“He is very clever, Maggie,” said Lucy. She was kneeling on a footstool at Maggie’s feet, after placing that dark lady in the large crimson-velvet chair. “I feel sure you will like him. I hope you will.”
“I shall be very difficult to please,” said Maggie, smiling, and holding up one of Lucy’s long curls, that the sunlight might shine through it. “A gentleman who thinks he is good enough for Lucy must expect to be sharply criticised.”
“Indeed, he’s a great deal too good for me. And sometimes, when he is away, I almost think it can’t really be that he loves me. But I can never doubt it when he is with me, though I couldn’t bear any one but you to know that I feel in that way, Maggie.”
“Oh, then, if I disapprove of him you can give him up, since you are not engaged,” said Maggie, with playful gravity.
“I would rather not be engaged. When people are engaged, they begin to think of being married soon,” said Lucy, too thoroughly preoccupied to notice Maggie’s joke; “and I should like everything to go on for a long while just as it is. Sometimes I am quite frightened lest Stephen should say that he has spoken to papa; and from something that fell from papa the other day, I feel sure he and Mr. Guest are expecting that. And Stephen’s sisters are very civil to me now. At first, I think they didn’t like his paying me attention; and that was natural. It does seem out of keeping that I should ever live in a great place like the Park House, such a little insignificant thing as I am.”
“But people are not expected to be large in proportion to the houses they live in, like snails,” said Maggie, laughing. “Pray, are Mr. Guest’s sisters giantesses?”
“Oh no; and not handsome — that is, not very,” said Lucy, half-penitent at this uncharitable remark. “But he is — at least he is generally considered very handsome.”
“Though you are unable to share that opinion?”
“Oh, I don’t know,” said Lucy, blushing pink over brow and neck. “It is a bad plan to raise expectation; you will perhaps be disappointed. But I have prepared a charming surprise for him; I shall have a glorious laugh against him. I shall not tell you what it is, though.”
Lucy rose from her knees and went to a little distance, holding her pretty head on one side, as if she had been arranging Maggie for a portrait, and wished to judge of the general effect.
“Stand up a moment, Maggie.”
“What is your pleasure now?” said Maggie, smiling languidly as she rose from her chair and looked down on her slight, aerial cousin, whose figure was quite subordinate to her faultless drapery of silk and crape.
Lucy kept her contemplative attitude a moment or two in silence, and then said —
“I can’t think what witchery it is in you, Maggie, that makes you look best in shabby clothes; though you really must have a new dress now. But do you know, last night I was trying to fancy you in a handsome, fashionable dress, and do what I would, that old limp merino would come back as the only right thing for you. I wonder if Marie Antoinette looked all the grander when her gown was darned at the elbows. Now, if I were to put anything shabby on, I should be quite unnoticeable. I should be a mere rag.”
“Oh, quite,” said Maggie, with mock gravity. “You would be liable to be swept out of the room with the cobwebs and carpet-dust, and to find yourself under the grate, like Cinderella. Mayn’t I sit down now?”
“Yes, now you may,” said Lucy, laughing. Then, with an air of serious reflection, unfastening her large jet brooch, “But you must change brooches, Maggie; that little butterfly looks silly on you.”
“But won’t that mar the charming effect of my consistent shabbiness?” said Maggie, seating herself submissively, while Lucy knelt again and unfastened the contemptible butterfly. “I wish my mother were of your opinion, for she was fretting last night because this is my best frock. I’ve been saving my money to pay for some lessons; I shall never get a better situation without more accomplishments.”
Maggie gave a little sigh.
“Now, don’t put on that sad look again,” said Lucy, pinning the large brooch below Maggie’s fine throat. “You’re forgetting that you’ve left that dreary schoolroom behind you, and have no little girls’ clothes to mend.”
“Yes,” said Maggie. “It is with me as I used to think it would be with the poor uneasy white bear I saw at the show. I thought he must have got so stupid with the habit of turning backward and forward in that narrow space that he would keep doing it if they set him free. One gets a bad habit of being unhappy.”
“But I shall put you under a discipline of pleasure that will make you lose that bad habit,” said Lucy, sticking the black butterfly absently in her own collar, while her eyes met Maggie’s affectionately.
“You dear, tiny thing,” said Maggie, in one of her bursts of loving admiration, “you enjoy other people’s happiness so much, I believe you would do without any of your own. I wish I were like you.”
“I’ve never been tried in that way,” said Lucy. “I’ve always been so happy. I don’t know whether I could bear much trouble; I never had any but poor mamma’s death. You have been tried, Maggie; and I’m sure you feel for other people quite as much as I do.”
