The postman handed in a letter with a mourning border fully an inch wide: there was barely room for name and address, which were squeezed in anyhow. It was from Mr. Henry; and opening it in some trepidation Mary read the sad news of Agnes’s death. Mr. Henry was kind enough to give her full particulars. Agnes had, it seemed, stood the voyage out well. But on landing at the Cape she had met with an accident; had caught her foot in a rope and fallen heavily; and the shock had brought on an apoplexy from which she never rallied. Mr. Henry wrote as one bereft of all he held dear; as the fond father whose pious duty it would henceforth be, to fill a mother’s place to his orphaned children. In reading the letter aloud, Mary swallowed hard; then veiled her discomfort with an apologetic: “Oh well, you know . . . poor man, . . . I daresay ——” by which she meant to imply that, with death’s entry on the scene, the realities were apt to get overlaid. Mr. Henry saw himself and his situation, not as they were, but as he would have wished them to be.

Richard, of course, sniffed at Ocock’s layman-ish account of his wife’s end. And he was right. For Tilly’s gloss on the affair ran: PURD HEARD FROM A MAN WHO WAS ON BOARD THE SAME SHIP. IT’S TRUE SHE DID TRIP OVER A ROPE AND COME A CROPPER (AND NOT THE FIRST TIME NEITHER, AS WE KNOW) AND THIS BROUGHT ON A VIOLENT ATTACK OF D.T.‘S WHICH CARRIED HER OFF: HENRY HASN’T LOOKED THE SAME MAN SINCE. HIS RELIEF IS IMMENSE— SIMPLY IMMENSE.

But Mary’s faithful stubborn heart rebelled. For Agnes’s own sake, her death was perhaps, pitifully enough, the best solution. But that, of all who had known her, none should mourn her passing; that even among her nearest it should stir only a sense of good riddance and relief: the tragedy of such a finish moved Mary to the depths. Tenderly she laid away the keepsake Mr. Henry sent her for remembrance: a large cameo-brooch, at the back of which, under glass, was twined a golden curl, cut from the head of the little child whose untimely end had cost Agnes her bitterest tears.

A day or two later there came into her possession a still more pathetic memento: a letter from the dead, which had to be opened and read though the hand that wrote it was lying cold at the bottom of a grave. It had been found by Mr. Henry amongst his wife’s belongings — found sealed and addressed but never posted — a blotted and scrawled production and more than a little confused, but full of love and kindness; though written with the firm conviction that they would never meet again. Poor thing, poor thing! And having read, Mary hid it away at the back of a drawer, where no eyes but her own would ever see it. She could not have borne Richard’s sarcastic comments on Agnes’s poor spelling and poorer penmanship.

But there was nothing new in this secretiveness: she was falling more and more into the way of keeping Richard in the dark. A smash of china by the clumsy servant; Miss Prestwick’s airs and insufficiencies; the exorbitant price of the children’s new boots; disturbing gossip retailed by the girl: of vexations such as these, which were her daily portion, he heard not a word. It left her, of course, much freer to deal with things. But it also spared him the exhaustion of many a towering rage (under the influence of which he was quite capable of writing to the bootmaker and calling him a thief); saved him, too, from going off into one of his fits of depression when he imagined the whole world in league against him. The real truth was, he hadn’t enough to occupy him; and not a soul to speak to . . . except his dreadful patients. Nor did he ever write or receive a letter. In coming here he seemed to have had but one desire: to forget and be forgotten.

She it was who sat up at night, spinning out the letters necessary to make people remember you. And it fell to her to write the note of welcome when Baron von Krause, the well-known botanist, proposed to break his journey from Sydney to Melbourne, solely to pay them a visit. — Though putting up a visitor nowadays meant considerable inconvenience: they had to turn out of their own room, she going in with the children, Richard making shift with the dining-room sofa. Still, in this case she thought the upset worth while: for Richard’s sake. He had been as friendly with the Baron as it was in his nature to be with anybody; and the latter had once spoken to her, in warm terms, of Richard’s intimate knowledge of the native flora, and lamented the fact that he should not have found time to systematise his studies.

The next morning, while Richard was out, she climbed the step-ladder and unearthed the glass cases that contained his collections of plants, minerals and butterflies: for the first time on moving into a new house, he had not set them up in his room. But she wasn’t going to let people think that, because he had come to live up-country, he was therefore running to seed. And having dusted and rubbed and polished, she ranged the cases along the walls of the passage and on the dining-room sideboard. To the delight of the children.

But she might have spared her pains. As far as Richard was concerned, the visit was a failure.

Baron von Krause arrived during the forenoon. Richard was on his rounds, and did not reach home till they were half through dinner. And then he tried to get out of coming to table! Going in search of him on his non-appearance, she found him sunk in his armchair, from which he vowed he was too tired to stir . . . let alone exert himself to entertain strangers.

“Strangers? There’s only him! And he’s just as nice as he always was. We’re getting on capitally. The children, too.”

