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CROWDED HOURS
What does the Cockney's mind first register when, far from home, he visualizes the London that he loves with the casual devotion of his type? To the serious tourist London is the shrine of England's history; to the ordinary artist, who sees life in line and colour, it is a city of noble or delicate "bits"; to the provincial it is a playground; to the business man a market; but to the Cockney it is one big club, odourous of the goodly fellowship that blossoms from contact with human-kind.

"Far from the madding crowd" may express the longings of the modern Simeon Stylites, but your Cockney is no Simeon. He doesn't pray to be put upon an island where the crowds are few. The thicker the crowd, the more elbows that delve into his ribs, the hotter the steam of human-kind, the happier he is. Far from the madding crowd be blowed! Man's place, he holds, is among his fellows; and he sniffs with contempt at this [Pg 124]widespread desire to escape from other people. To him it is a sign of an unhealthy mind, if not pure blasphemy.

So, when he thinks of London, he does not think of a city of palaces, or serene architectural triumphs; of a huckster's mart or a playground. At the word "London" he sees people: the crowds in the Strand, in Walworth Road, Lavender Hill, Whitechapel Road, Camden Town High Street.

Your moods may be various, and London will respond. You may work, you may idly dream away the hours, or you may actively enjoy yourself in play; but if you wish that supreme enjoyment—the enjoyment of other people—then London affords opportunities in larger measure than any city that I know.

I discovered the magic and allure of crowds when I was fourteen years old and worked as office-boy in those filthy alleys marked in the Postal Directory as "E.C." Streets and crowds became my refreshment and entertainment then, and my palate is not yet blunted to their savour. I do not want the flowery mead or the tree-covered lane or the insect-ridden glade—at least, not for long; and I hate that dreadful hollow behind the[Pg 125] little wood. Give me six o'clock in the evening and a walk from the City to Oxford Circus, through the soft Spring or the darkling Autumn, with festive feet whispering all around you, and your heart filled with that grey-green romance which is London.

Once out of Newgate Street and across Holborn Viaduct I was happy, for I was, so to speak, in a foreign country; so wholly different were the people of Holborn from the people of Cheapside. The crowds of the City had always to me, a mean, craven air about them. They walked homeward with lagging steps and worn faces. They seemed always preoccupied with paltry problems. They carried the stamp of their environment: a dusty market-place, in which things made by more adept hands and brains are passed from wholesale place to wholesale place with sorry bargaining on the odd halfpenny.

But West and West Central were a pleasuance of the finer essences, and involuntarily body and soul assumed there a transient felicity of gait. One walked and thought suavely. There were noble shops, brilliant theatres, dainty restaurants, highways whose sole business was pleasure, rent with gay lights and oh! so many delightful people. At[Pg 126] restaurant and theatre doors one might pause pensively and touch finger-tips, as it were, with rose-leaf grace and beauty and fine comradeship; a refreshing exercise after encounters with the sordid and the uncouth in Gracechurch Street. Then, when the hoofs clattered and the motors hooted and the whistles blew, and streets were drenched with festal light and festal folk, I was, I felt, abroad. Figure to yourself that you are walking through the streets of Teheran, or Stamboul, or Moscow, surrounded by strange bazaars and people who seem to have stepped from some book of magic so far removed are they from your daily interests. So did I feel as I walked down Piccadilly. It was suffocating to think that there were so many streets to explore, so many types to meet and to know. I wanted then to make heaps and heaps of friends—not, I must confess, for friendship—but just for the sake of meeting people who did interesting and gracious things, and for the sake of knowing that I had a host of friends. The plashing of the fountains in Trafalgar Square, the lights of the Alhambra and Empire seen through the green trees of Leicester Square, the procession of 'buses along Holborn and Oxford Streets, the alluring teashops of Piccadilly and the[Pg 127] scornful opulence of the hotels—these things sank into me and became part of me.

My way to the City lay through Leicester Square, and the morning crowd in that quarter bears for me still the same charm. On a bright Spring day it might be Paris. There is a sense of space and sparkle about it. The little milliners' girls, in piquant frocks, evoke memories of Louise, and the crowding curls on their cheeks waft a perfume of youth-time lyrics, chiming softly against the more strident and repulsively military garb of the girl porters and doorkeepers. The cleaners, bustling about the steps of the music-halls, throw adumbrations of entertainment on the morning streets. People are leisurely busy in an agreeable way—not the huckstering E.C. way.

In Piccadilly Circus there is the same sense of light and song among the crowds emerging from the Tube. The shops are decked in all the colours of the Maytime, and not one little workgirl but pauses to throw a mute appeal to the posturing silks and laces and pray that the lily-wristed, wanton damsel of Fortune will turn a hand in her direction.

But in the City, as I have said, there is little of this delight to be found, either at morning, noon[Pg 128] or night. The typical crowd of this district may be seen at London Bridge, where, from eight to half-past ten in the morning and from half-past five to half-past seven in the evening, the dispirited toilers swarm to or from work. Indeed, it is not a crowd: it is a cortège, marching to the obsequies of hope and fear. It is a funeral march of marionettes. Here are no gay colours; no smiles; no persiflage. All is sombre. Even the typists and the little workgirls make no effort towards bright raiment;............
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