‘I have got your letter, but it tells me no more than the last did. Why don’t you say plainly what you mean? I suppose it’s something you are ashamed of. You say that there’s a chance for me of earning a large sum of money, and if you are in earnest, I shall be only too glad to hear how it’s to be done. This life is no better than what I used to lead years ago; I’m no nearer to getting a good part than I was when I first began acting, and unless I can get money to buy dresses and all the rest of it, I may go on for ever at this hateful drudgery. I shall take nothing more from you: I say it, and I mean it; but as you tell me that this chance has nothing to do with yourself, let me know what it really is. For a large sum of money there are few things I wouldn’t do. Of course it’s something disgraceful, but you needn’t be afraid on that account; I haven’t lost all my pride yet, but I know what I’m fighting for, and I won’t be beaten. Cost what it may, I’ll make people hear of me and talk of me, and I’ll pay myself back for all I’ve gone through.

So write in plain words, or come and see me.

C. V.’

She wrote at a round table, shaky on its central support, in the parlour of an indifferent lodging-house; the October afternoon drew towards dusk; the sky hung low and murky, or, rather, was itself invisible, veiled by the fume of factory chimneys; a wailing wind rattled the sash and the door. A newly lighted fire refused to flame cheerfully, half smothered in its own smoke, which every now and then was blown downwards and out into the room. The letter finished — scribbled angrily with a bad pen and in pale ink — she put it into its envelope —‘C. H. Scawthorne, Esq.’

Then a long reverie, such as she always fell into when alone and unoccupied. The face was older, but not greatly changed from that of the girl who fought her dread fight with temptation, and lost it, in the lodging at Islington, who, then as now, brooded over the wild passions in her heart and defied the world that was her enemy. Still a beautiful face, its haughty characteristics strengthened, the lips a little more sensual, a little coarser; still the same stamp of intellect upon the forehead, the same impatient scorn and misery in her eyes. She asked no one’s pity, but not many women breathed at that moment who knew more of suffering.

For three weeks she had belonged to a company on tour in the northern counties. In accordance with the modern custom — so beneficial to actors and the public — their repertory consisted of one play, the famous melodrama, ‘A Secret of the Thames,’ recommended to provincial audiences by its run of four hundred and thirty-seven nights at a London theatre. These, to be sure, were not the London actors, but advertisements in local newspapers gave it to be understood that they ‘made an ensemble in no respect inferior to that which was so long the delight of the metropolis.’ Starred on the placards was the name of Mr. Samuel Peel, renowned in the North of England; his was the company, and his the main glory in the piece. As leading lady he had the distinguished Miss Erminia Walcott; her part was a trying one, for she had to be half-strangled by ruffians and flung — most decorously — over the parapet of London Bridge. In the long list of subordinate performers occurred two names with which we are familiar, Miss Grace Danver and Miss Clara Vale. The present evening would be the third and last in a certain town of Lancashire, one of those remarkable centres of industry which pollute heaven and earth, and on that account are spoken of with somewhat more of pride than stirred the Athenian when he named his Acropolis.

Clara had just risen to stir the fire, compelled to move by the smoke that was annoying her, when, after a tap at the door, there came in a young woman of about five-and-twenty, in a plain walking costume, tall, very slender, pretty, but looking ill. At this moment there was a slight flush on her cheeks and a brightness in her eyes which obviously came of some excitement. She paused just after entering and said in an eager voice, which had a touch of huskiness:

‘What do you think? Miss Walcott’s taken her hook!’

Clara did not allow herself to be moved at this announcement. For several days what is called unpleasantness had existed between the leading lady and the manager: in other words, they had been quarrelling violently on certain professional matters, and Miss Walcott had threatened to ruin the tour by withdrawing her invaluable services. The menace was at last executed, in good earnest, and the cause of Grace Danver’s excitement was that she, as Miss Walcott’s understudy, would to-night, in all probability, be called upon to take the leading part.

‘I’m glad to hear it,’ Clara replied, very soberly.

‘You don’t look as if you cared much,’ rejoined the other, with a little irritation.

‘What do you want me to do? Am I to scream with joy because the greatest actress in the world has got her chance at last?’

