[From the Greek word signifying Impression, Engraving. — It is what nature has engraved in us.]

Can we change our character? Yes, if we change our body. A man born turbulent, violent, and inflexible, may, through falling in his old age into an apoplexy, become like a silly, weak, timid, puling child. His body is no longer the same, but so long as his nerves, his blood, and his marrow remain in the same state his disposition will not change any more than the instinct of a wolf or a polecat. The English author of “The Dispensary,” a poem much superior to the Italian “Capitoli,” and perhaps even to Boileau’s “Lutrin,” has, as it seems to me, well observed.

How matter, by the varied shape of pores,

Or idiots frames, or solemn senators.

The character is formed of our ideas and our feelings. Now it is quite clear that we neither give ourselves feelings nor ideas, therefore our character cannot depend on ourselves. If it did so depend, every one would be perfect. We cannot give ourselves tastes, nor talents, why, then, should we give ourselves qualities? When we do not reflect we think we are masters of all: when we reflect we find that we are masters of nothing.

If you would absolutely change a man’s character purge him with diluents till he is dead. Charles XII., in his illness on the way to Bender, was no longer the same man; he was as tractable as a child. If I have a wry nose and cat’s eyes I can hide them behind a mask, and can I do more with the character that nature has given me?

A man born violent and passionate presents himself before Francis I., king of France, to complain of a trespass. The countenance of the prince, the respectful behavior of the courtiers, the very place he is in make a powerful impression upon this man. He mechanically casts down his eyes, his rude voice is softened, he presents his petition with humility, you would think him as mild as (at that moment at least) the courtiers appear to be, among whom he is often disconcerted, but if Francis I. knows anything of physiognomy, he will easily discover in his eye, though downcast, glistening with a sullen fire, in the extended muscles of his face, in his fast-closed lips, that this man is not so mild as he is forced to appear. The same man follows him to Pavia, is taken prisoner along with him and thrown into the same dungeon at Madrid. The majesty of Francis I. no longer awes him as before, he becomes familiar with the object of his reverence. One day, pulling on the king’s boots, and happening to pull them on ill, the king, soured by misfortune, grows a............