Why did she love him? Curious fool, be still!

Is human love the growth of human will?

To her he might be gentleness!

LORD BYRON.

In three weeks from the time of his arrival, Captain Clifford was the most admired man in Bath. It is true the gentlemen, who have a quicker tact as to the respectability of their own sex than women, might have looked a little shy upon him, had he not himself especially shunned appearing intrusive, and indeed rather avoided the society of men than courted it; so that after he had fought a duel with a baronet (the son of a shoemaker), who called him one Clifford, and had exhibited a flea-bitten horse, allowed to be the finest in Bath, he rose insensibly into a certain degree of respect with the one sex as well as popularity with the other. But what always attracted and kept alive suspicion, was his intimacy with so peculiar and dashing a gentleman as Mr. Edward Pepper. People could get over a certain frankness in Clifford’s address, but the most lenient were astounded by the swagger of Long Ned. Clifford, however, not insensible to the ridicule attached to his acquaintances, soon managed to pursue his occupations alone; nay, he took a lodging to himself, and left Long Ned and Augustus Tomlinson (the latter to operate as a check on the former) to the quiet enjoyment of the hairdresser’s apartments. He himself attended all public gayeties; and his mien, and the appearance of wealth which he maintained, procured him access into several private circles which pretended to be exclusive — as if people who had daughters ever could be exclusive! Many were the kind looks, nor few the inviting letters, which he received; and if his sole object had been to marry an heiress, he would have found no difficulty in attaining it. But he devoted himself entirely to Lucy Brandon; and to win one glance from her, he would have renounced all the heiresses in the kingdom. Most fortunately for him, Mauleverer, whose health was easily deranged, had fallen ill the very day William Brandon left Bath; and his lordship was thus rendered unable to watch the movements of Lucy, and undermine or totally prevent the success of her lover. Miss Brandon, indeed, had at first, melted by the kindness of her uncle, and struck with the sense of his admonition (for she was no self-willed young lady, who was determined to be in love), received Captain Clifford’s advances with a coldness which, from her manner the first evening they had met at Bath, occasioned him no less surprise than mortification. He retreated, and recoiled on the squire, who, patient and bold, as usual, was sequestered in his favourite corner. By accident, Clifford trod on the squire’s gouty digital; and in apologizing for the offence, was so struck by the old gentleman’s good-nature and peculiarity of expressing himself, that without knowing who he was, he entered into conversation with him. There was an off-hand sort of liveliness and candour, not to say wit, about Clifford, which always had a charm for the elderly, who generally like frankness above all the cardinal virtues; the squire was exceedingly pleased with him. The acquaintance, once begun, was naturally continued without difficulty when Clifford ascertained who was his new friend; and next morning, meeting in the pump-room, the squire asked Clifford to dinner. The entree to the house thus gained, the rest was easy. Long before Mauleverer recovered his health, the mischief effected by his rival was almost beyond redress; and the heart of the pure, the simple, the affectionate Lucy Brandon was more than half lost to the lawless and vagrant cavalier who officiates as the hero of this tale.

One morning, Clifford and Augustus strolled out together. “Let us,” said the latter, who was in a melancholy mood, “leave the busy streets, and indulge in a philosophical conversation on the nature of man, while we are enjoying a little fresh air in the country.” Clifford assented to the proposal, and the pair slowly sauntered up one of the hills that surround the city of Bladud.

“There are certain moments,” said Tomlinson, looking pensively down at his kerseymere gaiters, “when we are like the fox in the nursery rhyme, ‘The fox had a wound, he could not tell where,’— we feel extremely unhappy, and we cannot tell why. A dark and sad melancholy grows over us; we shun the face of man; we wrap ourselves in our thoughts like silkworms; we mutter fag-ends of dismal songs; tears come into our eyes; we recall all the misfortunes that have ever happened to us; we stoop in our gait, and bury our hands in our breeches-pockets; we say, ‘What is life? — a stone to be shied into a horsepond!’ We pine for some congenial heart, and have an itching desire to talk prodigiously about ourselves; all other subjects seem weary, stale, and unprofitable. We feel as if a fly could knock us down, and are in a humour to fall in love, and make a very sad piece of business of it. Yet with all this weakness we have at these moments a finer opinion of ourselves than we ever had before. We call our megrims the melancholy of a sublime soul, the yearnings of an indigestion we denominate yearnings after immortality, nay, sometimes ‘a proof of the nature of the soul!’ May I find some biographer who understands such sensations well, and may he style those melting emotions the offspring of the poetical character,’ which, in reality, are the offspring of — a mutton-chop!”

