We looked out the topography of Middleshire in a county-guide, which spoke highly, as the phrase is, of Lackley Park, and took up our abode, our journey ended, at a wayside inn where, in the days of leisure, the coach must have stopped for luncheon and burnished pewters of rustic ale been handed up as straight as possible to outsiders athirst with the sense of speed. We stopped here for mere gaping joy of its steep-thatched roof, its latticed windows, its hospitable porch, and allowed a couple of days to elapse in vague undirected strolls and sweet sentimental observance of the land before approaching the particular business that had drawn us on. The region I allude to is a compendium of the general physiognomy of England. The noble friendliness of the scenery, its latent old-friendliness, the way we scarcely knew whether we were looking at it for the first or the last time, made it arrest us at every step. The countryside, in the full warm rains of the last of April, had burst into sudden perfect spring. The dark walls of the hedgerows had turned into blooming screens, the sodden verdure of lawn and meadow been washed over with a lighter brush. We went forth without loss of time for a long walk on the great grassy hills, smooth arrested central billows of some primitive upheaval, from the summits of which you find half England unrolled at your feet. A dozen broad counties, within the scope of your vision, commingle their green exhalations. Closely beneath us lay the dark rich hedgy flats and the copse-chequered slopes, white with the blossom of apples. At widely opposite points of the expanse two great towers of cathedrals rose sharply out of a reddish blur of habitation, taking the mild English light.
We gave an irrepressible attention to this same solar reserve, and found in it only a refinement of art. The sky never was empty and never idle; the clouds were continually at play for our benefit. Over against us, from our station on the hills, we saw them piled and dissolved, condensed and shifted, blotting the blue with sullen rain-spots, stretching, breeze-fretted, into dappled fields of grey, bursting into an explosion of light or melting into a drizzle of silver. We made our way along the rounded ridge of the downs and reached, by a descent, through slanting angular fields, green to cottage-doors, a russet village that beckoned us from the heart of the maze in which the hedges wrapped it up. Close beside it, I admit, the roaring train bounces out of a hole in the hills; yet there broods upon this charming hamlet an old-time quietude that makes a violation of confidence of naming it so far away. We struck through a narrow lane, a green lane, dim with its barriers of hawthorn; it led us to a superb old farmhouse, now rather rudely jostled by the multiplied roads and by-ways that have reduced its ancient appanage. It stands there in stubborn picturesqueness, doggedly submitting to be pointed out and sketched. It is a wonderful image of the domiciliary conditions of the past — cruelly complete; with bended beams and joists, beneath the burden of gables, that seem to ache and groan with memories and regrets. The short low windows, where lead and glass combine equally to create an inward gloom, retain their opacity as a part of the primitive idea of defence. Such an old house provokes on the part of an American a luxury of respect. So propped and patched, so tinkered with clumsy tenderness, clustered so richly about its central English sturdiness, its oaken vertebrations, so humanised with ages of use and touches of beneficent affection, it seemed to offer to our grateful eyes a small rude symbol of the great English social order. Passing out upon the highroad, we came to the common browsing-patch, the “village-green” of the tales of our youth. Nothing was absent: the shaggy mouse-coloured donkey, nosing the turf with his mild and huge proboscis, the geese, the old woman — THE old woman, in person, with her red cloak and her black bonnet, frilled about the face and double-frilled beside her decent placid cheeks — the towering ploughman with his white smock-frock puckered on chest and back, his short corduroys, his mighty calves, his big red rural face. We greeted these things as children greet the loved pictures in a storybook lost and mourned and found again. We recognised them as one recognises the handwriting on letter-backs. Beside the road we saw a ploughboy straddle whistling on a stile, and he had the merit of being not only a ploughboy but a Gainsborough. Beyond the stile, across the level velvet of a meadow, a footpath wandered like a streak drawn by a finger over a surface of fine plush. We followed it from field to field and from stile to stile; it was all adorably the way to church. At the church we finally arrived, lost in its rook-haunted churchyard, hidden from the workday world by the broad stillness of pastures — a grey, grey tower, a huge black yew, a cluster of village-graves with crooked headstones and protrusions that had settled and sunk. The place seemed so to ache with consecration that my sensitive companion gave way to the force of it.
“You must bury me here, you know”— he caught at my arm. “It’s the first place of worship I’ve seen in my life. How it makes a Sunday where it stands!”