The Baron was a short, sturdy little man, bronzed brown with the sun — beside him Richard, who never tanned, looked almost transparent — dark of hair and beard, and with a pair of kindly blue eyes that beamed at you from behind large gold spectacles. Veteran colonist though he was, he still spoke a jargon all his own, coupled with a thick, foreign accent. He also expressed himself with extreme deliberation, using odd, archaic words (“Like the Bible,” thought Cuffy); and, could he not at once find the word he sought, he paused in what he was saying and scoured his mind till he had captured it. This, added to the fact that he did things at table that were strictly forbidden them, made him an object of enormous interest to the children; and three pairs of eyes hung entranced on him as he ate and spoke, to the detriment of their owners’ own table-manners. In waiting, too, for him to be delivered of a word, three little faces went pink with a mixture of embarrassment and anticipation. In vain did Mary privately frown and shake her head. A knifeful of peas, “meLANcholy” for melancholy, and all three were agog again. It was a real drawback, at a time like this, to have such NOTICING children.

But with their father’s entry a change came over their behaviour. Cuffy kept his eyes fixed on his plate and minded what he was doing, and Lallie and Lucie faithfully followed suit. The fun was at an end. For it wasn’t at all the same when Papa forgot, in the middle of a sentence, what he was going to say (because Mamma interrupted him with a potato) and tried and tried his hardest to remember and couldn’t, and got very cross with himself. Mamma thought it was funny though, for she laughed and said she believed he’d forget his head if it weren’t screwed on; and then she told a story about Papa nearly going out without his collar, and how she had rushed after him and saved him . . . which made Papa cross with her as well.

It was too hot to go walking. And after dinner, Mahony having been called back to the surgery, the Baron strayed to the drawing-room, opened the piano, and put his hairy, knuckly hands on the keys. Mary thought this an excellent chance to slip away and “see to things”; but Richard, the patient gone, first set his door ajar, then came along the passage and sat down in an armchair by the drawing-room window. Cuffy, at ball on the verandah, also crept in and took up his position close to the piano, leaning against it and staring fixedly at the player — listening, that is to say, after the fashion of children, as much with the eyes as with the ears (as if only by keeping the maker of the sounds in view can they grasp the sounds themselves)— the while he continued mechanically to tip his ball from hand to hand.

The Baron was playing something hard and ugly . . . like five-finger exercises but with more notes, oh! LOTS of notes in it . . . and to and fro went the ball, to and fro. This lasted a long time, and the Baron was hot when he’d finished, and had to wipe his neck and clean his glasses. Then he did some more; and this time it was prettier, with a tune to it, and it danced in little squirts up the piano; and Cuffy was obliged to smile . . . he didn’t know why, his mouth just smiled by itself. He also left off fiddling with the ball. By now the Baron had become aware of his small listener. Musician-wise had noted, too, the child’s instinctive response to the tripping scherzo. Pausing, he peered at Cuffy through his large round spectacles; and before putting his fingers in place for the third piece, leant over and patted the boy’s cheek, murmuring as he did: “Let us see then . . . yes, let us see!” To Cuffy he said: “Hearken now, my little one . . . hearken well to this. Here I shall give you food for the heart as well as for the head.”— And then he began to play music that was quite, quite different to that before . . . and wasn’t LIKE music any more. It whispered in the bass, and while it whispered it growled; but the treble didn’t growl: it cried.

And now something funny happened to Cuffy. He began to feel as if he’d like to run away; he didn’t WANT to listen . . . and his heart started to beat fast. Like if he HAD run. The Baron ‘d said he was playing to it . . . perhaps that was why . . . for it seemed to be getting bigger . . . till it was almost too tight for his chest. Letting his ball fall, he pressed his fists close to where he thought his heart must be. Something hurt him in there . . . he didn’t LIKE this music, he wanted to call out to it to stop. But the piano didn’t care: it went on and on, and though it tried once to be different, it always came back and did the same thing over again . . . a dreadful thing . . . oh! something WOULD burst in him if it didn’t leave off . . . he felt all swollen . . . yes, he was going to burst . . . .

Then, without so much as taking his fingers off the keys, the Baron began to make a lot of little notes that sounded just like a wind, and throwing back his head and opening his mouth wide, he sang funny things . . . in ever such a funny voice.

UBER’M GARTEN DURCH DIE LUFTE HORT’ ICH WANDERVOGEL ZIEH’N, DAS BEDEUTET FRUHLINGSDUFTE, UNTEN FANGT’S SCHON AN ZU BLUH’N!

The relief, the ecstatic relief that surged through Cuffy at these lovely sounds, was too much for him. His eyes ran over and tears ran down his cheeks; nor could he help it, or stop them, when he found what they were doing.

Mamma — she had come back — made ever such big eyes at him.

“CUFFY! What on earth . . . Is THIS how you say thank-you for the pretty music?” (If only he was not going off before a visitor into one of his t............