The old man sat looking at Mary in silence for some moments; not a great space of time, perhaps, as marked by the shadow on the dial behind them, but to Mary that gaze was unpleasantly prolonged. He looked at her as if he could read every pulsation in every fibre of her brain, and knew exactly what it meant.

‘Who are you?’ he asked, at last.

‘My name is Mary Haselden.’

‘Haselden,’ he repeated musingly, ‘I have heard that name before.’

And then he resumed his former attitude, his chin resting on the handle of his crutch-stick, his eyes bent upon the gravel path, their unholy brightness hidden under the penthouse brows.

‘Haselden,’ he murmured, and repeated the name over and over again, slowly, dreamily, with a troubled tone, like some one trying to work out a difficult problem. ‘Haselden — when? where?’

And then with a profound sigh he muttered, ‘Harmless, quite harmless. You may trust him anywhere. Memory a blank, a blank, a blank, my lord!’

His head sank lower upon his breast, and again he sighed, the sigh of a spirit in torment, Mary thought. Her vivid imagination was already interested, her quick sympathies were awakened.

She looked at him wonderingly, compassionately. So old, so infirm, and with a mind astray; and yet there were indications in his speech and manner that told of reason struggling against madness, like the light behind storm-clouds. He had tones that spoke of a keen sensitiveness to pain, not the lunatic’s imbecile placidity. She observed him intently, trying to make out what manner of man he was.

He did not belong to the peasant class: of that she felt assured. The shrunken, tapering hand had never worked at peasant’s work. The profile turned towards her was delicate to effeminacy. The man’s clothes were shabby and old-fashioned, but they were a gentleman’s garments, the cloth of a finer texture than she had ever seen worn by her brother. The coat, with its velvet collar, was of an old-world fashion. She remembered having seen just such a coat in an engraved portrait of Count d’Orsay, a print nearly fifty years old. No Dalesman born and bred ever wore such a coat; no tailor in the Dales could have made it.

The old man looked up after a long pause, during which Mary felt afraid to move. He looked at her again with inquiring eyes, as if her presence there had only just become known to him.

‘Who are you?’ he asked again.

‘I told you my name just now. I am Mary Haselden.’

‘Haselden — that is a name I knew — once. Mary? I think my mother’s name was Mary. Yes, yes, I remember that. You have a sweet face, Mary — like my mother’s. She had brown eyes, like yours, and auburn hair. You don’t recollect her, perhaps?’

‘Alas! poor maniac,’ thought Mary, ‘you have lost all count of time. Fifty years to you in the confusion of your distraught brain, are but as yesterday.’

‘No, of course not, of course not,’ he muttered; ‘how should she recollect my mother, who died while I was a boy? Impossible. That must be half a century ago.’

‘Good evening to you,’ said Mary, rising with a great effort, so strong was her feeling of being spellbound by the uncanny old man, ‘I must go indoors now.’

He stretched out his withered old hand, small, semi-transparent, with the blue veins showing darkly under the parchment-coloured skin, and grasped Mary’s arm.

‘Don’t go,’ he pleaded. ‘I like your face, child; I like your voice — I like to have you here. What do you mean by going indoors? Where do you live?’

‘There,’ said Mary, pointing to the dead wall which faced them. ‘In the new part of Fellside House. I suppose you are staying in the old part with James Steadman.’

She had made up her mind that this crazy old man must be a relation of Steadman’s to whom he gave hospitality either with or without her ladyship’s consent. All powerful as Lady Maulevrier had ever been in her own house, it was just possible that now, when she was a prisoner in her own rooms, certain small liberties might be taken, even by so faithful a servant as Steadman.

‘Staying with James Steadman,’ repeated the old man in a meditative tone. ‘Yes, I stay with Steadman. A good servant, a worthy person. It is only for a little while. I shall be leaving Westmoreland next week. And you live in that house, do you?’ pointing to the dead wall. ‘Whose house?’

‘Lady Maulevrier’s. I am Lady Maulevrier’s granddaughter.’

‘Lady Mau-lev-rier.’ He repeated the name in syllables. ‘A good name — an old title — as old as the conquest. A Norman race those Maulevriers. And you are Lady Maulevrier’s granddaughter! You should be proud. The Maulevriers were always a proud race.’