It took the Church, we agreed, to make churches, but we had the sense the next day of seeing still better why. We walked over some seven miles, to the nearer of the two neighbouring seats of that lesson; and all through such a mist of local colour that we felt ourselves a pair of Smollett’s pedestrian heroes faring tavernward for a night of adventures. As we neared the provincial city we saw the steepled mass of the cathedral, long and high, rise far into the cloud-freckled blue; and as we got closer stopped on a bridge and looked down at the reflexion of the solid minster in a yellow stream. Going further yet we entered the russet town — where surely Miss Austen’s heroines, in chariots and curricles, must often have come a-shopping for their sandals and mittens; we lounged in the grassed and gravelled precinct and gazed insatiably at that most soul-soothing sight, the waning wasting afternoon light, the visible ether that feels the voices of the chimes cling far aloft to the quiet sides of the cathedral-tower; saw it linger and nestle and abide, as it loves to do on all perpendicular spaces, converting them irresistibly into registers and dials; tasted too, as deeply, of the peculiar stillness of this place of priests; saw a rosy English lad come forth and lock the door of the old foundation-school that dovetailed with cloister and choir, and carry his big responsible key into one of the quiet canonical houses: and then stood musing together on the effect on one’s mind of having in one’s boyhood gone and come through cathedral-shades as a King’s scholar, and yet kept ruddy with much cricket in misty river meadows. On the third morning we betook ourselves to Lackley, having learned that parts of the “grounds” were open to visitors, and that indeed on application the house was sometimes shown.
Within the range of these numerous acres the declining spurs of the hills continued to undulate and subside. A long avenue wound and circled from the outermost gate through an untrimmed woodland, whence you glanced at further slopes and glades and copses and bosky recesses — at everything except the limits of the place. It was as free and untended as I had found a few of the large loose villas of old Italy, and I was still never to see the angular fact of English landlordism muffle itself in so many concessions. The weather had just become perfect; it was one of the dozen exquisite days of the English year — days stamped with a purity unknown in climates where fine weather is cheap. It was as if the mellow brightness, as tender as that of the primroses which starred the dark waysides like petals wind-scattered over beds of moss, had been meted out to us by the cubic foot — distilled from an alchemist’s crucible. From this pastoral abundance we moved upon the more composed scene, the park proper — passed through a second lodge-gate, with weather-worn gilding on its twisted bars, to the smooth slopes where the great trees stood singly and the tame deer browsed along the bed of a woodland stream. Here before us rose the gabled grey front of the Tudor-time, developed and terraced and gardened to some later loss, as we were afterwards to know, of type.
“Here you can wander all day,” I said to Searle, “like an exiled prince who has come back on tiptoe and hovers about the dominion of the usurper.”
“To think of ‘others’ having hugged this all these years!” he answered. “I know what I am, but what might I have been? What do such places make of a man?”
“I dare say he gets stupidly used to them,” I said. “But I dare say too, even then, that when you scratch the mere owner you find the perfect lover.”
“What a perfect scene and background it forms!” my friend, however, had meanwhile gone on. “What legends, what histories it knows! My heart really breaks with all I seem to guess. There’s Tennyson’s Talking Oak! What summer days one could spend here! How I could lounge the rest of my life away on this turf of the middle ages! Haven’t I some maiden-cousin in that old hall, or grange, or court — what in the name of enchantment do you call the thing? — who would give me kind leave?” And then he turned almost fiercely upon me. “Why did you bring me here? Why did you drag me into this distraction of vain regrets?”
At this moment there passed within call a decent lad who had emerged from the gardens and who might have been an underling in the stables. I hailed him and put the question of our possible admittance to the house. He answered that the master was away from home, but that he thought it probable the housekeeper would consent to do the honours. I passed my arm into Searle’s. “Come,” I said; “drain the cup, bitter-sweet though it be. We must go in.” We hastened slowly and approached the fine front. The house was one of the happiest fruits of its freshly-feeling era, a multitudinous cluster of fair gables and intricate chimneys, brave projections and quiet recesses, brown old surfaces weathered to silver and mottled roofs that testified not to seasons but to centuries. Two broad terraces commanded the wooded horizon. Our appeal was answered by a butler who condescended to our weakness. He renewed the assertion that Mr. Searle was away from home, but he would himself lay our case before the housekeeper. We would be so good, however, as to give him our cards. This request, following so directly on the assertion that Mr. Searle was absent, was rather resented by my companion. “Surely not for the housekeeper.”
The butler gave a diplomatic cough. “Miss Searle is at home, sir.”