[Vide Moore’s “Life of Byron,” in which it is satisfactorily shown that if a man fast forty-eight hours, then eat three lobsters, and drink Heaven knows how many bottles of claret; if, when he wake the next morning, he sees himself abused as a demon by half the periodicals of the country — if, in a word, he be broken in his health, irregular in his habits, unfortunate in his affairs, unhappy in his home, and if then he should be so extremely eccentric as to be low-spirited and misanthropical, the low spirits and the misanthropy are by no means to be attributed to the above agreeable circumstances, but, God wot, to the “poetical character”!]

“You jest pleasantly enough on your low spirits,” said Clifford; “but I have a cause for mine.”

“What then?” cried Tomlinson. “So much the easier is it to cure them. The mind can cure the evils that spring from the mind. It is only a fool and a quack and a driveller when it professes to heal the evils that spring from the body. My blue devils spring from the body; consequently my mind, which, as you know, is a particularly wise mind, wrestles riot against them. Tell me frankly,” renewed Augustus, after a pause, “do you ever repent? Do you ever think, if you had been a shop-boy with a white apron about your middle, that you would have been a happier and a better member of society than you now are?”

“Repent!” said Clifford, fiercely; and his answer opened more of his secret heart, its motives, its reasonings, and its peculiarities than were often discernible — “repent! that is the idlest word in our language. No; the moment I repent, that moment I reform! Never can it seem to me an atonement for crime merely to regret it. My mind would lead me, not to regret, but to repair! Repent! no, not yet. The older I grow, the more I see of men and of the callings of social life, the more I, an open knave, sicken at the glossed and covert dishonesties around. I acknowledge no allegiance to society. From my birth to this hour, I have received no single favour from its customs or its laws; openly I war against it, and patiently will I meet its revenge. This may be crime; but it looks light in my eyes when I gaze around, and survey on all sides the masked traitors who acknowledge large debts to society, who profess to obey its laws, adore its institutions, and, above all — oh, how righteously! — attack all those who attack it, and who yet lie and cheat and defraud and peculate — publicly reaping all the comforts, privately filching all the profits. Repent! — of what? I come into the world friendless and poor; I find a body of laws hostile to the friendless and the poor! To those laws hostile to me, then, I acknowledge hostility in my turn. Between us are the conditions of war. Let them expose a weakness — I insist on my right to seize the advantage; let them defeat me, and I allow their right to destroy.”—[The author need not, he hopes, observe that these sentiments are Mr. Paul Clifford’s, not his.]

“Passion,” said Augustus, coolly, “is the usual enemy of reason; in your case it is the friend.”

The pair had now gained the summit of a hill which commanded a view of the city below. Here Augustus, who was a little short-winded, paused to recover breath. As soon as he had done so, he pointed with his forefinger to the scene beneath, and said enthusiastically, “What a subject for contemplation!”

Clifford was about to reply, when suddenly the sound of laughter and voices was heard behind. “Let us fly!” cried Augustus; “on this day of spleen man delights me not — or woman either.”

“Stay!” said Clifford, in a trembling accent; for among those voices he recognized one which had already acquired over him an irresistible and bewitching power. Augustus sighed, and reluctantly remained motionless. Presently a winding in the road brought into view a party of pleasure, some on foot, some on horseback, others in the little vehicles which even at that day haunted watering-places, and called themselves “Flies” or “Swallows.”

