. He realised that there were great mysteries to be unsealed, sensual, mindless, dreadful mysteries, far beyond the phallic cult. How far, in their inverted culture, had these West Africans gone beyond phallic knowledge? Very, very far. Birkin recalled again the female figure: the elongated, long, long body, the curious unexpected heavy buttocks, he long, imprisoned neck, the face with tiny features like a beetle's. This was far beyond any phallic knowledge, sensual subtle realities far beyond the scope of phallic investigation.

There remained this way, this awful African process, to be fulfilled. It would be done differently by the white races. The white races, having the arctic north behind them, the vast abstraction of ice and snow, would fulfil a mystery of ice-destructive knowledge, snow-abstract annihilation. Whereas the West Africans, controlled by the burning death-abstraction of the Sahara, had been fulfilled in sun-destruction, the putrescent mystery of sun-rays.

Was this then all that remained? Was there left now nothing but to break off from the happy creative being, was the time up? Is our day of creative life finished? Does there remain to us only the strange, awful afterwards of the knowledge in dissolution, the African knowledge, but different in us, who are blond and blue-eyed from the north?

Birkin thought of Gerald. He was one of these strange white wonderful demons from the north, fulfilled in the destructive frost mystery. And was he fated to pass away in this knowledge, this one process of frostknowledge, death by perfect cold? Was he a messenger, an omen of the universal dissolution into whiteness and snow?

Birk............