Describes a Visit to Paris; with Accidents and Incidents in London
Mr. Clive, as we have said, had now begun to make acquaintances of his own; and the chimney-glass in his study was decorated with such a number of cards of invitation, as made his ex-fellow-student of Gandish’s, young Moss, when admitted into that sanctum, stare with respectful astonishment. “Lady Bary Rowe at obe,” the young Hebrew read out; “Lady Baughton at obe, dadsig! By eyes! what a tip-top swell you’re a gettid to be, Newcome! I guess this is a different sort of business to the hops at old Levison’s, where you first learned the polka; and where we had to pay a shilling a glass for negus!”
“We had to pay! You never paid anything, Moss,” cries Clive, laughing; and indeed the negus imbibed by Mr. Moss did not cost that prudent young fellow a penny.
“Well, well; I suppose at these swell parties you ‘ave as bush champade as ever you like,” continues Moss. “Lady Kicklebury at obe — small early party. Why, I declare you know the whole peerage! I say, if any of these swells want a little tip-top lace, a real bargain, or diamonds, you know, you might put in a word for us, and do us a good turn.”
“Give me some of your cards,” says Clive; “I can distribute them about at the balls I go to. But you must treat my friends better than you serve me. Those cigars which you sent me were abominable, Moss; the groom in the stable won’t smoke them.”
“What a regular swell that Newcome has become!” says Mr. Moss to an old companion, another of Clive’s fellow-students: “I saw him riding in the Park with the Earl of Kew, and Captain Belsize, and a whole lot of ’em — I know ’em all — and he’d hardly nod to me. I’ll have a horse next Sunday, and then I’ll see whether he’ll cut me or not. Confound his airs! For all he’s such a count, I know he’s got an aunt who lets lodgings at Brighton, and an uncle who’ll be preaching in the Bench if he don’t keep a precious good look-out.”
“Newcome is not a bit of a count,” answers Moss’s companion, indignantly. “He don’t care a straw whether a fellow’s poor or rich; and he comes up to my room just as willingly as he would go to a duke’s. He is always trying to do a friend a good turn. He draws the figure capitally: he looks proud, but he isn’t, and is the best-natured fellow I ever saw.”
“He ain’t been in our place this eighteen months,” says Mr. Moss: “I know that.”
“Because when he came you were always screwing him with some bargain or other,” cried the intrepid Hicks, Mr. Moss’s companion for the moment. “He said he couldn’t afford to know you: you never let him out of your house without a pin, or a box of eau-de-cologne, or a bundle of cigars. And when you cut the arts for the shop, how were you and Newcome to go on together, I should like to know?”
“I know a relative of his who comes to our ’ouse every three months, to renew a little bill,” says Mr. Moss, with a grin: “and I know this, if I go to the Earl of Kew in the Albany, or the Honourable Captain Belsize, Knightsbridge Barracks, they let me in soon enough. I’m told his father ain’t got much money.”
“How the deuce should I know? or what do I care?” cries the young artist, stamping the heel of his blucher on the pavement. “When I was sick in that confounded Clipstone Street, I know the Colonel came to see me, and Newcome too, day after day, and night after night. And when I was getting well, they sent me wine and jelly, and all sorts of jolly things. I should like to know how often you came to see me, Moss, and what you did for a fellow?”
“Well, I kep away because I thought you wouldn’t like to be reminded of that two pound three you owe me, Hicks: that’s why I kep away,” says Mr. Moss, who, I dare say, was good-natured too. And when young Moss appeared at the billiard-room that night, it was evident that Hicks had told the story; for the Wardour Street youth was saluted with a roar of queries, “How about that two pound three that Hicks owes you?”
The artless conversation of the two youths will enable us to understand how our hero’s life was speeding. Connected in one way or another with persons in all ranks, it never entered his head to be ashamed of the profession which he had chosen. People in the great world did not in the least trouble themselves regarding him, or care to know whether Mr. Clive Newcome followed painting or any other pursuit: and though Clive saw many of his schoolfellows in the world, these entering into the army, others talking with delight of college, and its pleasures or studies; yet, having made up his mind that art was his calling, he refused to quit her for any other mistress, and plied his easel very stoutly. He passed through the course of study prescribed by Mr. Gandish, and drew every cast and statue in that gentleman’s studio. Grindley, his tutor, getting a curacy, Clive did not replace him; but he took a course of modern languages, which he learned with considerable aptitude and rapidity. And now, being strong enough to paint without a master, it was found that there was no good light in the house in Fitzroy Square; and Mr. Clive must needs have an atelier hard by, where he could pursue his own devices independently.
