"Hit him harder."
I slapped Morrie's back.
"Harder."
I slapped him again.
"Near his shoulders . . . now down lower."
Morrie, dressed in pajama bottoms, lay in bed on his side, his head flush against the pillow, his mouth open. The physical therapist was showing me how to bang loose the poison in his lungs-which he needed done regularly now, to keep it from solidifying, to keep him breathing.
"I . . . always knew . . . you wanted . . . to hit me . . ." Morrie gasped.
Yeah, I joked as I rapped my fist against the alabaster skin of his back. This is for that B you gave me sophomore year! Whack!
We all laughed, a nervous laughter that comes when the devil is within earshot. It would have been cute, this little scene, were it not what we all knew it was, the final calisthenics before death. Morrie's disease was now dangerously close to his surrender spot, his lungs. He had been predicting he would die from choking, and I could not imagine a more terrible way to go. Sometimes he would close his eyes and try to draw the air up into his mouth and nostrils, and it seemed as if he were trying to lift an anchor.
Outside, it was jacket weather, early October, the leaves clumped in piles on the lawns around West Newton. Morrie's physical therapist had come earlier in the day, and I usually excused myself when nurses or specialists had business with him. But as the weeks passed and our time ran down, I was increasingly less self-conscious about the physical embarrassment. I wanted to be there. I wanted to observe everything. This was not like me, but then, neither were a lot of things that had happened these last few months in Morrie's house.
So I watched the therapist work on Morrie in the bed, pounding the back of his ribs, asking if he could feel the congestion loosening within him. And when she took
a break, she asked if I wanted to try it. I said yes. Morrie, his face on the pillow, gave a little smile.
"Not too hard," he said. "I'm an old man."
I drummed on his back and sides, moving around, as she instructed. I hated the idea of Morrie's lying in bed under any circumstances (his last aphorism, "When you're in bed, you're dead," rang in my ears), and curled on his side, he was so small, so withered, it was more a boy's body than a man's. I saw the paleness of his skin, the stray white hairs, the way his arms hung limp and helpless. I thought about how much time we spend trying to shape our bodies, lifting weights, crunching sit-ups, and in the end, nature takes it away from us anyhow. Beneath my fingers, I felt the loose flesh around Morrie's bones, and I thumped him hard, as instructed. The truth is, I was pounding on his back when I wanted to be hitting the walls.
"Mitch?" Morrie gasped, his voice jumpy as a jackhammer as I pounded on him.
Uh-huh?
"When did . . . I . . . give you . . . a B?"
Morrie believed in the inherent good of people. But he also saw what they could become.
"People are only mean when they're threatened," he said later that day, "and that's what our culture does. That's what our economy does. Even people who have jobs in our economy are threatened, because they worry about losing them. And when you get threatened, you start looking out only for yourself. You start making money a god. It is all part of this culture."
He exhaled. "Which is why I don't buy into it."
I nodded at him and squeezed his hand. We held hands regularly now. This was another change for me. Things that before would have made me embarrassed or squeamish were now routinely handled. The catheter bag, connected to the tube inside him and filled with greenish waste fluid, lay by my foot near the leg of his chair. A few months earlier, it might have disgusted me; it was inconsequential now. So was the smell of the room after Morrie had used the commode. He did not have the luxury of moving from place to place, of closing a bathroom door behind him, spraying some air freshener when he left. There was his bed, there was his chair, and that was his life. If my life were squeezed into such a thimble, I doubt I could make it smell any better.
"Here's what I mean by building your own little subculture," Morrie said. "I don't............