A LITTLE before midnight Euthanasia’s prison-chamber was unlocked, and the gaoler entered, with a lamp in his hand, accompanied by one of majestic figure, and a countenance beautiful, but sad, and tarnished by the expression of pride that animated it. “She sleeps,” whispered the gaoler. His companion raised his finger in token of silence; and, taking the lamp from the man’s hand, approached her mattress which was spread upon the floor, and, kneeling down beside it, earnestly gazed upon that face he had known so well in happier days. She made an uneasy motion, as if the lamp which he held disturbed her; he placed it on the ground, and shaded it with his figure; while, by the soft light that fell upon her, he tried to read the images that were working in her mind.

She appeared but slightly altered since he had first seen her. If thought had drawn some lines in her brow, the intellect which its beautiful form expressed, effaced them to the eye of the spectator: her golden hair fell over her face and neck: he gently drew it back, while she smiled in her sleep; her smile was ever past description lovely, and one might well exclaim with Dante

Quel, ch’ella par quando un poco sorride.

Non si puo dicer, ne tenere a mente;

Si è nuovo miracolo, e gentile.

He gazed on her long; her white arm lay on her black dress, and he imprinted a sad kiss upon it; she awoke, and saw Castruccio gazing upon her.

She started up; “What does this mean?” she cried.

His countenance, which had softened as he looked upon her, now reassumed its severe expression. “Madonna,” he replied, “I come to take you from this place.”

She looked on him, endeavouring to read his purpose in his eyes; but she saw there no explanation of her doubts:— “And whither do you intend to lead me?”

“That you will know hereafter.”

She paused; and he added with a disdainful smile, “The countess of Valperga need not fear, while I have the power to protect her, the fate she prepared for me.”

“What fate?”

“Death.”

He spoke in an under tone, but with one of those modulations of voice, which, bringing to her mind scenes of other days, was best fitted to make an impression upon her. She replied almost unconsciously — “I did not prepare death for you; God is my witness!”

“Well, Madonna, we will not quarrel about words; or, like lawyers, clothe our purposes in such a subtle guise, that it might deceive all, if truth did not destroy the spider’s web. I come to lead you from prison.”

“Not thus, my lord, not thus will I be saved. I disdain any longer to assert my intentions, since I am not believed. But am I to be liberated alone; or are my friends included in your merciful intentions?”

“Your friends are too dangerous enemies of the commonwealth, to be rescued from the fate that awaits them. Your sex, perhaps the memory of our ancient friendship, plead for you; and I do not think that it accords with your wisdom to make conditions with one who has the power to do that which best pleases him.”

“And yet I will not yield; I will not most unworthily attend to my own safety, while my associates die. No, my lord, if they are to be sacrificed, the addition of one poor woman will add little to the number of your victims; and I cannot consent to desert them.”

“How do you desert them? You will never see or hear of them more, or they of you. But this is trifling; and my moments are precious.”

“I will not — I dare not follow you. My heart, my conscience tell me to remain. I must not disobey their voice.”

“Is your conscience so officious now, and did it say nothing, or did your heart silence it, when you plotted my destruction?”

“Castruccio, this I believe is the last time that I shall ever speak to you. Our hearts are in the hands of the father of all; and he sees my thoughts. You know me too well, to believe that I plotted your death, or that of any human creature. Now is not the time to explain my motives and plans: but my earnest prayer was that you might live; my best hope, to make that life less miserable, less unworthy, than it had hitherto been.”

She spoke with deep earnestness; and there was something in her manner, as if the spirit of truth animated all her accents, that compelled assent. Castruccio believed all; and he spoke in a milder and more persuasive manner; “Poor Euthanasia! so you were at last cajoled by that arch-traitor, Bondelmonti. Well, I believe, and pardon all; but, as the seal of the purity of your intentions, I now claim your consent to my offers of safety.”

“I cannot, indeed I cannot, consent. Be merciful; be magnanimous; and pardon all, banish us all where our discontent cannot be dangerous to you. But to desert my friends, and basely to save that life you deny to them, I never can.”

The gaoler, who had hitherto stood in the shade near the door, could no longer contain himself. He knelt to Euthanasia, and earnestly and warmly intreated her to save herself, and not with wilful presumption to cast aside those means which God had brought about for her safety. “Remember,” he cried, “your misfortunes will be on the prince’s head; make him not answer for you also. Oh! lady, for his sake, for all our sakes, yield.”

Castruccio was much moved to see the warmth of this man. He took the hand of Euthanasia, he also knelt: “Yes, my only and dearest friend, save yourself for my sake. Yield, beloved Euthanasia, to my intreaties. Indeed you will not die; for you well know that your life is dearer to me than my own. But yield to my request, by our former loves, I intreat; by the prayers which you offer up for my salvation, I conjure you as they shall be heard, so also hear me!”

The light of the solitary lamp fell full upon the countenance of Castruccio: it was softened from all severity; his eyes glistened, and a tear stole silently down his cheek as he prayed her to yield. They talk of the tears of women; but, when they flow most plenteously, they soften not the heart of man, as one tear from his eyes has power on a woman. Words and looks have been feigned; they say, though I believe them not, that women have feigned tears: but those of a man, which are ever as the last demonstration of a too full heart, force belief, and communicate to her who causes them, that excess of tenderness, that intense depth of passion, of which they are themselves the sure indication.