But among the gay procession Clifford had only eyes for one! Walking with that elastic step which so rarely survives the first epoch of youth, by the side of the heavy chair in which her father was drawn, the fair beauty of Lucy Brandon threw — at least in the eyes of her lover — a magic and a lustre over the whole group. He stood for a moment, stilling the heart that leaped at her bright looks and the gladness of her innocent laugh; and then recovering himself, he walked slowly, and with a certain consciousness of the effect of his own singularly handsome person, towards the party. The good squire received him with his usual kindness, and informed him, according to that lucidus ordo which he so especially favoured, of the whole particulars of their excursion. There was something worthy of an artist’s sketch in the scene at that moment: the old squire in his chair, with his benevolent face turned towards Clifford, and his hands resting on his cane, Clifford himself bowing down his stately head to hear the details of the father; the beautiful daughter on the other side of the chair, her laugh suddenly stilled, her gait insensibly more composed, and blush chasing blush over the smooth and peach-like loveliness of her cheek; the party, of all sizes, ages, and attire, affording ample scope for the caricaturist; and the pensive figure of Augustus Tomlinson (who, by the by, was exceedingly like Liston) standing apart from the rest, on the brow of the hill where Clifford had left him, and moralizing on the motley procession, with one hand hid in his waistcoat, and the other caressing his chin, which slowly and pendulously with the rest of his head moved up and down.

As the party approached the brow of the hill, the view of the city below was so striking that there was a general pause for the purpose of survey. One young lady in particular drew forth her pencil, and began sketching, while her mamma looked complacently on, and abstractedly devoured a sandwich. It was at this time, in the general pause, that Clifford and Lucy found themselves — Heaven knows how! — next to each other, and at a sufficient distance from the squire and the rest of the party to feel in some measure alone. There was a silence in both which neither dared to break; when Lucy, after looking at and toying with a flower that she had brought from the place which the party had been to see, accidentally dropped it; and Clifford and herself stooping at the same moment to recover it, their hands met. Involuntarily, Clifford detained the soft fingers in his own; his eyes, that encountered hers, so spell-bound and arrested them that for once they did not sink beneath his gaze; his lips moved, but many and vehement emotions so suffocated his voice that no sound escaped them. But all the heart was in the eyes of each; that moment fixed their destinies. Henceforth there was an era from which they dated a new existence; a nucleus around which their thoughts, their remembrances, and their passions clung. The great gulf was passed; they stood on the same shore, and felt that though still apart and disunited, on that shore was no living creature but themselves! Meanwhile Augustus Tomlinson, on finding himself surrounded by persons eager to gaze and to listen, broke from his moodiness and reserve. Looking full at his next neighbour, and flourishing his right hand in the air, till he suffered it to rest in the direction of the houses and chimneys below, he repeated that moral exclamation which had been wasted on Clifford, with a more solemn and a less passionate gravity than before — “What a subject, ma’am, for contemplation!”

“Very sensibly said, indeed, sir,” said the lady addressed, who was rather of a serious turn.

“I never,” resumed Augustus in a louder key, and looking round for auditors — “I never see a great town from the top of a hill without thinking of an apothecary’s shop!”

“Lord, sir!” said the lady. Tomlinson’s end was gained. Struck with the quaintness of the notion, a little crowd gathered instantly around him, to hear it further developed.

“Of an apothecary’s shop, ma’am!” repeated Tomlinson. “There lie your simples and your purges and your cordials and your poisons — all things to heal and to strengthen and to destroy. There are drugs enough in that collection to save you, to cure you all; but none of you know how to use them, nor what medicines to ask for, nor what portions to take; so that the greater part of you swallow a wrong dose, and die of the remedy!”

“But if the town be the apothecary’s shop, what, in the plan of your idea, stands for the apothecary?” asked an old gentleman, who perceived at what Tomlinson was driving.