‘Then I am no true Maulevrier,’ answered Mary gaily.

She was beginning to feel more at her ease with the old man. He was evidently mad, as mad as a March hare; but his madness seemed only the harmless lunacy of extreme old age. He had flashes of reason, too. Mary began to feel a friendly interest in him. To youth in its flush of life and vigour there seems something so unspeakably sad and pitiable in feebleness and age — the brief weak remnant of life, the wreck of body and mind, sunning itself in the declining rays of a sun that is so soon to shine upon its grave.

‘What, are you not proud?’ asked the old man.

‘Not at all. I have been taught to consider myself a very insignificant person; and I am going to marry a poor man. It would not become me to be proud.’

‘But you ought not to do that,’ said the old man. ‘You ought not to marry a poor man. Poverty is a bad thing, my dear. You are a pretty girl, and ought to marry a man with a handsome fortune. Poor men have no pleasure in this world — they might just as well be dead. I am poor, as you see. You can tell by this threadbare coat’— he looked down at the sleeve from which the nap was worn in places —‘I am as poor as a church mouse.’

‘But you have kind friends, I dare say,’ Mary said, soothingly. ‘You are well taken care of, I am sure.’

‘Yes, I am well taken care of — very well taken care of. How long is it, I wonder — how many weeks, or months, or years, since they have taken care of me? It seems a long, long time; but it is all like a dream — a long dream. Once I used to try and wake myself. I used to try and struggle out of that weary dream. But that was ages ago. I am satisfied now — I am quite content now — so long as the weather is warm, and I can sit out here in the sun.’

‘It is growing chilly now,’ said Mary, ‘and I think you ought to go indoors. I know that I must go.’

‘Yes, I must go in now — I am getting shivery,’ answered the old man, meekly. ‘But I want to see you again, Mary — I like your face — and I like your voice. It strikes a chord here,’ touching his breast, ‘which has long been silent. Let me see you again, child. When can I see you again?’

‘Do you sit here every afternoon when it is fine?’

‘Yes, every day — all day long sometimes when the sun is warm.’

‘Then I will come here to see you.’

‘You must keep it a secret, then,’ said the old man, with a crafty look. ‘If you don’t they will shut me up in the house, perhaps. They don’t like me to see people, for fear I should talk. I have heard Steadman say so. Yet what should I talk about, heaven help me? Steadman says my memory is quite gone, and that I am childish and harmless — childish and harmless. I have heard him say that. You’ll come again, won’t you, and you’ll keep it a secret?’

Mary deliberated for a few minutes.

‘I don’t like secrets,’ she said, ‘there is generally something dishonourable in them. But this would be an innocent secret, wouldn’t it? Well, I’ll come to see you somehow, poor old man; and if Steadman sees me here I will make everything right with him.’

‘He mustn’t see you here,’ said the old man. ‘If he does he will shut me up in my own rooms again, as he did once, years and years ago.’

‘But you have not been here long, have you?’ Mary asked, wonderingly.

‘A hundred years, at least. That’s what it seems to me sometimes. And yet there are times when it seems only a dream. Be sure you come again to-morrow.’

‘Yes, I promise you to come; good-night.’

‘Good-night.’

Mary went back to the stable. The door was still open, but how could she be sure that it would be open to-morrow? There was no other access that she knew of to the quadrangle, except through the old part of the house, and that was at times inaccessible to her.

She found a key — a big old rusty key — in the inside of the door, so she shut and locked it, and put the key in her pocket. The door she supposed had been left open by accident; at any rate this key made her mistress of the situation. If any question should arise as to her conduct she could have an explanation with Steadman; but she had pledged her word to the poor mad old man, and she meant to keep her promise, if possible.

As she left the stable she saw Steadman riding towards the gate on his grey cob. She passed him as she went back to the house.

Next day, and the day after that, and for many days, Mary used her key, and went into the quadrangle at sundown to sit for half an hour or so with the strange old man, who seemed to take an intense pleasure in her company. The weather was growing warmer as May wore on towards June, and this evening hour, between six and seven, was deliciously bright and balmy. The seat by the sundial was screened on every side by the clipped yew hedge, dense and tall, surrounding the circular, gravelled space, in the centre of which stood the old granite dial, with its octagonal pedestal and moss-grown steps. There, as in a closely-shaded arbour, Lady Mary and her old friend were alone and unobserved. The yew-tree boundary was at least eight feet high, and Mary and her companion could hardly have been seen even from the upper windows of the low, old house.

