Fear and love — Curiosity — Imitation — Emulation — Forbidden by Rousseau — His error — Ambition, pugnacity, and pride. Soft pedagogics and the fighting impulse — Ownership — Its educational uses — Constructiveness — Manual teaching — Transitoriness in instincts — Their order of succession.
First of all, Fear. Fear of punishment has always been the great weapon of the teacher, and will always, of course, retain some place in the conditions of the schoolroom. The subject is so familiar that nothing more need be said about it.
The same is true of Love, and the instinctive desire to please those whom we love. The teacher who succeeds in getting herself loved by the pupils will obtain results which one of a more forbidding temperament finds it impossible to secure.
Next, a word might be said about Curiosity. This is perhaps a rather poor term by which to designate the impulse toward better cognition in its full extent; but you will readily understand what I mean. Novelties in the way of sensible objects, especially if their sensational quality is bright, vivid, startling, invariably arrest the attention of the young and hold it until the desire to know more about the object is assuaged. In its higher, more intellectual form, the impulse toward completer knowledge takes the character of scientific or philosophic curiosity. In both its sensational and its intellectual form the instinct is more vivacious during childhood and youth than in after life. Young children are possessed by curiosity about every new impression that assails them. It would be quite impossible for a young child to listen to a lecture for more than a few minutes, as you are now listening to me. The outside sights and sounds would inevitably carry his attention off. And, for most people in middle life, the sort of intellectual effort required of the average schoolboy in mastering his Greek or Latin lesson, his algebra or physics, would be out of the question. The middle-aged citizen attends exclusively to the routine details of his business; and new truths, especially when they require involved trains of close reasoning, are no longer within the scope of his capacity.
The sensational curiosity of childhood is appealed to more particularly by certain determinate kinds of objects. Material things, things that move, living things, human actions and accounts of human action, will win the attention better than anything that is more abstract. Here again comes in the advantage of the object-teaching and manual training methods. The pupil’s attention is spontaneously held by any problem that involves the presentation of a new material object or of an activity on any one’s part. The teacher’s earliest appeals, therefore, must be through objects shown or acts performed or described. Theoretic curiosity, curiosity about the rational relations between things, can hardly be said to awake at all until adolescence is reached. The sporadic metaphysical inquiries of children as to who made God, and why they have five fingers, need hardly be counted here. But, when the theoretic instinct is once alive in the pupil, an entirely new order of pedagogic relations begins for him. Reasons, causes, abstract conceptions, suddenly grow full of zest, a fact with which all teachers are familiar. And, both in its sensible and in its rational developments, disinterested curiosity may be successfully appealed to in the child with much more certainty than in the adult, in whom this intellectual instinct has grown so torpid as usually never to awake unless it enters into association with some selfish personal interest. Of this latter point I will say more anon.
Imitation. Man has always been recognized as the imitative animal par excellence. And there is hardly a book on psychology, however old, which has not devoted at least one paragraph to this fact. It is strange, however, that the full scope and pregnancy of the imitative impulse in man has had to wait till the last dozen years to become adequately recognized. M. Tarde led the way in his admirably original work, “Les Lois de l’Imitation”; and in our own country Professors Royce and Baldwin have kept the ball rolling with all the energy that could be desired. Each of us is in fact what he is almost exclusively by virtue of his imitativeness. We become conscious of what we ourselves are by imitating others — the consciousness of what the others are precedes — the sense of self grows by the sense of pattern. The entire accumulated wealth of mankind — languages, arts, institutions, and sciences — is passed on from one generation to another by what Baldwin has called social heredity, each generation simply imitating the last. Into the particulars of this most fascinating chapter of psychology I have no time to go. The moment one hears Tarde’s proposition uttered, however, one feels how supremely true it is. Invention, using the term most broadly, and imitation, are the two legs, so to call them, on which the human race historically has walked.
Imitation shades imperceptibly into Emulation. Emulation is the impulse to imitate what you see another doing, in order not to appear inferior; and it is hard to draw a sharp line between the manifestations of the two impulses, so inextricably do they mix their effects. Emulation is the very nerve of human society. Why are you, my hearers, sitting here before me? If no one whom you ever heard of had attended a ‘summer school’ or teachers’ institute, would it have occurred to any one of you to break out independently and do a thing so unprescribed by fashion? Probably not. Nor would your pupils come to you unless the children of their parents’ neighbors were all simultaneously being sent to school. We wish not to be lonely or eccentric, and we wish not to be cut off from our share in things which to our neighbors seem desirable privileges.
