There was a picture of Dagote’s which was at this moment an object of fashionable curiosity in Paris. It was a representation of one of the many charitable actions of the unfortunate Marie Antoinette, “then Dauphiness — at that time full of life, and splendour, and joy, adorning and cheering the elevated sphere she just began to move in;” and yet diffusing life, and hope, and joy, in that lower sphere, to which the radiance of the great and happy seldom reaches. The Dauphiness was at that time the pride of France, and the darling of Paris; not only worshipped by the court, but loved by the people. While she was Dauphiness, and during the commencement of her reign, every thing, even disastrous accidents, and the rigour of the season, served to give her fresh opportunity of winning the affection and exciting the enthusiasm of the people. When, during the festivities on her marriage, hundreds were crushed to death by the fall of a temporary building, the sensibility of the Dauphiness, the eagerness with which she sent all her money to the lieutenant de police for the families of those who had perished, conciliated the people, and turned even the evil presage to good. Again, during a severe frost, her munificence to the suffering poor excited such gratitude, that the people erected to her honour a vast pyramid of snow — Frail memorial! —“These marks of respect were almost as transitory as the snowy pyramid.”
Ormond went with Mademoiselle O’Faley one morning to see the picture of the Dauphiness; and he had now an opportunity of seeing a display of French sensibility, that eagerness to feel and to excite a sensation; that desire to produce an effect, to have a scene; that half real, half theatric enthusiasm, by which the French character is peculiarly distinguished from the English. He was perfectly astonished by the quantity of exclamations he heard at the sight of this picture; the lifting up of hands and eyes, the transports, the ecstasies, the tears — the actual tears that he saw streaming in despite of rouge. It was real! and it was not real feeling! Of one thing he was clear — that this superfluity of feeling or exaggeration of expression completely silenced him, and made him cold indeed: like one unskilled or dumb he seemed to stand.
“But are you of marble?” cried Mademoiselle —“where is your sensibilité then?”
“I hope it is safe at the bottom of my heart,” said Ormond; “but when it is called for, I cannot always find it — especially on these public occasions.”
“Ah! but what good all the sensibilité in the world do at the bottom of your heart, where nobody see it? It is on these public occasions too, you must always contrive and find it quick at Paris, or after all you will seem but an Englishman.”
“I must be content to seem and to be what I am,” said Ormond, in a tone of playful but determined resignation.
“Bon!” said a voice near him. Mademoiselle went off in impatience to find some better auditor — she did not hear the “Bon.”
Ormond turned, and saw near him a gentleman, whom he had often met at some of the first houses in Paris — the Abbé Morellet, then respected as the most reasonable of all the wits of France, and who has since, through all the trying scenes of the revolution, through the varieties of unprincipled change, preserved unaltered the integrity and frankness of his character; retaining even to his eighty-seventh year all his characteristic warmth of heart and clearness of understanding —le doyen de la littérature Fran?oise— the love, respect, and admiration, of every honest heart in France. May he live to receive among all the other tributes, which his countrymen pay publicly and privately to his merit, this record of the impression his kindness left on grateful English hearts!
Our young hero had often desired to be acquainted with the Abbé; but the Abbé had really hitherto passed him over as a mere young man of fashion, a mere Milord Anglois, one of the ephemeral race, who appear in Parisian society, vanish, and leave no trace behind. But now he did him the honour to enter into conversation with him. The Abbé peculiarly disliked all affectation of sentiment and exaggeration: they were revolting to his good sense, good taste, and feeling. Ormond won directly his good opinion and good-will, by having insisted upon it to Mademoiselle, that he would not for the sake of fashion or effect pretend to feel more than he really did.
“Bah!” said the Abbé, “hear all those women now and all those men — they do not know what they are saying — they make me sick. And, besides, I am afraid these flattering courtiers will do no good to our young Dauphiness, on whom so much of the future happiness or misery of France will depend. Her heart is excellent, and they tell me she announces a strong character; but what head of a young beauty and a young Queen will be able to withstand perpetual flattery? They will lead her wrong, and then will be the first to desert her — trust me, I know Paris. All this might change as quickly as the turn of a weathercock; but I will not trouble you with forebodings perhaps never to be realized. You see Paris, Monsieur, at a fortunate time,” continued he; “society is now more agreeable, has more freedom, more life and variety, than at any other period that I can remember.”
Ormond replied by a just compliment to the men of letters, who at this period added so much to the brilliancy and pleasure of Parisian society.
“But you have seen nothing of our men of literature, have you?” said the Abbé.
“Much less than I wish. I meet them frequently in society, but as, unluckily, I have no pretensions to their notice, I can only catch a little of their conversation, when I am fortunate enough to be near them.”
“Yes,” said the Abbé, with his peculiar look and tone of good-natured irony, “between the pretty things you are saying and hearing from — Fear nothing, I am not going to name any one, but — every pretty woman in company. I grant you it must be difficult to hear reason in such a situation — as difficult almost as in the midst of the din of all the passions at the faro-table. I observe, however, that you play with astonishing coolness — there is something still — wanting. Excuse me — but you interest me, monsieur; the determination not to play at all —
“Beyond a certain sum I have resolved never to play,” said Ormond.
“Ah! but the appetite grows — l’appetit vient en mangeant — the danger is in acquiring the taste — excuse me if I speak too freely.”
“Not at all — you cannot oblige me more. But there is no danger of my acquiring a taste for play, because I am determined to lose.”
“Bon!” said the Abbé; “that is the most singular determination I ever heard: explain that to me, then, Monsieur.”
“I have determined to lose a certain sum — suppose five hundred guineas. I have won and lost backwards and forwards, and have been longer about it than you would conceive to be probable; but it is not lost yet. The moment it is, I shall stop short. By this means I have acquired all the advantages of yielding to the fashionable madness, without risking my future happiness.”
The Abbé was pleased with the idea, and with the frankness and firmness of our young hero.
“Really, Monsieur,” said he, “you must have a strong head — you, le bel Irlandois — to have prevented it from being turned with all the flattery you have received in Paris. There is nothing which gets into the head — worse still, into the heart — so soon, so dangerously, as the flattery of pretty women. And yet I declare you seem wonderfully sober, considering.”
“Ne jurez pas,” said Ormond; “but at least in one respect I have not quite lost my senses; I know the value and feel the want of a safe, good guide in Paris: if I dared to ask such a favour, I should, since he has expressed some interest for me, beg to be permitted to cultivate the acquaintance of M. l’Abbé Morellet.”
“Ah ?a — now my head will turn, for no head can stand the dose of flattery that happens to suit the taste. I am particularly flattered by the idea of being a safe, good friend; and frankly, if I can be of any service to you, I will. Is there any thing I can do for you?”
Ormond thanked him, and told him that it was his great ambition to become acquainted with the celebrated men of literature in Paris — he said he should feel extremely obliged if M. Morellet would take occasion to introduce him to any of them they might meet in ............