Relates How Preparations for Action Were Conducted Under the April of Lovers

Beauty, of course, is for the hero. Nevertheless, it is not always he on whom beauty works its most conquering influence. It is the dull commonplace man into whose slow brain she drops like a celestial light, and burns lastingly. The poet, for instance, is a connoisseur of beauty: to the artist she is a model. These gentlemen by much contemplation of her charms wax critical. The days when they had hearts being gone, they are haply divided between the blonde and the brunette; the aquiline nose and the Proserpine; this shaped eye and that. But go about among simple unprofessional fellows, boors, dunderheads, and here and there you shall find some barbarous intelligence which has had just enough to conceive, and has taken Beauty as its Goddess, and knows but one form to worship, in its poor stupid fashion, and would perish for her. Nay, more: the man would devote all his days to her, though he is dumb as a dog. And, indeed, he is Beauty’s Dog. Almost every Beauty has her Dog. The hero possesses her; the poet proclaims her; the painter puts her upon canvas; and the faithful Old Dog follows her: and the end of it all is that the faithful Old Dog is her single attendant. Sir Hero is revelling in the wars, or in Armida’s bowers; Mr. Poet has spied a wrinkle; the brush is for the rose in its season. She turns to her Old Dog then. She hugs him; and he, who has subsisted on a bone and a pat till there he squats decrepit, he turns his grateful old eyes up to her, and has not a notion that she is hugging sad memories in him: Hero, Poet, Painter, in one scrubby one! Then is she buried, and the village hears languid howls, and there is a paragraph in the newspapers concerning the extraordinary fidelity of an Old Dog.

Excited by suggestive recollections of Nooredeen and the Fair Persian, and the change in the obscure monotony of his life by his having quarters in a crack hotel, and living familiarly with West–End people — living on the fat of the land (which forms a stout portion of an honest youth’s romance), Ripton Thompson breakfasted next morning with his chief at half-past eight. The meal had been fixed overnight for seven, but Ripton slept a great deal more than the nightingale, and (to chronicle his exact state) even half-past eight rather afflicted his new aristocratic senses and reminded him too keenly of law and bondage. He had preferred to breakfast at Algernon’s hour, who had left word for eleven. Him, however, it was Richard’s object to avoid, so they fell to, and Ripton no longer envied Hippias in bed. Breakfast done, they bequeathed the consoling information for Algernon that they were off to hear a popular preacher, and departed.

“How happy everybody looks!” said Richard, in the quiet Sunday streets.

“Yes — jolly!” said Ripton.

“When I’m — when this is over, I’ll see that they are, too — as many as I can make happy,” said the hero; adding softly: “Her blind was down at a quarter to six. I think she slept well!”

“You’ve been there this morning?” Ripton exclaimed; and an idea of what love was dawned upon his dull brain.

“Will she see me, Ricky?”

“Yes. She’ll see you today. She was tired last night.”

“Positively?”

Richard assured him that the privilege would be his.

“Here,” he said, coming under some trees in the park, “here’s where I talked to you last night. What a time it seems! How I hate the night!”

On the way, that Richard might have an exalted opinion of him, Ripton hinted decorously at a somewhat intimate and mysterious acquaintance with the sex. Headings of certain random adventures he gave.

“Well!” said his chief, “why not marry her?”

Then was Ripton shocked, and cried, “Oh!” and had a taste of the feeling of superiority, destined that day to be crushed utterly.

He was again deposited in Mrs. Berry’s charge for a term that caused him dismal fears that the Fair Persian still refused to show her face, but Richard called out to him, and up Ripton went, unaware of the transformation he was to undergo. Hero and Beauty stood together to receive him. From the bottom of the stairs he had his vivaciously agreeable smile ready for them, and by the time he entered the room his cheeks were painfully stiff, and his eyes had strained beyond their exact meaning. Lucy, with one hand anchored to her lover, welcomed him kindly. He relieved her shyness by looking so extremely silly. They sat down, and tried to commence a conversation, but Ripton was as little master of his tongue as he was of his eyes. After an interval, the Fair Persian having done duty by showing herself, was glad to quit the room. Her lord and possessor then turned inquiringly to Ripton.