Mary had fallen into the habit of going for her walk or her ride at five o’clock every day, when she was not in attendance on Lady Maulevrier, and after her walk or ride she slipped through the stable, and joined her ancient friend. Stables and courtyard were generally empty at this hour, the men only appearing at the sound of a big bell, which summoned them from their snuggery when they were wanted. Most of Lady Maulevrier’s servants had arrived at that respectable stage of long service in which fidelity is counted as a substitute for hard work.

The old man was not particularly conversational, and was apt to repeat the same things over and over again, with a sublime unconsciousness of being prosy; but he liked to hear Mary talk, and he listened with seeming intelligence. He questioned her about the world outside his cloistered life — the wars and rumours of wars — and, although the names of the questions and the men of the day seemed utterly strange to him, and he had to have them repeated to him again and again, he seemed to take an intelligent interest in the stirring facts of the time, and listened intently when Mary gave him a synopsis of her last newspaper reading.

When the news was exhausted, Mary hit upon a more childish form of amusement, and that was to tell the story of any novel or poem she had been lately reading. This was so successful that in this manner Mary related the stories of most of Shakespeare’s plays; of Byron’s Bride of Abydos, and Corsair; of Keats’s Lamia; of Tennyson’s Idylls; and of a heterogenous collection of poetry and romance, in all of which stories the old man took a vivid interest.

‘You are better to me than the sunshine,’ he told Mary one day when she was leaving him. ‘The world grows darker when you leave me.’

Once at this parting moment he took both her hands, and drew her nearer to him, peering into her face in the clear evening light.

‘You are like my mother,’ he said. ‘Yes, you are very like her. And who else is it that you are like? There is some one else, I know. Yes, some one else! I remember! It is a face in a picture — a picture at Maulevrier Castle.’

‘What do you know of Maulevrier Castle?’ asked Mary, wonderingly.

Maulevrier was the family seat in Herefordshire, which had not been occupied by the elder branch for the last forty years. Lady Maulevrier had let it during her son’s minority to a younger branch of the family, a branch which had intermarried with the world of successful commerce, and was richer than the heads of the house. This occupation of Maulevrier Castle had continued to the present time, and was likely still to continue, Maulevrier having no desire to set up housekeeping in a feudal castle in the marches.

‘How came you to know Maulevrier Castle?’ repeated Mary.

‘I was there once. There is a picture by Lely, a portrait of a Lady Maulevrier in Charles the Second’s time. The face is yours, my love. I have heard of such hereditary faces. My mother was proud of resembling that portrait.’

‘What did your mother know of Maulevrier Castle?’

The old man did not answer. He had lapsed into that dream-like condition into which he often sank, when his brain was not stimulated to attention and coherency by his interest in Mary’s narrations.

Mary concluded that this man had once been a servant in the Maulevrier household, perhaps at the place in Herefordshire, and that all his old memories ran in one grove — the house of Maulevrier.

The freedom of her intercourse with him was undisturbed for about three weeks; and at the end of that time she came face to face with James Steadman as she emerged from the circle of greenery.

‘You here, Lady Mary?’ he exclaimed with an angry look.

‘Yes, I have been sitting talking to that poor old man,’ Mary answered, cheerily, concluding that Steadman’s look of vexation arose from his being detected in the act of harbouring a contraband relation. ‘He is a very interesting character. A relation of yours, I suppose?’

‘Yes, he is a relation,’ replied Steadman. ‘He is very old, and his mind has long been gone. Her ladyship is kind enough to allow me to give him a home in her house. He is quite harmless, and he is in nobody’s way.’

‘Of course not, poor soul. He is only a burden to himself. He talks as if his life had been very weary. Has he been long in that sad state?’

‘Yes, a long time.’

Steadman’s manner to Lady Mary was curt at the best of times. She had always stood somewhat in awe of him, as a person delegated with authority by her grandmother, a servant who was much more than a servant. But to-day his manner was more abrupt than usual.