“The apothecary, sir,” answered Augustus, stealing his notion from Clifford, and sinking his voice lest the true proprietor should overhear him (Clifford was otherwise employed) — “the apothecary, sir, is the LAW! It is the law that stands behind the counter, and dispenses to each man the dose he should take. To the poor it gives bad drugs gratuitously; to the rich, pills to stimulate the appetite; to the latter, premiums for luxury; to the former, only speedy refuges from life! Alas! either your apothecary is but an ignorant quack, or his science itself is but in its cradle. He blunders as much as you would do if left to your own selection. Those who have recourse to him seldom speak gratefully of his skill. He relieves you, it is true — but of your money, not your malady; and the only branch of his profession in which he is an adept is that which enables him to bleed you! O mankind!” continued Augustus, “what noble creatures you ought to be! You have keys to all sciences, all arts, all mysteries, but one! You have not a notion how you ought to be governed; you cannot frame a tolerable law, for the life and soul of you! You make yourselves as uncomfortable as you can by all sorts of galling and vexatious institutions, and you throw the blame upon ‘Fate.’ You lay down rules it is impossible to comprehend, much less to obey; and you call each other monsters, because you cannot conquer the impossibility! You invent all sorts of vices, under pretence of making laws for preserving virtue; and the anomalous artificialities of conduct yourselves produce, you say you are born with; you make a machine by the perversest art you can think of, and you call it, with a sigh, ‘Human Nature.’ With a host of good dispositions struggling at your breasts, you insist upon libelling the Almighty, and declaring that he meant you to be wicked. Nay, you even call the man mischievous and seditious who begs and implores you to be one jot better than you are. O mankind! you are like a nosegay bought at Covent Garden. The flowers are lovely, the scent delicious. Mark that glorious hue; contemplate that bursting petal! How beautiful, how redolent of health, of nature, of the dew and breath and blessing of Heaven, are you all! But as for the dirty piece of string that ties you together, one would think you had picked it out of the kennel.”

So saying, Tomlinson turned on his heel, broke away from the crowd, and solemnly descended the hill. The party of pleasure slowly followed; and Clifford, receiving an invitation from the squire to partake of his family dinner, walked by the side of Lucy, and felt as if his spirit were drunk with the airs of Eden.

A brother squire, who among the gayeties of Bath was almost as forlorn as Joseph Brandon himself, partook of the Lord of Warlock’s hospitality. When the three gentlemen adjourned to the drawing-room, the two elder sat down to a game at backgammon, and Clifford was left to the undisturbed enjoyment of Lucy’s conversation. She was sitting by the window when Clifford joined her. On the table by her side were scattered books, the charm of which (they were chiefly poetry) she had only of late learned to discover; there also were strewn various little masterpieces of female ingenuity, in which the fairy fingers of Lucy Brandon were especially formed to excel. The shades of evening were rapidly darkening over the empty streets; and in the sky, which was cloudless and transparently clear, the stars came gradually out one by one, until —

“As water does a sponge, so their soft light

Filled the void, hollow, universal air.”

Beautiful evening! (if we, as well as Augustus Tomlinson, may indulge in an apostrophe)— beautiful evening! For thee all poets have had a song, and surrounded thee with rills and waterfalls and dews and flowers and sheep and bats and melancholy and owls; yet we must confess that to us, who in this very sentimental age are a bustling, worldly, hard-minded person, jostling our neighbours, and thinking of the main chance — to us thou art never so charming as when we meet thee walking in thy gray hood through the emptying streets and among the dying sounds of a city. We love to feel the stillness where all, two hours back, was clamour. We love to see the dingy abodes of Trade and Luxury — those restless patients of earth’s constant fever — contrasted and canopied by a heaven full of purity and quietness and peace. We love to fill our thought with speculations on man, even though the man be the muffin-man, rather than with inanimate objects — hills and streams — things to dream about, not to meditate on. Man is the subject of far nobler contemplation, of far more glowing hope, of a far purer and loftier vein of sentiment, than all the “floods and fells” in the universe; and that, sweet evening! is one reason why we like that the earnest and tender thoughts thou excitest within us should be rather surrounded by the labours and tokens of our species than by sheep and bats and melancholy and owls. But whether, most blessed evening! thou delightest us in the country or in the town, thou equally disposest us to make and to feel love! Thou art the cause of more marriages and more divorces than any other time in the twenty-four hours! Eyes that were common eyes to us before, touched by thy enchanting and magic shadows, become inspired, and preach to us of heaven. A softness settles on features that were harsh to us while the sun shone; a mellow “light of love” reposes on the complexion which by day we would have steeped “full fathom five” in a sea of Mrs. Gowland’s lotion. What, then, thou modest hypocrite! to those who already and deeply love — what, then, of danger and of paradise dost thou bring?

