TOM SEDLEY was dozing in his chair, by the fire, when he was roused by Mrs. Graver’s voice.
“You’ll take this note at once, please, to your master; there’s a cab at the door, and the lady says you mustn’t make no delay.”
It took some seconds to enable Tom to account for the scene, the actor and his own place of repose, his costume, and the tenor of the strange woman’s language. In a little while, however, he recovered the context, and the odd passage in his life became intelligible.
Still half asleep, Tom hurried down-stairs, and in the hall, with a shock, read the address, “Cleve Verney, Esq.” At the hall-door steps he found a cab, into which he jumped, telling the man to drive to Cleve Verney’s lodgings.
There were expiring lights in the drawing-room, the blinds of which were up, and as the cab stopped at the steps a figure appeared at one of the windows, and Cleve Verney opened it, and told the driver, “Don’t mind knocking, I’ll go down.”
“Come up-stairs,” said Cleve, as he stood at the open door, addressing Sedley, and mistaking him for the person whom he had employed.
Up ran Tom Sedley at his heels.
“Hollo! Sedley— what brings you here?” said Cleve, when Tom appeared in the light of the candles. “You don’t mean to say the ball has been going on till now — or is it a scrape?”
“Nothing — only this I’ve been commissioned to give you,” and he placed Miss Sheckleton’s note in his hand.
Cleve had looked wofully haggard and anxious as Tom entered. But his countenance changed now to an ashy paleness, and there was no mistaking his extreme agitation.
He opened the note — a very brief one it seemed — and read it.
“Thank God!” he said with a great sigh, and then he walked to the window and looked out, and returned again to the candles and read the note once more.
“How did you know I was up, Tom?”
“The lights in the windows.”
“Yes. Don’t let the cab go.”
Cleve was getting on his coat, and speaking like a man in a dream.
“I say, Tom Sedley, how did you come by this note?” he said, with a sudden pause, and holding Miss Sheckleton’s note in his fingers.
“Well, quite innocently,” hesitated Sedley.
“How the devil was it, sir? Come, you may as well — by heaven, Sedley, you shall tell me the truth!”
Tom looked on his friend Cleve, and saw his eyes gleaming sharply on him, and his face very white.
“Of course I’ll tell you, Cleve,” said Tom, and with this exordium he stumbled honestly through his story, which by no means quieted Cleve Verney.
“You d —— d little Paul Pry!” said he. “Well, you have got hold of a secret now, like the man in the iron mask, and by —— you had better keep it.”
A man who half blames himself already, and is in a position which he hates and condemns, will stand a great deal more of hard language, and even of execration, than he would under any other imaginable circumstances.
“You can’t blame me half as much as I do myself. I assure you, Cleve, I’m awfully sorry. It was the merest lark — at first — and then — when I saw that beautiful — that young lady —”
“Don’t talk of that lady any more; I’m her husband. There, you have it all, and if you whisper it to mortal you may ruin me; but one or other of us shall die for it!”
Cleve was talking in a state of positive exasperation.
“Whisper it! — tell it! You don’t in the least understand me, Cleve,” said Tom, collecting himself, and growing a little lofty; “I don’t whisper or tell things; and as for daring or not daring, I don’t know what you mean; and I hope, if occasion for dying came, I should funk it as little as any other fellow.”
“I’m going to this d —— d place now. I don’t much care what you do: I almost wish you’d shoot me.”
He struck his hand on the table, looking not at Tom Sedley, but with a haggard rage through the window, and away toward the gray east; and without another word to Sedley, he ran down, shutting the hall-door with a crash that showed more of his temper than of his prudence, and Tom saw him jump into the cab and drive away.
The distance is really considerable, but in Cleve’s intense reverie time and space contracted, and before he fancied they had accomplished half the way, he found himself at the tall door and stained pilasters and steps of the old red-brick house.
Anne Evans, half awake, awaited his arrival on the steps. He ran lightly up the stairs, under her covert scrutiny; and, in obedience to Mrs. Graver’s gesture of warning, as she met him with raised hand and her frowning “Hish” at the head of the stairs, he checked his pace, and in a whisper he made his eager inquiries. She was going on very nicely.
“I must see Miss Sheckleton — the old lady — where is she?” urged Cleve.
“Here, sir, please”— and Mrs. Graver opened a door, and he found tired Miss Sheckleton tying on her bonnet, and getting her cloak about her.
“Oh! Cleve, dear”— she called him “Cleve” now —“I’m so delighted; she’s doing very well; the doctor’s quite pleased with her, and it’s a boy, Cleve, and — and I wish you joy with all my heart.”
And as she spoke, the kind old lady was shaking both his hands, and smiling up into his handsome face, like sunshine; but that handsome face, though it smiled down darkly upon her, was, it seemed to her, strangely joyless, and even troubled.
“And Cleve, dear, my dear Mr. Verney — I’m so sorry; but I must go immediately. I make his chocolate in the morning, and he sometimes calls for it at half-past seven. This miserable attack that has kept him here, and the risk in which he is at every day he stays in this town, it is so distracting. And if I should not be at home and ready to see him when he calls, he’d be sure to suspect something; and I really see nothing ............