If his kind father felt any pang even at this temporary parting, he was greatly soothed and pleased by a little mark of attention on the young man’s part, of which his present biographer happened to be a witness; for having walked over with Colonel Newcome to see the new studio, with its tall centre window, and its curtains, and carved wardrobes, china jars, pieces of armour, and other artistical properties, the lad, with a very sweet smile of kindness and affection lighting up his honest face, took one of two Bramah’s house-keys with which he was provided, and gave it to his father: “That’s your key, sir,” he said to the Colonel; “and you must be my first sitter, please, father; for though I’m a historical painter, I shall condescend to do a few portraits, you know.” The Colonel took his son’s hand, and grasped it; as Clive fondly put the other hand on his father’s shoulder. Then Colonel Newcome walked away into the next room for a minute or two, and came back wiping his moustache with his handkerchief, and still holding the key in the other hand. He spoke about some trivial subject when he returned; but his voice quite trembled; and I thought his face seemed to glow with love and pleasure. Clive has never painted anything better than that head, which he executed in a couple of sittings; and wisely left without subjecting it to the chances of further labour.
It is certain the young man worked much better after he had been inducted into this apartment of his own. And the meals at home were gayer; and the rides with his father more frequent and agreeable. The Colonel used his key once or twice, and found Clive and his friend Ridley engaged in depicting a life-guardsman — or a muscular negro — or a Malay from a neighbouring crossing, who would appear as Othello, conversing with a Clipstone Street nymph, who was ready to represent Desdemona, Diana, Queen Ellinor (sucking poison from the arm of the Plantagenet of the Blues), or any other model of virgin or maiden excellence.
Of course our young man commenced as a historical painter, deeming that the highest branch of art; and declining (except for preparatory studies) to operate on any but the largest canvasses. He painted a prodigious battle-piece of Assaye, with General Wellesley at the head of the 19th Dragoons charging the Mahratta Artillery, and sabring them at their guns. A piece of ordnance was dragged into the back-yard, and the Colonel’s stud put into requisition to supply studies for this enormous picture. Fred Bayham (a stunning likeness) appeared as the principal figure in the foreground, terrifically wounded, but still of undaunted courage, slashing about amidst a group of writhing Malays, and bestriding the body of a dead cab-horse, which Clive painted, until the landlady and rest of the lodgers cried out, and for sanitary reasons the knackers removed the slaughtered charger. So large was this picture that it could only be got out of the great window by means of artifice and coaxing; and its transport caused a shout of triumph among the little boys in Charlotte Street. Will it be believed that the Royal Academicians rejected the “Battle of Assaye”? The masterpiece was so big that Fitzroy Square could not hold it; and the Colonel had thoughts of presenting it to the Oriental Club; but Clive (who had taken a trip to Paris with his father, as a delassement after the fatigues incident on this great work), when he saw it, after a month’s interval, declared the thing was rubbish, and massacred Britons, Malays, Dragoons, Artillery and all.
“Hotel de la Terrasse, Rue de Rivoli,
“April 27 — May 1, 183-.
“My Dear Pendennis — You said I might write you a line from Paris; and if you find in my correspondence any valuable hints for the Pall Mall Gazette, you are welcome to use them gratis. Now I am here, I wonder I have never been here before, and that I have seen the Dieppe packet a thousand times at Brighton pier without thinking of going on board her. We had a rough little passage to Boulogne. We went into action as we cleared Dover pier — when the first gun was fired, and a stout old lady was carried off by a steward to the cabin; half a dozen more dropped immediately, and the crew bustled about, bringing basins for the wounded. The Colonel smiled as he saw them fall. ‘I’m an old sailor,’ says he to a gentleman on board. ‘I was coming home, sir, and we had plenty of rough weather on the voyage, I never thought of being unwell. My boy here, who made the voyage twelve years ago last May, may have lost his sea-legs; but for me, sir —’ Here a great wave dashed over the three of us; and would you believe it? in five minutes after, the dear old governor was as ill as all the rest of the passengers. When we arrived, we went through a line of ropes to the custom-house, with a crowd of snobs jeering at us on each side; and then were carried off by a bawling commissioner to an hotel, where the Colonel, who speaks French beautifully, you know, told the waiter to get us a petit dejeuner soigne; on which the fellow, grinning, said, a ‘nice fried sole, sir — nice mutton-chop, sir,’ in regular Temple Bar English; and brought us Harvey sauce with the chops, and the last Bell’s Life to amuse us after our luncheon. I wondered if all the Frenchmen read Bell’s Life, and if all the inns smell so of brandy-and-water!