“You don’t wonder now, Rip?” he said.

“No, Richard!” Ripton waited to reply with sufficient solemnity, “indeed I don’t!”

He spoke differently; he looked differently. He had the Old Dog’s eyes in his head. They watched the door she had passed through; they listened for her, as dogs’ eyes do. When she came in, bonneted for a walk, his agitation was dog-like. When she hung on her lover timidly, and went forth, he followed without an idea of envy, or anything save the secret raptures the sight of her gave him, which are the Old Dog’s own. For beneficent Nature requites him. His sensations cannot be heroic, but they have a fulness and a wagging delight as good in their way. And this capacity for humble unaspiring worship has its peculiar guerdon. When Ripton comes to think of Miss Random now, what will he think of himself? Let no one despise the Old Dog. Through him doth Beauty vindicate her sex.

It did not please Ripton that others should have the bliss of beholding her, and as, to his perceptions, everybody did, and observed her offensively, and stared, and turned their heads back, and interchanged comments on her, and became in a minute madly in love with her, he had to smother low growls. They strolled about the pleasant gardens of Kensington all the morning, under the young chestnut buds, and round the windless waters, talking, and soothing the wild excitement of their hearts. If Lucy spoke, Ripton pricked up his ears. She, too, made the remark that everybody seemed to look happy, and he heard it with thrills of joy. “So everybody is, where you are!” he would have wished to say, if he dared, but was restrained by fears that his burning eloquence would commit him. Ripton knew the people he met twice. It would have been difficult to persuade him they were the creatures of accident.

From the Gardens, in contempt of Ripton’s frowned protest, Richard boldly struck into the park, where solitary carriages were beginning to perform the circuit. Here Ripton had some justification for his jealous pangs. The young girl’s golden locks of hair; her sweet, now dreamily sad, face; her gentle graceful figure in the black straight dress she wore; a sort of half-conventional air she had — a mark of something not of class, that was partly beauty’s, partly maiden innocence growing conscious, partly remorse at her weakness and dim fear of the future it was sowing — did attract the eye-glasses. Ripton had to learn that eyes are bearable, but eye-glasses an abomination. They fixed a spell upon his courage; for somehow the youth had always ranked them as emblems of our nobility, and hearing two exquisite eye-glasses, who had been to front and rear several times, drawl in gibberish generally imputed to lords, that his heroine was a charming little creature, just the size, but had no style — he was abashed; he did not fly at them and tear them. He became dejected. Beauty’s dog is affected by the eye-glass in a manner not unlike the common animal’s terror of the human eye.

Richard appeared to hear nothing, or it was homage that he heard. He repeated to Lucy Diaper Sandoe’s verses —

“The cockneys nod to each other aside,

The coxcombs lift their glasses,”

and projected hiring a horse for her to ride every day in the park, and shine among the highest.

They had turned to the West, against the sky glittering through the bare trees across the water, and the bright-edged rack. The lover, his imagination just then occupied in clothing earthly glories in celestial, felt where his senses were sharpest the hand of his darling falter, and instinctively looked ahead. His uncle Algernon was leisurely jolting towards them on his one sound leg. The dismembered Guardsman talked to a friend whose arm supported him, and speculated from time to time on the fair ladies driving by. The two white faces passed him unobserved. Unfortunately Ripton, coming behind, went plump upon the Captain’s live toe — or so he pretended, crying, “Confound it, Mr. Thompson! you might have chosen the other.”

The horrible apparition did confound Ripton, who stammered that it was extraordinary.

“Not at all,” said Algernon. “Everybody makes up to that fellow. Instinct, I suppose!”

He had not to ask for his nephew. Richard turned to face the matter.

“Sorry I couldn’t wait for you this morning, uncle,” he said, with the coolness of relationship. “I thought you never walked so far.”

