Jupiter, Neptune, and Mercury, travelling one day in Thrace, called on a certain king named Hyreus, who entertained them very handsomely. After eating a good dinner, they asked him if they could render him any service. The good man, who was past the age at which it is usual for men to have children, told them he should be very much obliged to them if they would make him a boy. The three gods then urinated on the skin of a new flayed ox; and from these sprang Orion, who became one of the constellations known to the most remote antiquity. This constellation was named Orion by the ancient Chald?ans; it is spoken of in the Book of Job. It would be hard to discover a rational allegory in this pretty story, unless we are to infer from it that nothing was impossible to the gods.

There were in Greece two young rakes, who were told by the oracle to beware of the melampygos or sable posteriors. One day Hercules took them and tied them by the feet to the end of his club, so that they hung down his back with their heads downward, like a couple of rabbits, having a full view of his person. “Ah!” said they; “the oracle is accomplished; this is the melampygos.” Hercules fell alaughing, and let them go. Here again it would be rather difficult to divine the moral sense.

Among the fathers of mythology there were some who had only imagination; but the greater part of them possessed understandings of no mean order. Not all our academies, not all our makers of devices, not even they who compose the legends for the counters of the royal treasury, will ever invent allegories more true, more pleasing, or more ingenious, than those of the Nine Muses, of Venus, the Graces, the God of Love, and so many others, which will be the delight and instruction of all ages.

The ancients, it must be confessed, almost always spoke in allegories. The earlier fathers of the church, the greater part of whom were Platonists, imitated this method of Plato’s. They have, indeed, been reproached with having carried this taste for allegories and allusions a little too far.

St. Justin, in his “Apology,” says that the sign of the cross is marked in the limbs and features of man; that when he extends his arms there is a perfect cross; and that his nose and eyes form a cross upon his face.

According to Origen’s explanation of Leviticus, the fat of the victims signifies the Church, and the tail is a symbol of perseverance.

St. Augustine, in his sermon on the difference and agreement of the two genealogies of Christ, explains to his auditors why St. Matthew, although he reckons forty-two generations, enumerates only forty-one. It is, says he, because Jechonias must be reckoned twice, Jechonias having gone from Jerusalem to Babylon. This journey is to be considered as the corner-stone; and if the corner-stone is the first of one side of a building, it is also the first of the other side; consequently this stone must be reckoned twice; and therefore Jechonias must be reckoned twice. He adds that, in the forty-two generations, we must dwell on the number forty, because that number signifies life. The number ten denotes blessedness, and ten multiplied by four, which represents the four elements and the four seasons, produces forty.

In his fifty-third sermon, the dimensions of matter have astonishing properties. Breadth is the dilation of the heart, length is long-suffering, height is hope, and depth is faith. So that, besides the allegory, we have four dimensions of matter instead of three.

It is clear and indubitable (says he in his sermon on the 6th............