The figure of Do?a Maria de Mendoza appears for a moment in the story of D. John, discoloured and blurred like the melancholy picture of a fading memory, leaving behind the sad trace of a fault repented and wept over, and the painful sequel which human weaknesses always bring. Without the interference of the Princess de évoli the loves of D. John and Do?a Maria would have passed innocently away, as a bright bubble vanishes in the air, without leaving trace or mark or memory. But the influence of this wretched woman gave substance to his dreams and fire to his desires, and at last made the deluded lovers fall down the precipice.

Never, however, was trouble of this sort so discreetly managed, as this episode of D. John's first youth. Do?a Magdalena de Ulloa took the matter in hand, and by her own abnegation salved the conscience of D. John and the honour of a noble family which he had stained. Nobody in the Court or town suspected what had happened, and it was only after D. John's death that Philip II himself, usually so well informed and suspicious, heard of the existence of the daughter, the fruit of their loves. A letter from Alexander Farnese, more well-intentioned than prudent, informed the King of the fact, and, had it not been for a tragic event in which years afterwards this innocent lady was mixed up, and of which she was the victim, it is certain that her existence would be as unknown to history as it was to her contemporaries.

All this happened between 1565, when D. John of Austria returned from Barcelona, and 1568, when he embarked on the Mediterranean armada, and it must have been in October, 1567, that Do?a Magdalena came to the rescue.

At the beginning of this month the Queen had given birth to a daughter, called Catherine, after her maternal grandmother of Medicis, who was solemnly baptized on the 19th, at three in the afternoon, in the parish church of St. Giles, which was the church of the castle, and this was a day of great emotion for D. John.

On waking he was presented with a magnificent dress, sent to him as a gift by Princess Juana, as was her custom on all great occasions.

It was of cloth of silver, embroidered with green silk and gold thread, with linings and turnings of dark red cut velvet, and to go with it a neckband of rubies and big pearls.

D. John was simply delighted with his sister's present, because red and green, the colours of the clothes, were those of Do?a Maria de Mendoza; a fact of which the austere Princess was doubtless quite ignorant, as she would never have chosen these colours wittingly.

This Princess was the godmother, the Archduke Rudolph the godfather, and D. John of Austria had to carry the baby in the procession. This was to set out at three o'clock punctually, through one of the special passages which used to be improvised then, and which united the castle with the parish church of St. Giles, already at that time a convent of bare-footed Franciscan monks.

First in the procession walked the officers of State, the gentlemen of the bedchamber and of the table, four archers, four mace-bearers, and the stewards of the Queen and the Princess. Four kings-at-arms followed in very rich dalmatics, and then the Duques de Gandía and Nájera, the Prior, D. Antonio de Toledo, the Marqués de Aguilar, the Conde de Alba de Liste and Chinchón, D. Francisco Enríquez de Ribera, President of the Orders, and the Stewards of the King.

Behind came six Grandees, who were the Duques de Arcos, Medina de Rioseco, Sesa, and Bejar, and the Condes de Ure?a and Benavente, carrying respectively the hood, the taper, marchpane, salt-cellar, basin and towel, and in the midst of them D. John of Austria, with the baby in his arms, wrapped in a mantle of crimson velvet embroidered with gold thread and lined with cloth of silver; on his left the Emperor's Ambassador, and, behind, those of Portugal and France.

The two godparents came next, the Archduke Rudolph and the Princess Juana, who was preceded by her Lord Steward, D. Juan Manrique de Lara, and the Queen's, the Conde de Lemus, and followed by the Camarera Mayor, Do?a Isabel de Qui?ones, the Infanta's governess, Do?a Maria Chacón, and the duenna Guarda Mayor, Do?a Isabel de Castilla, all three in a row. Behind them were the duennas of the Queen and the Princess, their ladies, and the "meninas,"[6] who closed the procession.

But vainly amid this brilliant throng or in her allotted place D. John sought for his lady love, Do?a Maria de Mendoza, which upset him very much, partly, no doubt, because he could not see her, and, perhaps, even more that she should not see him, so smart, and fine and honoured, as happens at his age and on similar occasions.

That night Do?a Juana gave a ball in her apartments, in honour of her goddaughter's christening, and, to add to D. John's anxiety, neither Do?a Maria de Mendoza nor the Princess de évoli appeared there either.

He no doubt heard there from Do?a Maria Ana de Aragón, daughter of the Conde de Rivagorza, who was one of the Queen's ladies, and a great friend of Maria de Mendoza, that she had gone several days before to the house of her relative, the Princess de évoli, which redoubled D. John's anxiety, not only for the fact itself, but for not having been told so by Do?a Maria.

His sister Princess Juana then called him apart, and begged him, with all the goodness of her kind heart, to make the young men improvise a "camisada," with the double purpose of celebrating the Infanta's christening, and of ............