Look in my face! my name is Might-have-been;
I am also caled No-more, Too-late, Farewell.
— DANTE GABRIEL ROSSETTI.
IT was Sunday afternoon. Mr. Tristram leaned on the stone balustrade that bounded the long terrace at Wilderleigh. He was watching two distant figures, followed by a black dot, stroll away across the park. One of them seemed to drag himself unwillingly. Mr. Tristram congratulated himself on the acumen which had led him to keep himself concealed until Doll and Hugh had started for Beaumere.
Sybell had announced at luncheon, in the tone of one who observes a religious rite, that she should rest till four o’clock, and would be ready to sit for the portrait of her upper lip at that hour.
It was only half-past two now. Mr. Tristram had planted himself exactly in front of Rachel’s windows, with his back to the house. “She will keep me waiting, but she will come out in time,” he said to himself, nervous and self-confident by turns, resting his head rather gracefully on his hand. His knowledge of womankind supported him like a life-belt, but it has been said that life-belts occasionally support their wearers upside down. Theories have been known to exhibit the same spiteful tendency towards those who place their trust in them.
“Of course, she has got to show me that she is offended with me,” he reflected, gazing steadily at the Welsh hills. “She would not have come out if I had asked her, but she will certainly come as I did not. I will give her half an hour.”
Rachel, meanwhile, was looking fixedly at Mr. Tristram from her bedroom window with that dispassionate scrutiny to avoid which the vainest would do well to take refuge in noisome caves.
“I wonder,” she said to herself, “whether Hester always saw him as I see him now. I believe she did.”
Rachel put on her hat and took up her gloves. “If this is really I, and that is really he, I had better go down and get it over,” she said to herself.
Mr. Tristram had given her half an hour. She appeared in the low stone doorway before the first five minutes of the allotted time had elapsed, and he gave a genuine start of surprise as he heard her step on the gravel. His respect for her fell somewhat at this alacrity.
“I have been waiting in the hope of seeing you,” he said, after a moment’s hesitation. “I am anxious to have a serious conversation with you.”
“Certainly,” she said.
They walked along the terrace, and presently found themselves in the little coppice adjoining it. They sat down together on a wooden seat round an old cedar, in the heart of the golden afternoon.
It was an afternoon the secret of which autumn and spring will never tell to winter and summer, when the wildest dreams of love might come true, when even the dead might come down and put warm lips to ours, and we should feel no surprise.
A kingfisher flashed across the open on his way back to the brook near at hand, fleeing from the still splendour of the sunfired woods where he was but a courtier, to the little winding world of grey stones and water, where he was a jewelled king.
When the kingfisher had left them tête-àtête Mr. Tristram found himself extremely awkwardly placed on the green bench. He felt that he had not sufficiently considered beforehand the peculiar difficulties which, in the language of the law, “had been imported into his case.”
Rachel sat beside him in silence. If it could be chronicled that sympathetic sorrow for her companion’s predicament was the principal feeling in her mind, she would have been an angel.
Mr. Tristram halted long between two opinions. At last he said brokenly:
“Can you forgive me?”
What woman, even in her white hair, even after a lifetime spent out of earshot, ever forgets the tone her lover’s voice takes when he is in trouble? Rachel softened instantly.
“I forgave you long ago,” she said gently.
Something indefinable in the clear full gaze that met his daunted him. He stared apprehensively at her. It seemed to him as if he were standing in cold and darkness, looking in through the windows of her untroubled eyes at the warm sunlit home which had once been his, when it had been exceeding well with him, but of which he had lost the key.
A single yellow leaf, crisped and hollowed to a fairy boat, came sailing on an imperceptible current of air to rest on Rachel’s knee.
“I was angry at first,” she said, her voice falling across the silence like another leaf. “And then after a time I forgave you. And later still, much later, I found out that you had never injured me — that I had nothing to forgive.”
He did not understand, and as he did not understand he explained volubly — for here he felt he was on sure ground — that, on the contrary, she had much to forgive, that he had acted like an infernal blackguard, that men were coarse brutes, not fit to kiss a good woman’s shoe latchet, &c. &c. He identified his conduct with that of the whole sex, without alluding to it as that of the individual Tristram. He made it clear that he did not claim to have behaved better than “most men.”
Rachel listened attentively. “And I actually loved him,” she said to herself.
“But the divine quality of woman is her power of forgiving. Her love raises a man, transfigures him, ennobles his whole life,” &c. &c.
“My love did not appear to have quite that effect upon you at the time,” said Rachel, regretting the words the moment they were spoken.
Mr. Tristram felt relieved. Here at last was the reproach he had been expecting.
He assured her she did well to be angry. He accused himself once more. He denounced the accursed morals of the day above which he ought to have risen, the morals, if she did but know it, of all unmarried men.
“That is a hit at Mr. Scarlett,” she said scornfully to herself, and then her cheek blanched as she remembered that Hugh was not exempt after all. She became suddenly tired, impatient, but she waited quietly for the inevitable proposal.
Mr. Tristram, who had the gift of emphatic and facile utterance, which the conventional consider to be the sign-manual of genius, had become so entangled in the morals of the age, that it took him some time to extricate himself from the subject before he could pass on to plead in an impassioned manner the cause of the man, unworthy though he might be, who had long loved her, loved her now, and would always love her, in this world and the next.
It was the longest proposal Rachel had ever had, and she had had many. But if the proposal was long the refusal was longer. Rachel, who had a good memory, led up to it by opining that the artistic life made great demands, that the true artist must live entirely for his art, that domestic life might prove a hindrance. She had read somewhere that high hopes fainted on warm hearthstones. Mr. Tristram demolished these objections as ruthlessly as ducks peck their own ducklings if they have not seen them for a day or two.
Even when she was forced to become more explicit it was at first impossible to Mr. Tristram to believe she would finally reject him. But the knowledge, deep-rooted as a forest oak, that she had loved him devotedly could not at last prevail against the odious conviction that she was determined not to marry him.
“Then, in that case you never loved me?”
“I do not love you now.”
“You are determined not to marry?”
“On the contrary, I hope to do so.”
Rachel’s words took her by surprise. She had no idea till that moment that she hoped anything of the kind.
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