‘He spoke of Maulevrier Castle just now,’ said Mary, determined not to be put down too easily. ‘Was he once in service there?’

‘He was. Pray how did you find your way into this garden, Lady Mary?’

‘I came through the stable. As it is my grandmother’s garden I suppose I did not take an unwarrantable liberty in coming,’ said Mary, drawing herself up, and ready for battle.

‘It is Lady Maulevrier’s wish that this garden should be reserved for my use,’ answered Steadman. ‘Her ladyship knows that my uncle walks here of an afternoon, and that, owing to his age and infirmities, he can go nowhere else; and if only on that account, it is well that the garden should be kept private. Lunatics are rather dangerous company, Lady Mary, and I advise you to give them a wide berth wherever you may meet them.’

‘I am not afraid of your uncle,’ said Mary, resolutely. ‘You said yourself just now that he is quite harmless: and I am really interested in him, poor old creature. He likes me to sit with him a little of an afternoon and to talk to him; and if you have no objection I should like to do so, whenever the weather is fine enough for the poor old man to be out in the garden at this hour.’

‘I have a very great objection, Lady Mary, and that objection is chiefly in your interest,’ answered Steadman, firmly. ‘No one who is not experienced in the ways of lunatics can imagine the danger of any association with them — their consummate craftiness, their capacity for crime. Every madman is harmless up to a certain point — mild, inoffensive, perhaps, up to the very moment in which he commits some appalling crime. And then people cry out upon the want of prudence, the want of common-sense which allowed such an act to be possible. No, Lady Mary, I understand the benevolence of your motive, but I cannot permit you to run such a risk.’

‘I am convinced that the poor old creature is perfectly harmless,’ said Mary, with suppressed indignation. ‘I shall certainly ask Lady Maulevrier to speak to you on the subject. Perhaps her influence may induce you to be a little more considerate to your unhappy relation.’

‘Lady Mary, I beg you not to say a word to Lady Maulevrier on this subject. You will do me the greatest injury if you speak of that man. I entreat you —’

But Mary was gone. She passed Steadman with her head held high and her eyes sparkling with anger. All that was generous, compassionate, womanly in her nature was up in arms against her grandmother’s steward. Of all other things, Mary Haselden most detested cruelty; and she could see in Steadman’s opposition to her wish nothing but the most cold-hearted cruelty to a poor dependent on his charity.

She went in at the stable door, shut and locked it, and put the key in her pocket as usual. But she had little hope that this mode of access would be left open to her. She knew enough of James Steadman’s character, from hearsay rather than from experience, to feel sure that he would not easily give way. She was not surprised, therefore, on returning from her ride on the following afternoon, to find the disused harness-room half filled with trusses of straw, and the door of communication completely blocked. It would be impossible for her to remove that barricade without assistance; and then, how could she be sure that the door itself was not nailed up, or secured in some way?

It was a delicious sunny afternoon, and she could picture the lonely old man sitting in his circle of greenery beside the dial, which for him had registered so many dreary and solitary hours, waiting for the little ray of social sunlight which her presence shed over his monotonous life. He had told her that she was like the sunshine to him — better than sunshine — and she had promised not to forsake him. She pictured him waiting, with his hand clasped upon his crutch-stick, his chin resting upon his hands, his eyes poring on the ground, as she had seen him for the first time. And as the stable clock chimed the quarters he would begin to think himself abandoned, forgotten; if, indeed, he took any count of the passage of time of which she was not sure. His mind seemed to have sunk into a condition which was between dreaming and waking, a state to which the outside world seemed only half real — a phase of being in which there was neither past nor future, only the insufferable monotony of an everlasting now.

Pity is so near akin to love that Mary, in her deep compassion for this lonely, joyless, loveless existence, felt a regard which was almost affection for this strange old man, whose very name was unknown to her. True that there was much in his countenance and manner which was sinister and repellant. He was a being calculated to inspire fear rather than love; but the fact that he had courted her presence and looked to her for consolation had touched Mary’s heart, and she had become reconciled to all that was forbidding and disagreeable in the lunatic physiognomy. Was he not the victim of a visitation which entitled him to respe............