When descent is made into the valley of the Leader, one is still in the land of enchantment. The ivy-covered “Rhymer’s Tower” is a few miles up the glen, and on the way, under the Black Hill of Earlston, are Drygrange and the “Broom o’ the Cowdenknowes”. Near by, at Mellerstain, lived and sang Grizel Baillie, who was Grizel Hume; and in the Kirk of Legerwood is the monument of that other Grizel, who, in the dress of a highwayman, saved her father’s life by holding up the King’s officer carrying the writ for his execution. Higher up Leader are Carolside, and, in a side glen, Auld Thirlstane, the seat of “Auld Maitland”, and Spottiswoode, the home of Alicia Spottiswoode—Lady John Scott—writer and composer of “Bonnie Annie Laurie” and other thrilling Scots lyrics. The new Thirlstane—it is hundreds of years old—is in the centre of Lauderdale, beside the venerable Royal Burgh of Lauder, the last of the municipalities in the land to retain its old burghal rights and customs. Many are the hill-forts and camps that look down on the now peaceful scenes through which the road—a favourite tourist coach route—passes on its way from the crossing of the Lammermoors to the Tweed; and among them are Channelkirk where Cuthbert heard the summons of the Heavenly Host, and Edgarshope, by which the 35 message of fire that told of the crossing of the border by the English bands, was wont to be passed on to Soutra Edge, near by the Hospice of the Red Friars, to which, and not to Faeryland, Thomas retired from the world, when he followed the mysterious Hart and Hind up Leaderside.

Not less richly furnished with the relics of eld and with the charms of modern cultivation is the parallel vale of the Gala, the nursery of the “Braw Lads”. The “Shirra” often traversed it on his way by Midleton Moor to his home and sphere of jurisdiction on Ettrick and Tweed, upon which the stream, road, and railway debouch a little below the mill lades and chimney stalks of the town of Galashiels, and almost opposite to Abbotsford. On the links and bends of the Gala, and its side glens of the Heriot, the Armit, and the Luggate, are many places of historic note—Crookston, of the Borthwicks, for example; Stow—the “Stowe of Wedale”, of Arthurian and medi?val fame; Bowland, like Eildon Hall, on the farther side of the Eildons, a possession of the House of Buccleuch; the ruined “broch” on the Bow Hill, facing, across the valley, a similar structure which, with the termination of that ancient and mysterious line of earthworks, the “Catrail”, occupies the crown of Torwoodlee, of the Pringles; finally, Buckholm Hill and Tower, looking over the roofs of the busy seat of tweed manufactures 36 to Gala Hill and Gala House of the Scotts. “Gala Water, Buckholm, Torwoodlee”, were among the last audible words murmured by the dying “Border Minstrel”.

Between “Leader howms” and Gala Water runs the little stream of the Allan or Alwyne through the “Fairy Dean”. Lovers of Scott will not pass it by, because, apart from the loveliness of its succession of wood-embowered haughs, it leads to a spot where three ruined peel towers—Hillslap, Colmslie, and Langshaw—stand not many bowshots apart, memorials of the time when the smaller lairds had to bind themselves together by a “bond of manrent”, for protection against their more powerful neighbours; and the first of these has been identified, with some sanction from Scott himself, as the “Glendearg” of the Glendinnings in The Monastery and The Abbot. Near the bridge which crosses the Tweed at the “Pavilion of Alwyn”, and the “groves of noble Somerville”, was the scene of the misadventure of Philip, the Sacristan, at the hands of the spirits, and of Mysie Happer, the daughter of the miller of the Halidome. The dairy farm of the “monks of St. Mary’s” was on Allan Water; up it led the “girth-gait” which they often followed on the way to Soutra Hospice. True Thomas’s rhymed sayings cling to this countryside like—in Father Philip’s phrase—“burrs to a beggar’s rags”. The region between Leaderfoot and Galashiels was part of the original patrimony of the Cistercian Abbey; all the way, but especially where Gattonside, set on its hillside and surrounded by its famous orchards, “beiks in the sun”, one sees, in glimpses or in full view,



“Where fair Tweed flows round holy Melrose

And Eildon slopes to the plain”.

In drawing near to Melrose, especially if one crosses at Leaderfoot, and approaches by the village of Newstead and over the site of the Roman camp, one feels there is something to be said for Dorothy Wordsworth’s disappointment on coming first into near view of the Abbey. It stands back from the river—perhaps because the river has left it—and apart from the hills. It is in the fields outside of the village, the streets of which come to its gate and stop there; and it is surrounded by walls, which interrupt and deform proportions seriously injured by the loss of its central tower. Melrose—“the light of the land, the abode of saints, the grave of monarchs”—is a glorious fragment, more beautiful, perhaps, in detail than in general effect, in ornament than in design; and memorable even more for its legendary and literary associations than for its actual history. The monastery dates from the same abbey-building reign as its rivals on Tweedside; but architecturally the church belongs to another horizon. Of the original Norman fabric that stood on the site 38 scarcely a trace remains. It was swept away during the descent upon it of Edward II in 1322, and what remained must have perished under the equally destructive assault of Richard II in 1385. Between these two dates, a building arose, represented by the eastern end of the nave with its flying buttresses and by adjoining parts of the choir and transepts, that may be regarded as a monument of the piety and the gratitude of Robert the Bruce, whose heart, brought back from the Paynim lands to which the “good Sir James” of Douglas had carried it, is buried in the Abbey. The work of rebuilding was continued for nearly a couple of centuries longer; and it is evident that the highest art and craftsmanship the age could produce were employed in construction and in ornament, which, owing to the fineness of grain of the red sandstone employed, remains in wonderful preservation. It is doubtful whether it was completed before the tempests of the Tudor invasions and of the Reformation fell upon it, and the monks were put to flight. It has not been definitely ascertained how far the long nave extended to the westward, or what was the plan of the monastic buildings, of which and of the cloister only a few fragments are left on the northern side of the church. The presbytery, with its much extolled “east oriel” window, was probably among the later additions, and is one of the finest examples of Perpendicular Gothic 39 extant. Scott would have us view it when the moon is shining “through slender shafts of shapely stone, by foliaged tracery combined”, and to imagine that

“Some fairy’s hand

’Twixt poplars straight the ozier wand,

In many a freakish knot, had twined”.