“We walked out to see the town, which I dare say you know, and therefore shan’t describe. We saw some good studies of fishwomen with bare legs, and remarked that the soldiers were very dumpy and small. We were glad when the time came to set off by the diligence; and having the coupe to ourselves, made a very comfortable journey to Paris. It was jolly to hear the postillions crying to their horses, and the bells of the team, and to feel ourselves really in France. We took in provender at Abbeville and Amiens, and were comfortably landed here after about six-and-twenty hours of coaching. Didn’t I get up the next morning and have a good walk in the Tuileries! The chestnuts were out, and the statues all shining, and all the windows of the palace in a blaze. It looks big enough for the king of the giants to live in. How grand it is! I like the barbarous splendour of the architecture, and the ornaments profuse and enormous with which it is overladen. Think of Louis XVI. with a thousand gentlemen at his back, and a mob of yelling ruffians in front of him, giving up his crown without a fight for it; leaving his friends to be butchered, and himself sneaking into prison! No end of little children were skipping and playing in the sunshiny walks, with dresses as bright and cheeks as red as the flowers and roses in the parterres. I couldn’t help thinking of Barbaroux and his bloody pikemen swarming in the gardens, and fancied the Swiss in the windows yonder; where they were to be slaughtered when the King had turned his back. What a great man that Carlyle is! I have read the battle in his History so often, that I knew it before I had seen it. Our windows look out on the obelisk where the guillotine stood. The Colonel doesn’t admire Carlyle. He says Mrs. Graham’s Letters from Paris are excellent, and we bought Scott’s Visit to Paris, and Paris Re-visited, and read them in the diligence. They are famous good reading; but the Palais Royal is very much altered since Scott’s time: no end of handsome shops; I went there directly — the same night we arrived, when the Colonel went to bed. But there is none of the fun going on which Scott describes. The laquais de place says Charles X. put an end to it all.
“Next morning the governor had letters to deliver after breakfast, and left me at the Louvre door. I shall come and live here, I think. I feel as if I never want to go away. I had not been ten minutes in the place before I fell in love with the most beautiful creature the world has ever seen. She was standing silent and majestic in the centre of one of the rooms of the statue-gallery; and the very first glimpse of her struck one breathless with the sense of her beauty. I could not see the colour of her eyes and hair exactly, but the latter is light, and the eyes I should think are grey. Her complexion is of a beautiful warm marble tinge. She is not a clever woman, evidently; I do not think she laughs or talks much — she seems too lazy to do more than smile. She is only beautiful. This divine creature has lost an arm, which has been cut off at the shoulder, but she looks none the less lovely for the accident. She maybe some two-and-thirty years old; and she was born about two thousand years ago. Her name is the Venus of Milo. O Victrix! O lucky Paris! (I don’t mean this present Lutetia, but Priam’s son.) How could he give the apple to any else but this enslaver — this joy of gods and men? at whose benign presence the flowers spring up, and the smiling ocean sparkles, and the soft skies beam with serene light! I wish we might sacrifice. I would bring a spotless kid, snowy-coated, and a pair of doves and a jar of honey — yea, honey from Morel’s in Piccadilly, thyme-flavoured, narbonian, and we would acknowledge the Sovereign Loveliness, and adjure the Divine Aphrodite. Did you ever see my pretty young cousin, Miss Newcome, Sir Brian’s daughter? She has a great look of the huntress Diana. It is sometimes too proud and too cold for me. The blare of those horns is too shrill and the rapid pursuit through bush and bramble too daring. O thou generous Venus! O thou beautiful bountiful calm! At thy soft feet let me kneel — on cushions of Tyrian purple. Don’t show this to Warrington, please: I never thought when I began that Pegasus was going to run away with me.
“I wish I had read Greek a little more at school: it’s too late at my age; I shall be nineteen soon, and have got my own business; but when we return I think I shall try and read it with Cribs. What have I been doing, spending six months over a picture of sepoys and dragoons cutting each other’s throats? Art ought not to be a fever. It ought to be a calm; not a screaming bull-fight or a battle of gladiators, but a temple for placid contemplation, rapt worship, stately rhythmic ceremony, and music solemn and tender. I shall take down my Snyders and Rubens when I get home; and turn quietist. To think I have spent weeks in depicting bony life-guardsmen delivering cut one, or Saint George, and painting black beggars off a crossing!
“What a grand thing it is to think of half a mile of pictures at the Louvre! Not but that there are a score under the old pepper-boxes in Trafalgar Square as fine as the best here. I don’t care for any Raphael here, as much as our own St. Catharine. There is nothing more grand. Could the Pyramids of Egypt or the Colossus of Rhodes be greater than our Sebastian? and for our Bacchus and Ariadne, you cannot beat the best you know. But if we have fine jewels, here there are whole sets of them: there are kings and all their splendid courts round about them. J. J. and I must come and live here. Oh, such portraits of Titian! Oh, such swells by Vandyke! I’m sure he must have been as fine a gentleman as any he painted! It’s a shame they haven’t got a Sir Joshua or two. At a feast of painters he has a right to a place, and at the high table too. Do you remember Tom Rogers, of Gandish’s? He used to come to my rooms — my other rooms in the Square. Tom is here with a fine carrotty beard, and a velvet jacket, cut open at the sleeves, to show that Tom has a shirt. I dare say it was clean last Sunday. He has not learned French yet, but pretends to have forgotten English; and promises to introduce me to a set of the French artists his camarades. There seems to be a scarcity of soap among these young fellows; and I think I shall cut off my mustachios; only Warrington will have nothing to laugh at when I come home.
“The Colonel and I went to dine at the Cafe d............