I THOUGHT my odd cousin was also impressed with a kind of awe, though different in degree from mine, for a shade overcast her face, and she was silent as we walked side by side along the gallery, accompanied by the crone who carried the candle which lighted us to the door of that apartment which I may call Uncle Silas’s presence chamber.
Milly whispered to me as we approached —
“Mind how you make a noise; the governor’s as sharp as a weasel, and nothing vexes him like that.”
She was herself toppling along on tiptoe. We paused at a door near the head of the great staircase, and L’Amour knocked timidly with her rheumatic knuckles.
A voice, clear and penetrating, from within summoned us to enter. The old woman opened the door, and the next moment I was in the presence of Uncle Silas.
At the far end of a handsome wainscoted room, near the hearth in which a low fire was burning, beside a small table on which stood four waxlights, in tall silver candlesticks, sat a singular-looking old man.
The dark wainscoting behind him, and the vastness of the room, in the remoter parts of which the light which fell strongly upon his face and figure expended itself with hardly any effect, exhibited him with the forcible and strange relief of a finely painted Dutch portrait. For some time I saw nothing but him.
A face like marble, with a fearful monumental look, and, for an old man, singularly vivid strange eyes, the singularity of which rather grew upon me as I looked; for his eyebrows were still black, though his hair descended from his temples in long locks of the purest silver and fine as silk, nearly to his shoulders.
He rose, tall and slight, a little stooped, all in black, with an ample black velvet tunic, which was rather a gown than a coat, with loose sleeves, showing his snowy shirt some way up the arm, and a pair of wrist buttons, then quite out of fashion, which glimmered aristocratically with diamonds.
I know I can’t convey in words an idea of this apparition, drawn as it seemed in black and white, venerable, bloodless, fiery-eyed, with its singular look of power, and an expression so bewildering — was it derision, or anguish, or cruelty, or patience?
The wild eyes of this strange old man were fixed upon me as he rose; an habitual contraction, which in certain lights took the character of a scowl, did not relax as he advanced toward me with his thin-lipped smile. He said something in his clear, gentle, but cold voice, the import of which I was too much agitated to catch, and he took both my hands in his, welcomed me with a courtly grace which belonged to another age, and led me affectionately, with many inquiries which I only half comprehended, to a chair near his own.
“I need not introduce my daughter; she has saved me that mortification. You’ll find her, I believe, good-natured and affectionate; au reste, I fear a very rustic Miranda, and fitted rather for the society of Caliban than of a sick old Prospero. Is it not so, Millicent?”
The old man paused sarcastically for an answer, with his eyes fixed severely on my odd cousin, who blushed and looked uneasily to me for a hint.
“I don’t know who they be — neither one nor t’other.”
“Very good, my dear,” he replied, with a little mocking bow. “You see, my dear Maud, what a Shakespearean you have got for a cousin. It’s plain, however, she has made acquaintance with some of our dramatists; she has studied the r?le of Miss Hoyden so perfectly.”
It was not a reasonable peculiarity of my uncle that he resented, with a good deal of playful acrimony, my poor cousin’s want of education, for which, if he were not to blame, certainly neither was she.
“You see her, poor thing, a result of all the combined disadvantage of want of refined education, refined companionship, and, I fear, naturally, of refined tastes; but a sojourn at a good French conventual school will do wonders, and I hope to manage by-and-by. In the meantime we jest at our misfortunes, and love one another, I hope, cordially.”
He extended his thin, white hand with a chilly smile towards Milly, who bounced up, and took it with a frightened look; and he repeated, holding her hand rather slightly I thought, “Yes, I hope, very cordially,” and then turning again to me, he put it over the arm of his chair, and let it go, as a man might drop something he did not want from a carriage window.
Having made this apology for poor Milly, who was plainly bewildered, he passed on, to her and my relief, to other topics, every now and then expressing his fears that I was fatigued, and his anxiety that I should partake of some supper or tea; but these solicitudes somehow seemed to escape his remembrance almost as soon as uttered; and he maintained the conversation, which soon degenerated into a close, and to me a painful examination, respecting my dear father’s illness and its symptoms, upon which I could give no information, and his habits, upon which I could.
Perhaps he fancied that there might be some family predisposition to the organic disease of which his brother died, and that his questions were directed rather to the prolonging of his own life than to the better understanding of my dear father’s death.
How little was there left to this old man to make life desirable, and yet how keenly, I afterwards found, he clung to it. Have we not all of us seen those to whom life was not only undesirable, but positively painful — a mere series of bodily torments, yet hold to it with a desperate and pitiable tenacity — old children or young, it is all the same.
See how a sleepy child will put off the inevitable departure for bed. The little creature’s eyes blink and stare, and it needs constant jogging to prevent his nodding off into the slumber which nature craves. His waking is a pain; he is quite worn out, and peevish, and stupid, and vows he is not sleepy, even to the moment when his mother takes him in her arms, and carries him, in a sweet slumber, to the nursery. So it is with us old children of earth and the great sleep of death, and nature our kind mother. Just so reluctantly we part with consciousness, the picture is, even to the last, so interesting; the bird in the hand, though sick and moulting, so inestimably better than all the brilliant tenants of the bush. We sit up, yawning, and blinking, and stupid, the whole scene swimming before us, and the stories and music humming off into the sound of distant winds and waters. It is not time yet; we are not fatigued; we are good for another hour still, and so protesting against bed, we falter and drop into the dreamless sleep which nature assigns to fatigue and satiety.
He then spoke a little eulogy of his brother, very polished, and, indeed, in a kind of way, eloquent. He possessed in a high degree that accomplishment, too little cultivated, I think, by the present generation, of expressing himself with perfect precision and fluency. There was, too, a good deal of slight illustrative quotation, and a sprinkling of French flowers, over the conversation, which gave to it a character at once elegant and artificial. It was all easy, light, and pointed, and being quite new to me, had a wonderful fascination.
He then told me that Bartram was the temple of liberty, that the health of a whole life was founded in a few years of youth, air, and exercise, and that accomplishments, at least, if not education, should wait upon health. Therefore, while at Bartram, I should dispose of my time quite as I pleased, and the more I plundered the garden and gipsied in the woodlands, the better.
Then he told me what a miserable invalid he was, and how the doctors interfered with his frugal tastes. A glass of beer and a mutton chop — his ideal of a dinner — he dared not touch. They made him drink light wines, which he detested, and live upon those artificial abominations all liking for which vanishes with youth.
There stood on a side-table, in its silver............