But even more wonderful and beautiful to many eyes is the great Decorated window of the south transept that lightens the aisle in which, as is fabled, the Wizard Michael sleeps with his magic books beside him. Familiar are the lines in which Sir Walter, a constant pilgrim to this shrine, chants its praises—of its cloister garth:

“Nor herb, nor floweret, glistened there,

But was carved in the cloister-arches fair”;

of the vaulted roof, where

“The key-stone that locked each ribbéd aisle

Was a fleur-de-lys or a quatrefeuille”;

and of the pillars, with their clustered shafts, that

“With base and with capital flourished around

Seem’d bundles of lances which garlands had bound”.

It must have been a labour of love to frame this marvellously carved casket, in which are laid the ashes of kings and prelates. Here rest the chiefs of the once mighty House of Douglas, and, not far away, of the English Warden who desecrated their tombs and was overtaken and slain at Ancrum Moor; among minor clans “Ye race of ye House of Zair”—Kerrs and Pringles; and, later in date but of the same stubborn 40 and trusty Border stuff, Tom Purdie, the reclaimed poacher and faithful watchdog and factotum of the Laird of Abbotsford. The prayer of John Morvo, inscribed on the wall of the south transept,

“I pray to God and Marie baith

And sweet St. John keep this haly Kirk frae skaith”,

has not been fulfilled. To other bludgeonings of fate was added its conversion into the parish church in the seventeenth century. Walter Scott helped to rescue it from vandalism and neglect; and he continues to be the guardian spirit of the “dark Abbaye”.

Not less than in the days of the monks is the adjacent town of Melrose—“Kennaquair” the residence of the antiquarian Captain Cuthbert Clutterbuck—an appanage of the Abbey, out of which indeed it has partly been built. One looks in vain for the “Druid Oak”, which existed only in Scott’s fancy. But Melrose has its market cross and market place, and does a modest business with the country round. Its chief source of prosperity, however, is in its situation and its associations; it may be called the capital of the “Scott Country”. Abbotsford is little more than a couple of miles away. The road to it passes Darnick Tower, a red keep festooned with greenery, the stronghold of one of the lay vassals of the Abbey; and skirts, in the grounds of the Hydropathic Establishment, the “skirmish field” on which was 41 fought in 1526 the fray between the Scotts and the Kerrs of the Douglas faction that gave rise to a long feud between the clans. Scott, it may be noted, speaks of the scene, when

“Cessford’s heart-blood dear

Reeked on dark Elliot’s Border spear”,

as if it had taken place beside the ruined Kerr stronghold of Holydean, on the southern side of the hills beyond Huntly-burn and the “Rhymer’s Glen”, and thus near to the pretty village of Bowden, which sits under the lowest of the three Eildons, and looks down into the valley of the Ale and towards Cavers Carre and Lilliesleaf.

The fields and woods sloping down from Bowden Moor and Cauldshields Loch, on the left of the way from Melrose to Abbotsford, are part of the possessions which Sir Walter gathered together between 1811, when he had to give up Ashestiel, and 1824; and they still belong to his descendants. The nucleus of the property was the little farm of Cartley, or Clarty, Hole, on the Tweed a little above the inflow of the Gala. It lay almost opposite to the site of the plum trees that, according to a story of Border foray much cherished in Galashiels, gave to that town the burghal arms and the slogan tune of “Soor Plooms”, the favourite bagpipe air of Scott’s Kelso uncle. On the strength of a tradition that there was here a crossing-place 42 of the monks, Abbotsford got its new and ever memorable name. A modest cottage, which forms part of the west wing, gradually grew with the growth of the owner’s fame and fortunes, until, at the end of fourteen years, by addition and reconstruction, mainly all of Sir Walter’s own devising, it had become the stately baronial mansion, adorned with turrets, corbels, and crowsteps, that challenges the eye by its form and size as well as by its history. Into it the author of the Waverley Novels may be said to have built his fancies, his aspirations, and his ambitions; and here he counted on spending the evening of his days in well-earned rest, surrounded by his children and his friends, and by the love and admiration of his fellow countrymen. Hardly had this “poem in stone and lime” been brought to completion when an untimely frost blasted his hopes, and with unimpaired courage, but with gradually failing strength, he turned to a task, greater than any that ever fell to his namesake the “michty Michael”, and worked unremittingly, with hand and brain, for another seven years’ term until he came back for the last time to Abbotsford, a spent and broken man, to die. Sadder far his return than his departure a year before in quest of health, when

“A trouble, not of clouds or weeping rain,

Nor of the setting sun’s pathetic light

Engendered, hung o’er Eildon’s triple height”.
43

It brought the last touch of tragedy and of heroism to the closing scene of that noble life—to the passing of the marvellous power, the warm and generous heart, the gallant spirit that was Walter Scott. He enjoyed, however, many happy days in Abbotsford; it is associated more with his triumphs than with his misfortunes. Here he trod his fields, delighted “to call this wooded patch of earth his own”, entertained literary celebrities like Washington Irving, Maria Edgeworth, and the Wordsworths, held almost feudal receptions of his retainers and neighbours, talked and walked with his familiars—Lockhart, Skene, Cranstoun, the “beloved Erskine”—and with his “ain folk”, and planned a............