His voice was in perfect tone — the heroic mask admirable.

Algernon examined the downcast visage at his side, and contrived to allude to the popular preacher. He was instantly introduced to Ripton’s sister, Miss Thompson.

The Captain bowed, smiling melancholy approval of his nephew’s choice of a minister. After a few stray remarks, and an affable salute to Miss Thompson, he hobbled away, and then the three sealed volcanoes breathed, and Lucy’s arm ceased to be squeezed quite so much up to the heroic pitch.

This incident quickened their steps homeward to the sheltering wings of Mrs. Berry. All that passed between them on the subject comprised a stammered excuse from Ripton for his conduct, and a good-humoured rejoinder from Richard, that he had gained a sister by it: at which Ripton ventured to wish aloud Miss Desborough would only think so, and a faint smile twitched poor Lucy’s lips to please him. She hardly had strength to reach her cage. She had none to eat of Mrs. Berry’s nice little dinner. To be alone, that she might cry and ease her heart of its accusing weight of tears, was all she prayed for. Kind Mrs. Berry, slipping into her bedroom to take off her things, found the fair body in a fevered shudder, and finished by undressing her completely and putting her to bed.

“Just an hour’s sleep, or so,” the mellifluous woman explained the case to the two anxious gentlemen. “A quiet sleep and a cup of warm tea goes for more than twenty doctors, it do — when there’s the flutters,” she pursued. “I know it by myself. And a good cry before-hand’s better than the best of medicine.”

She nursed them into a make-believe of eating, and retired to her softer charge and sweeter babe, reflecting, “Lord! Lord! the three of ’em don’t make fifty! I’m as old as two and a half of ’em, to say the least.” Mrs. Berry used her apron, and by virtue of their tender years took them all three into her heart.

Left alone, neither of the young men could swallow a morsel.

“Did you see the change come over her?” Richard whispered.

Ripton fiercely accused his prodigious stupidity.

The lover flung down his knife and fork: “What could I do? If I had said nothing, we should have been suspected. I was obliged to speak. And she hates a lie! See! it has struck her down. God forgive me!”

Ripton affected a serene mind: “It was a fright, Richard,” he said. “That’s what Mrs. Berry means by flutters. Those old women talk in that way. You heard what she said. And these old women know. I’ll tell you what it is. It’s this, Richard! — it’s because you’ve got a fool for your friend!”

“She regrets it,” muttered the lover. “Good God! I think she fears me.” He dropped his face in his hands.

Ripton went to the window, repeating energetically for his comfort: “It’s because you’ve got a fool for your friend!”

Sombre grew the street they had last night aroused. The sun was buried alive in cloud. Ripton saw himself no more in the opposite window. He watched the deplorable objects passing on the pavement. His aristocratic visions had gone like his breakfast. Beauty had been struck down by his egregious folly, and there he stood — a wretch!

Richard came to him: “Don’t mumble on like that, Rip!” he said. “Nobody blames you.”

“Ah! you’re very kind, Richard,” interposed the wretch, moved at the face of misery he beheld.

“Listen to me, Rip! I shall take her home to-night. Yes! If she’s happier away from me! — do you think me a brute, Ripton? Rather than have her shed a tear, I’d! —— I’ll take her home to-night!”

Ripton suggested that it was sudden; adding from his larger experience, people perhaps might talk.

The lover could not understand what they should talk about, but he said: “If I give him who came for her yesterday the clue? If no one sees or hears of me, what can they say? O Rip! I’ll give her up. I’m wrecked for ever! What of that? Yes — let them take her! The world in arms should never have torn her from me, but when she cries — Yes! all’s over. I’ll find him at once.”

He searched in out-of-the-way corners for the hat of resolve. Ripton looked on, wretcheder than ever.

The idea struck him:—“Suppose, Richard, she doesn’t want to go?”