“Yours alone will have to serve,” said my friend. I took out a card and pencil and wrote beneath my name NEW YORK. As I stood with the pencil poised a temptation entered into it. Without in the least considering proprieties or results I let my implement yield — I added above my name that of Mr. Clement Searle. What would come of it?
Before many minutes the housekeeper waited upon us — a fresh rosy little old woman in a clean dowdy cap and a scanty sprigged gown; a quaint careful person, but accessible to the tribute of our pleasure, to say nothing of any other. She had the accent of the country, but the manners of the house. Under her guidance we passed through a dozen apartments, duly stocked with old pictures, old tapestry, old carvings, old armour, with a hundred ornaments and treasures. The pictures were especially valuable. The two Vandykes, the trio of rosy Rubenses, the sole and sombre Rembrandt, glowed with conscious authenticity. A Claude, a Murillo, a Greuze, a couple of Gainsboroughs, hung there with high complacency. Searle strolled about, scarcely speaking, pale and grave, with bloodshot eyes and lips compressed. He uttered no comment on what we saw — he asked but a question or two. Missing him at last from my side I retraced my steps and found him in a room we had just left, on a faded old ottoman and with his elbows on his knees and his face buried in his hands. Before him, ranged on a great credence, was a magnificent collection of old Italian majolica; plates of every shape, with their glaze of happy colour, jugs and vases nobly bellied and embossed. There seemed to rise before me, as I looked, a sudden vision of the young English gentleman who, eighty years ago, had travelled by slow stages to Italy and been waited on at his inn by persuasive toymen. “What is it, my dear man?” I asked. “Are you unwell?”
He uncovered his haggard face and showed me the flush of a consciousness sharper, I think, to myself than to him. “A memory of the past! There comes back to me a china vase that used to stand on the parlour mantel-shelf when I was a boy, with a portrait of General Jackson painted on one side and a bunch of flowers on the other. How long do you suppose that majolica has been in the family?”
“A long time probably. It was brought hither in the last century, into old, old England, out of old, old Italy, by some contemporary dandy with a taste for foreign gimcracks. Here it has stood for a hundred years, keeping its clear firm hues in this quiet light that has never sought to advertise it.”
Searle sprang to his feet. “I say, for mercy’s sake, take me away! I can’t stand this sort of thing. Before I know it I shall do something scandalous. I shall steal some of their infernal crockery. I shall proclaim my identity and assert my rights. I shall go blubbering to Miss Searle and ask her in pity’s name to ‘put me up.’”
If he could ever have been said to threaten complications he rather visibly did so now. I began to regret my officious presentation of his name and prepared without delay to lead him out of the house. We overtook the housekeeper in the last room of the series, a small unused boudoir over whose chimney-piece hung a portrait of a young man in a powdered wig and a brocaded waistcoat. I was struck with his resemblance to my companion while our guide introduced him. “This is Mr. Clement Searle, Mr. Searle’s great-uncle, by Sir Joshua Reynolds. He died young, poor gentleman; he perished at sea, going to America.”
“He was the young buck who brought the majolica out of Italy,” I supplemented.
“Indeed, sir, I believe he did,” said the housekeeper without wonder.
“He’s the image of you, my dear Searle,” I further observed.
“He’s remarkably like the gentleman, saving his presence,” said the housekeeper.
My friend stood staring. “Clement Searle — at sea — going to America —?” he broke out. Then with some sharpness to our old woman: “Why the devil did he go to America?”
“Why indeed, sir? You may well ask. I believe he had kinsfolk there. It was for them to come to him.”
Searle broke into a laugh. “It was for them to come to him! Well, well,” he said, fixing his eyes on our guide, “they’ve come to him at last!”
She blushed like a wrinkled rose-leaf. “Indeed, sir, I verily believe you’re one of US!”
“My name’s the name of that beautiful youth,” Searle went on. “Dear kinsman I’m happy to meet you! And what do you think of this?” he pursued as he grasped me by the arm. “I have an idea. He perished at sea. His spirit came ashore and wandered about in misery till it got another incarnation — in this poor trunk!” And he tapped his hollow chest. “Here it has rattled about these forty years, beating its wings against its rickety cage, begging to be taken home again. And I never knew what was the matter with me! Now at last the bruised spirit can escape!”
Our old lady gaped at a breadth of appreciation — if not at the disclosure of a connexion — beyond her. The scene was really embarrassing, and my confusion i............