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THE BLUE ROOM
THAT nature has her moments of sympathy with man has been noted often enough,—and generally as a new discovery. To us, who had never known any other condition of things, it seemed entirely right and fitting that the wind sang and sobbed in the poplar tops, and, in the lulls of it, sudden spirts of rain spattered the already dusty roads, on that blusterous March day when Edward and I awaited, on the station platform, the arrival of the new tutor. Needless to say, this arrangement had been planned by an aunt, from some fond idea that our shy, innocent young natures would unfold themselves during the walk from the station, and that, on the revelation of each other’s more solid qualities that must inevitably ensue, an enduring friendship, springing from mutual respect, might be firmly based. A[206] pretty dream,—nothing more. For Edward, who foresaw that the brunt of tutorial oppression would have to be borne by him, was sulky, monosyllabic, and determined to be as negatively disagreeable as good manners would permit. It was therefore evident that I would have to be spokesman and purveyor of hollow civilities, and I was none the more amiable on that account; all courtesies, welcomes, explanations, and other court-chamberlain kind of business, being my special aversion. There was much of the tempestuous March weather in the hearts of both of us, as we sullenly glowered along the carriage-windows of the slackening train.

One is apt, however, to misjudge the special difficulties of a situation; and the reception proved, after all, an easy and informal matter. In a trainful so uniformly bucolic, a tutor was readily recognisable; and his portmanteau had been consigned to the luggage-cart, and his person conveyed into the lane, before I had discharged one of my carefully considered sentences. I breathed more easily, and looking up at our new friend as we stepped out together,[207] remembered that we had been counting on something altogether more arid, scholastic, and severe. A boyish eager face and a petulant pince-nez—untidy hair—a head of constant quick turns like a robin’s, and a voice that kept breaking into alto—these were all very strange and new, but not in the least terrible.

He proceeded jerkily through the village, with glances on this side and that; and ‘Charming,’ he broke out presently; ‘quite too charming and delightful!’

I had not counted on this sort of thing, and glanced for help to Edward, who, hands in pockets, looked grimly down his nose. He had taken his line, and meant to stick to it.

Meantime our friend had made an imaginary spy-glass out of his fist, and was squinting through it at something I could not perceive. ‘What an exquisite bit!’ he burst out. ‘Fifteenth century—no—yes it is!’

I began to feel puzzled, not to say alarmed. It reminded me of the butcher in the Arabian Nights, whose common joints, displayed on the shop-front, took to a startled public the appearance[208] of dismembered humanity. This man seemed to see the strangest things in our dull, familiar surroundings.

‘Ah!’ he broke out again, as we jogged on between hedgerows: ‘and that field now—backed by the downs—with the rain-cloud brooding over it,—that’s all David Cox—every bit of it!’

‘That field belongs to Farmer Larkin,’ I explained politely; for of course he could not be expected to know. ‘I’ll take you over to Farmer Cox’s to-morrow, if he’s a friend of yours; but there‘s nothing to see there.’

Edward, who was hanging sullenly behind, made a face at me, as if to say, ‘What sort of lunatic have we got here?’

‘It has the true pastoral character, this country of yours,’ went on our enthusiast: ‘with just that added touch in cottage and farmstead, relics of a bygone art, which makes our English landscape so divine, so unique!’

Really this grasshopper was becoming a burden! These familiar fields and farms, of which we knew every blade and stick, had done[209] nothing that I knew of to be bespattered with adjectives in this way. I had never thought of them as divine, unique, or anything else. They were—well, they were just themselves, and there was an end of it. Despairingly I jogged Edward in the ribs, as a sign to start rational conversation, but he only grinned and continued obdurate.

‘You can see the house now,’ I remarked presently; ‘and that’s Selina, chasing the donkey in the paddock. Or is it the donkey chasing Selina? I can’t quite make out; but it’s them, anyhow.’

Needless to say, he exploded with a full charge of adjectives. ‘Exquisite!’ he rapped out; ‘so mellow and harmonious! and so entirely in keeping!’ (I could see from Edward’s face that he was thinking who ought to be in keeping.) ‘Such possibilities of romance, now, in those old gables!’

‘If you mean the garrets,’ I said, ‘there’s a lot of old furniture in them; and one is generally full of apples; and the bats get in sometimes, under the eaves, and flop about till we go up[210] with hair-brushes and things and drive ’em out; but there’s nothing else in them that I know of.’

‘O, but there must be more than bats,’ he cried. ‘Don’t tell me there are no ghosts. I shall be deeply disappointed if there aren’t any ghosts.’

I did not think it worth while to reply, feeling really unequal to this sort of conversation. Besides, we were nearing the house, when my task would be ended. Aunt Eliza met us at the door, and in the cross-fire of adjectives that ensued—both of them talking at once, as grown-up folk have a habit of doing—we two slipped round to the back of the house, and speedily put several broad acres between us and civilisation, for fear of being ordered in to tea in the drawing-room. By the time we returned, our new importation had gone up to dress for dinner, so till the morrow at least we were free of him.

Meanwhile the March wind, after dropping a while at sundown, had been steadily increasing in volume; and although I fell asleep at my[211] usual hour, about midnight I was wakened by the stress and the cry of it. In the bright moonlight, wind-swung branches tossed and swayed eerily across the blinds; there was rumbling in chimneys, whistling in keyholes, and everywhere a clamour and a call. Sleep was out of the question, and, sitting up in bed, I looked round. Edward sat up too. ‘I was wondering when you were going to wake,’ he said. ‘It’s no good trying to sleep through this. I vote we get up and do something.’

‘I’m game,’ I replied. ‘Let’s play at being in a ship at sea’ (the plaint of the old house under the buffeting wind suggested this, naturally); ‘and we can be wrecked on an island, or left on a raft, whichever you choose; but I like an island best myself, because there’s more things on it.’

Edward on reflection negatived the idea. ‘It would make too much noise,’ he pointed out. ‘There’s no fun playing at ships, unless you can make a jolly good row.’

The door creaked, and a small figure in white slipped cautiously in. ‘Thought I heard you[212] talking,’ said Charlotte. ‘We don’t like it; we’re afraid—Selina too! She’ll be here in a minute. She’s putting on her new dressing-gown she’s so proud of.’

His arms round his knees, Edward cogitated deeply until Selina appeared, barefooted, and looking slim and tall in the new dressing-gown. Then, ‘Look here,’ he exclaimed; ‘now we’re all together, I vote we go and explore!’

‘You’re always wanting to explore,’ I said. ‘What on earth is there to explore for in this house?’

‘Biscuits!’ said the inspired Edward.

‘Hooray! Come on!’ chimed in Harold, sitting up suddenly. He had been awake all the time, but had been shamming asleep, lest he should be fagged to do anything.

It was indeed a fact, as Edward had remembered, that our thoughtless elders occasionally left the biscuits out, a prize for the night-walking adventurer with nerves of steel.

Edward tumbled out of bed, and pulled a baggy old pair of knickerbockers over his bare shanks. Then he girt himself with a belt, into[213] which he thrust, on the one side a large wooden pistol, on the other an old single-stick; and finally he donned a big slouch-hat—once an uncle’s—that we used for playing Guy Fawkes and Charles-the-Second-up-a-tree in. Whatever the audience, Edward, if possible, always dressed for his parts with care and conscientiousness; while Harold and I, true Elizabe............
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