It was a moment when, perhaps, one who sided with parents and guardians and the old wise world, might have inclined them to pursue their righteous wretched course, and have given small Cupid a smack and sent him home to his naughty Mother. Alas! (it is THE PILGRIM’S SCRIP interjecting) women are the born accomplices of mischief! In bustles Mrs. Berry to clear away the refection, and find the two knights helmed, and sees, though ’tis dusk, that they wear doubtful brows, and guesses bad things for her dear God Hymen in a twinkling.

“Dear! dear!” she exclaimed, “and neither of you eaten a scrap! And there’s my dear young lady off into the prettiest sleep you ever see!”

“Ha?” cried the lover, illuminated.

“Soft as a baby!” Mrs. Berry averred. “I went to look at her this very moment, and there’s not a bit of trouble in her breath. It come and it go like the sweetest regular instrument ever made. The Black Ox haven’t trod on her foot yet! Most like it was the air of London. But only fancy, if you had called in a doctor! Why, I shouldn’t have let her take any of his quackery. Now, there!”

Ripton attentively observed his chief, and saw him doff his hat with a curious caution, and peer into its recess, from which, during Mrs. Berry’s speech, he drew forth a little glove — dropped there by some freak of chance.

“Keep me, keep me, now you have me!” sang the little glove, and amused the lover with a thousand conceits.

“When will she wake, do you think, Mrs. Berry?” he asked.

“Oh! we mustn’t go for disturbing her,” said the guileful good creature. “Bless ye! let her sleep it out. And if you young gentlemen was to take my advice, and go and take a walk for to get a appetite — everybody should eat! it’s their sacred duty, no matter what their feelings be! and I say it who’m no chicken! — I’ll frickashee this — which is a chicken — against your return. I’m a cook, I can assure ye!”

The lover seized her two hands. “You’re the best old soul in the world!” he cried. Mrs. Berry appeared willing to kiss him. “We won’t disturb her. Let her sleep. Keep her in bed, Mrs. Berry. Will you? And we’ll call to inquire after her this evening, and come and see her tomorrow. I’m sure you’ll be kind to her. There! there!” Mrs. Berry was preparing to whimper. “I trust her to you, you see. Good-bye, you dear old soul.”

He smuggled a handful of gold into her keeping, and went to dine with his uncles, happy and hungry.

Before they reached the hotel, they had agreed to draw Mrs. Berry into their confidence, telling her (with embellishments) all save their names, so that they might enjoy the counsel and assistance of that trump of a woman, and yet have nothing to fear from her. Lucy was to receive the name of Letitia, Ripton’s youngest and best-looking sister. The heartless fellow proposed it in cruel mockery of an old weakness of hers.

“Letitia!” mused Richard. “I like the name. Both begin with L. There’s something soft — womanlike — in the L.‘s.”

Material Ripton remarked that they looked like pounds on paper. The lover roamed through his golden groves. “Lucy Feverel! that sounds better! I wonder where Ralph is. I should like to help him. He’s in love with my cousin Clare. He’ll never do anything till he marries. No man can. I’m going to do a hundred things when it’s over. We shall travel first. I want to see the Alps. One doesn’t know what the earth is till one has seen the Alps. What a delight it will be to her! I fancy I see her eyes gazing up at them.

‘And oh, your dear blue eyes, that heavenward glance

With kindred beauty, banished humbleness,

Past weeping for mortality’s distress —

Yet from your soul a tear hangs there in trance,

And fills, but does not fall;

Softly I hear it call

At heaven’s gate, till Sister Seraphs press

To look on you their old love from the skies:

Those are the eyes of Seraphs bright on your blue eyes!’

Beautiful! These lines, Rip, were written by a man who was once a friend of my father’s. I intend to find him and make them friends again. You don’t care for poetry. It’s no use your trying to swallow it, Rip!”

“It sounds very nice,” said Ripton, modestly shutting his mouth.

“The Alps! Italy! Rome! and then I shall go to the East,” the hero continued. “She’s ready to go anywhere with me, the dear brave heart! Oh, the glorious golden East! I dream of the desert. I dream I’m chief of an Arab tribe, and we fly ............