Silent, and stilling the breath which heaved in both quick and fitfully, Lucy and Clifford sat together. The streets were utterly deserted; and the loneliness, as they looked below, made them feel the more intensely not only the emotions which swelled within them, but the undefined and electric sympathy which, in uniting them, divided them from the world. The quiet around was broken by a distant strain of rude music; and as it came nearer, two forms of no poetical order grew visible. The one was a poor blind man, who was drawing from his flute tones in which the melancholy beauty of the air compensated for any deficiency (the deficiency was but slight) in the execution. A woman much younger than the musician, and with something of beauty in her countenance, accompanied him, holding a tattered hat, and looking wistfully up at the windows of the silent street. We said two forms; we did the injustice of forgetfulness to another — a rugged and simple friend, it is true, but one that both minstrel and wife had many and moving reasons to love. This was a little wiry terrier, with dark piercing eyes, that glanced quickly and sagaciously in all quarters from beneath the shaggy covert that surrounded them. Slowly the animal moved onward, pulling gently against the string by which he was held, and by which he guided his master. Once his fidelity was tempted: another dog invited him to play; the poor terrier looked anxiously and doubtingly round, and then, uttering a low growl of denial, pursued —

“The noiseless tenour of his way.”

The little procession stopped beneath the window where Lucy and Clifford sat; for the quick eye of the woman had perceived them, and she laid her hand on the blind man’s arm, and whispered him. He took the hint, and changed his air into one of love. Clifford glanced at Lucy; her cheek was dyed in blushes. The air was over; another succeeded — it was of the same kind; a third — the burden was still unaltered; and then Clifford threw into the street a piece of money, and the dog wagged his abridged and dwarfed tail, and darting forward, picked it up in his mouth; and the woman (she had a kind face!) patted the officious friend, even before she thanked the donor, and then she dropped the money with a cheering word or two into the blind man’s pocket, and the three wanderers moved slowly on. Presently they came to a place where the street had been mended, and the stones lay scattered about. Here the woman no longer trusted to the dog’s guidance, but anxiously hastened to the musician, and led him with evident tenderness and minute watchfulness over the rugged way. When they had passed the danger, the man stopped; and before he released the hand which had guided him, he pressed it gratefully, and then both the husband and the wife stooped down and caressed the dog. This little scene — one of those rough copies of the loveliness of human affections, of which so many are scattered about the highways of the world — both the lovers had involuntarily watched; and now as they withdrew their eyes — those eyes settled on each other — Lucy’s swam in tears.

“To be loved and tended by the one I love,” said Clifford, in a low voice, “I would walk blind and barefoot over the whole earth!”

Lucy sighed very gently; and placing her pretty hands (the one clasped over the other) upon her knee, looked down wistfully on them, but made no answer. Clifford drew his chair nearer, and gazed on her, as she sat; the long dark eyelashes drooping over her eyes, and contrasting the ivory lids; her delicate profile half turned from him, and borrowing a more touching beauty from the soft light that dwelt upon it; and her full yet still scarcely developed bosom heaving at thoughts which she did not analyze, but was content to feel at once vague and delicious. He gazed, and his lips trembled; he longed to speak; he longed to say but those words which convey what volumes have endeavoured to express and have only weakened by detail — “I love.” How he resisted the yearnings of his heart, we know not — but he did resist; and Lucy, after a confused and embarrassed pause, took up one of the poems on the table, and asked him some questions about a particular passage in an old ballad which he had once pointed to her notice. The passage ............