Euthanasia had seen Castruccio weep but once before; it was many years ago, when he departed for the battle of Monte Catini; and he then sympathized too deeply in her sorrows, not to repay her much weeping with one most true and sacred tear. And now this scene was present before her; the gap of years remained unfilled; and she had consented to his request, before she again recalled her thoughts, and saw the dreary prison — chamber, the glimmering lamp, and the rough form of the gaoler who knelt beside Antelminelli. Her consent was scarcely obtained, when Castruccio leapt up, and, bidding her wrap her capuchin about her, led her by the hand down the steep prison — stairs, while the gaoler went before them, and unlocked, and drew back the bolts of, the heavy, creaking doors.

At the entrance of the prison they found a man on horseback holding two other horses. It was Mordecastelli. Castruccio assisted Euthanasia to mount, and then sprang on his own saddle; they walked their horses to a gate of the town which was open; — they proceeded in silence; — at the gate Castruccio said to his companion — “Here leave us; I shall speedily return.”

Vanni then turned his horse’s head, slightly answering the salute of Euthanasia, which she had involuntarily made at parting for ever with one who had been her intimate acquaintance. A countryman was waiting on horseback outside the gate: “You are our guide?” said Castruccio. “Lead on then.”

It was a frosty, cloudless night; there was no moon, but the stars shone intensely above; the bright assemblage seemed to congregate from the far wastes of heaven, and to press in innumerable clusters upon the edge of the visible atmosphere, to gaze upon the strange earth beneath. The party passed out of the city of Lucca by the Pisan gate, and at first put their horses to a gallop. As they approached the hills, Castruccio came up beside Euthanasia; they slackened their speed; she spoke thus:

“I have acceded to your request, and left the prison; indeed it were useless in me to resist one who possesses the absolute power that you do. But I intreat you now that I see you for the last time, to have pity on my companions in this conspiracy. I can think only of them; and if I am to live — if ever I am again to hear of the events which will pass within the walls of that town, reflect on the sharp pang you will inflict upon me, if I hear of their destruction.”

“Madonna,” replied the prince, “I will do that which I consider my duty: and let not these our last moments be employed in fruitless discussion.”

Euthanasia felt that it was in vain to speak. Her confederates, her friends, who were reserved instantly to die, stood in funereal group before the eye of her soul; her imagination made present to her all that they thought, and all that they were to suffer. She looked upon Castruccio; she saw that he was moulded of an impenetrable substance: her heart swelled to the confines of her bosom, and forbade her such degradation to the assured victims, as would be implied in her uttering one further word in their behalf to the unhearing, unrelenting being that stood before her. Castruccio continued:

“You are about to leave Tuscany, and to take up your abode in a foreign land. You are still young. I send you from your native country; but you may at a future period confess that I have done you a kindness. You have hitherto mingled in the embroiled politics of a republic, and seen conspiracies, heart — burnings, and war.”

Euthanasia felt herself unable to reply.

They had crossed the plain of Lucca, and were arrived beneath those hills, which, crowned with towers, and clothed with deep forests, were the beautiful romantic steeps that she best loved. They struck off here from the usual road, and, fording the Serchio, began to ascend the acclivities on the opposite side, proceeding one by one up the narrow path. At length they reached the summit, and viewed, stretched before them beneath the stars of night, a scene of enchanting beauty. The plain they had just crossed was dimly seen beneath, bounded by its hills; before them was another plain, desert and barren, through which the Serchio flows, bounded by the dark line of the sea; and the Lago di Macciucoli, a marshy lake, was close beneath.

“Here I leave you,” said Castruccio: “there is your destination,” and he pointed to the sea; “remember one with whom you have passed your happiest days.”

He took her hand, and kissed it. Her feelings were strange, and hardly to be described. She could not entirely forget what he had once been to her. She could at that moment have overlooked his tyranny, his lawless ambition, and his cruelty. But, no; the moment itself was a bane to oblivion. She could have forgotten his past cruelties, but not those which were immediately to be perpetrated, to be perpetrated on individuals who had been united with her in a plot for liberty, and some of whom her name and her countenance had perhaps prompted to the desperate undertaking, and egged on to destruction.

Castruccio spoke to the guide, recommending haste as soon as they should reach the plain, and then turned his horse’s head. Euthanasia and her conductor paused on the summit of the hill; and she heard the steps of Castruccio’s horse, as it made its way back through the tangled underwood. Then she also began her descent on the other side.

Euthanasia, being now separated from her former connections, and from him who had been the evil genius of the scene, began to resume her wonted tone. The eternal spirit of the universe seemed to descend upon her, and she drank in breathlessly the sensation, which the silent night, the starry heavens, and the sleeping earth bestowed upon her. All seemed so peaceful, that no unwelcome sensation in her own heart could disturb the scene of which she felt herself a part. She looked up, and exclaimed in her own beautiful Italian, whose soft accents and expressive phrases then so much transcended all other European languages — “What a brave canopy has this earth, and how graciously does the supreme empyrean smile upon its nursling!”

“E Bellissimo,” replied her guide, “ma figurcisci, Madonna, se è tanto bello sul rovescio, cosa mai sarà al dritto.”

Euthanasia smiled at the fancy of one so uncouth in manners and habits of life; and she replied, — “Who knows how soon it may be my destiny to see............