In the schoolroom, imitation and emulation play absolutely vital parts. Every teacher knows the advantage of having certain things performed by whole bands of children at a time. The teacher who meets with most success is the teacher whose own ways are the most imitable. A teacher should never try to make the pupils do a thing which she cannot do herself. “Come and let me show you how” is an incomparably better stimulus than “Go and do it as the book directs.” Children admire a teacher who has skill. What he does seems easy, and they wish to emulate it. It is useless for a dull and devitalized teacher to exhort her pupils to wake up and take an interest. She must first take one herself; then her example is effective, as no exhortation can possibly be.
Every school has its tone, moral and intellectual. And this tone is a mere tradition kept up by imitation, due in the first instance to the example set by teachers and by previous pupils of an aggressive and dominating type, copied by the others, and passed on from year to year, so that the new pupils take the cue almost immediately. Such a tone changes very slowly, if at all; and then always under the modifying influence of new personalities aggressive enough in character to set new patterns and not merely to copy the old. The classic example of this sort of tone is the often quoted case of Rugby under Dr. Arnold’s administration. He impressed his own character as a model on the imagination of the oldest boys, who in turn were expected and required to impress theirs upon the younger set. The contagiousness of Arnold’s genius was such that a Rugby man was said to be recognizable all through life by a peculiar turn of character which he acquired at school. It is obvious that psychology as such can give in this field no precepts of detail. As in so many other fields of teaching, success depends mainly on the native genius of the teacher, the sympathy, tact, and perception which enable him to seize the right moment and to set the right example.
Among the recent modern reforms of teaching methods, a certain disparagement of emulation, as a laudable spring of action in the schoolroom, has often made itself heard. More than a century ago, Rousseau, in his ‘émile,’ branded rivalry between one pupil and another as too base a passion to play a part in an ideal education. “Let émile,” he said, “never be led to compare himself to other children. No rivalries, not even in running, as soon as he begins to have the power of reason. It were a hundred times better that he should not learn at all what he could only learn through jealousy or vanity. But I would mark out every year the progress he may have made, and I would compare it with the progress of the following years. I would say to him: ‘You are now grown so many inches taller; there is the ditch which you jumped over, there is the burden which you raised. There is the distance to which you could throw a pebble, there the distance you could run over without losing breath. See how much more you can do now!’ Thus I should excite him without making him jealous of any one. He would wish to surpass himself. I can see no inconvenience in this emulation with his former self.”
Unquestionably, emulation with one’s former self is a noble form of the passion of rivalry, and has a wide scope in the training of the young. But to veto and taboo all possible rivalry of one youth with another, because such rivalry may degenerate into greedy and selfish excess, does seem to savor somewhat of sentimentality, or even of fanaticism. The feeling of rivalry lies at the very basis of our being, all social improvement being largely due to it. There is a noble and generous kind of rivalry, as well as a spiteful and greedy kind; and the noble and generous form is particularly common in childhood. All games owe the zest which they bring with them to the fact that they are rooted in the emulous passion, yet they are the chief means of training in fairness and magnanimity. Can the teacher afford to throw such an ally away? Ought we seriously to hope that marks, distinctions, prizes, and other goals of effort, based on the pursuit of recognized superiority, should be forever banished from our schools? As a psychologist, obliged to notice the deep and pervasive character of the emulous passion, I must confess my doubts.
The wise teacher will use this instinct as he uses others, reaping its advantages, and appealing to it in such a way as to reap a maximum of benefit with a minimum of harm; for, after all, we must confess, with a French critic of Rousseau’s doctrine, that the deepest spring of action in us is the sight of action in another. The spectacle of effort is what awakens and sustains our own effort. No runner running all alone on a race-track will find in his own will the power of stimulation which his rivalry with other runners incites, when he feels them at his heels, about to pass. When a trotting horse is ‘speeded,’ a running horse must go beside him to keep him to the pace.
As imitation slides into emulation, so emulation slides into Ambition; and ambition connects itself closely with Pugnacit............