There was bitterness in the irony. Whatever their friendship in days gone by, these two were clearly not on the most amiable terms at present. This was their first engagement in the same company, and it had needed but a week of association to put a jealousy and ill-feeling between them which proved fatal to such mutual kindness as they had previously cherished. Grace, now no less than in her schooldays, was fond of patronising: as the elder in years and in experience, she adopted a tone which Clara speedily resented. To heighten the danger of a conflict between natures essentially incompatible, both were in a morbid and nervous state, consumed with discontent, sensitive to the most trifling injury, abandoned to a fierce egoism, which the course of their lives and the circumstances of their profession kept constantly inflamed. Grace was of acrid and violent temper; when stung with words such as Clara was only too apt at using, she speedily lost command of herself and spoke, or even acted, frantically. Except that she had not Clara’s sensibilities, her lot was the harder of the two; for she knew herself stricken with a malady which would hunt her unsparingly to the grave. On her story I have no time to dwell; it was fall of wretchedness, which had caused her, about a year ago, to make an attempt at suicide. A little generosity, and Clara might have helped to soothe the pains of one so much weaker than herself; but noble feeling was extinct in the girl, or so nearly extinct that a breath of petty rivalry could make her base, cruel, remorseless.

‘At all events I have got my chance!’ exclaimed Grace, with a harsh laugh. ‘When you get yours, ask me to congratulate you.’

And she swept her skirts out of the room. In a few minutes Clara put a stamp on her letter and went out to the post. Her presence at the theatre would not be necessary for another two hours, but as the distance was slight, and nervousness would not let her remain at home, she walked on to make inquiry concerning Grace’s news. Rain had just begun to fall, and with it descended the smut and grime that darkened above the houses; the pavement was speedily over-smeared with sticky mud, and passing vehicles flung splashes in every direction. Odours of oil and shoddy, and all such things as characterised the town, grew more pungent under the heavy shower. On reaching the stage-door, Clara found two or three of her companions just within; the sudden departure of Miss Walcott had become known to everyone, and at this moment Mr. Peel was holding a council, to which, as the doorkeeper testified, Miss Danver had been summoned.

The manager decided to make no public announcement of what had happened before the hour came for drawing up the curtain. A scrappy rehearsal for the benefit of Grace Danver and the two or three other ladies who were affected by the necessary rearrangement went on until the last possible moment, then Mr. Peel presented himself before the drop and made a little speech. The gallery was fall of mill-hands; in the pit was a sprinkling of people; the circles and boxes presented half a dozen occupants. ‘Sudden domestic calamity . . . enforced absence of the lady who played . . . efficient substitution . . . deep regret, but confidence in the friendly feeling of audience on this last evening.’

They growled, but in the end applauded the actor-manager, who had succeeded in delicately hinting that, after all, the great attraction was still present in his own person. The play went very much as usual, but those behind the scenes were not allowed to forget that Mr. Peel was in a furious temper: the ladies noticed with satisfaction that more than once he glared ominously at Miss Danver, who naturally could not aid him to make his ‘points’ as Miss Walcott had accustomed herself to do. At his final exit, it was observed that he shrugged his shoulders and muttered a few oaths.

Clara had her familiar part; it was a poor one from every point of view, and the imbecility of the words she had to speak affected her to-night with exceptional irritation. Clara always acted in ill-humour. She despised her audience for their acceptance of the playwright’s claptrap; she felt that she could do better than any of the actresses entrusted with the more important characters; her imagination was for ever turning to powerful scenes in plays she had studied privately, and despair possessed her at the thought that she would perhaps never have a chance of putting forth her strength. Tonight her mood was one of sullen carelessness; she did little more than ‘walk through’ her part, feeling a pleasure in thus insulting the house. One scrap of dialogue she had with Grace, and her eyes answered with a flash of hatred to the arrogance of the other’s regard. At another point she all but missed her cue, for her thoughts were busy with that letter to which she had replied this afternoon. Mr. Peel looked at her savagely, and she met his silent rebuke with an air of indifference. After that the manager appeared to pay peculiar attention to her as often as they were together before the footlights. It was not the first time that Mr. Peel had allowed her to see that she was an object of interest to him.

There was an after-piece, but Clara was not engaged in it. When, at the fall of the curtain on the melodrama, she went to the shabby dressing-room which she shared with two companions, a message delivered by the call boy bade her repair as soon as possible to the manager’s office. What might this mean? She was startled on the instant, but speedily recovered h............