“No, Lucy,” said Maggie, shaking her head slowly, “I don’t enjoy their happiness as you do, else I should be more contented. I do feel for them when they are in trouble; I don’t think I could ever bear to make any one un_happy; and yet I often hate myself, because I get angry sometimes at the sight of happy people. I think I get worse as I get older, more selfish. That seems very dreadful.”
“Now, Maggie!” said Lucy, in a tone of remonstrance, “I don’t believe a word of that. It is all a gloomy fancy, just because you are depressed by a dull, wearisome life.”
“Well, perhaps it is,” said Maggie, resolutely clearing away the clouds from her face with a bright smile, and throwing herself backward in her chair. “Perhaps it comes from the school diet — watery rice-pudding spiced with Pinnock. Let us hope it will give way before my mother’s custards and this charming Geoffrey Crayon.”
Maggie took up the “Sketch Book,” which lay by her on the table.
“Do I look fit to be seen with this little brooch?” said Lucy, going to survey the effect in the chimney-glass.
“Oh no, Mr. Guest will be obliged to go out of the room again if he sees you in it. Pray make haste and put another on.”
Lucy hurried out of the room, but Maggie did not take the opportunity of opening her book; she let it fall on her knees, while her eyes wandered to the window, where she could see the sunshine falling on the rich clumps of spring flowers and on the long hedge of laurels, and beyond, the silvery breadth of the dear old Floss, that at this distance seemed to be sleeping in a morning holiday. The sweet fresh garden-scent came through the open window, and the birds were busy flitting and alighting, gurgling and singing. Yet Maggie’s eyes began to fill with tears. The sight of the old scenes had made the rush of memories so painful that even yesterday she had only been able to rejoice in her mother’s restored comfort and Tom’s brotherly friendliness as we rejoice in good news of friends at a distance, rather than in the presence of a happiness which we share. Memory and imagination urged upon her a sense of privation too keen to let her taste what was offered in the transient present. Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate. The sound of the opening door roused her, and hastily wiping away her tears, she began to turn over the leaves of her book.
“There is one pleasure, I know, Maggie, that your deepest dismalness will never resist,” said Lucy, beginning to speak as soon as she entered the room. “That is music, and I mean you to have quite a riotous feast of it. I mean you to get up your playing again, which used to be so much better than mine, when we were at Laceham.”
“You would have laughed to see me playing the little girls’ tunes over and over to them, when I took them to practise,” said Maggie, “just for the sake of fingering the dear keys again. But I don’t know whether I could play anything more difficult now than ‘Begone, dull care!’”
“I know what a wild state of joy you used to be in when the glee-men came round,” said Lucy, taking up her embroidery; “and we might have all those old glees that you used to love so, if I were certain that you don’t feel exactly as Tom does about some things.”
“I should have thought there was nothing you might be more certain of,” said Maggie, smiling.
“I ought rather to have said, one particular thing. Because if you feel just as he does about that, we shall want our third voice. St. Ogg’s is so miserably provided with musical gentlemen. There are really only Stephen and Philip Wakem who have any knowledge of music, so as to be able to sing a part.”
Lucy had looked up from her work as she uttered the last sentence, and saw that there was a change in Maggie’s face.
“Does it hurt you to hear the name mentioned, Maggie? If it does, I will not speak of him again. I know Tom will not see him if he can avoid it.”
“I don’t feel at all as Tom does on that subject,” said Maggie, rising and going to the window as if she wanted to see more of the landscape. “I’ve always liked Philip Wakem ever since I was a little girl, and saw him at Lorton. He was so good when Tom hurt his foot.”
“Oh, I’m so glad!” said Lucy. “Then you won’t mind his coming sometimes, and we can have much more music than we could without him. I’m very fond of poor Philip, only I wish he were not so morbid about his deformity. I suppose it is his deformity that makes him so sad, and sometimes bitter. It is certainly very piteous to see his poor little crooked body and pale face among great, strong people.”
“But, Lucy ——” said Maggie, trying to arrest the prattling stream.
“Ah, there is the door-bell. That must be Stephen,” Lucy went on, not noticing Maggie’s faint effort to speak. “One of the things I most admire in Stephen is that he makes a greater friend of Philip than any one.”
It was too late for Maggie to speak now; the drawingroom door was opening, and Minny was already growling in a small way at the entrance of a tall gentleman, who went up to Lucy and took her hand with a half-polite, half-tender glance and tone of inquiry, which seemed to indicate that he was unconscious of any other presence.
“Let me introduce you to my cousin, Miss Tulliver,” said Lucy, turning with wicked enjoyment toward Maggie, who now approached from the farther window. “This is Mr. Stephen Guest.”
For one instant Stephen could not conceal his astonishment at the sight of this tall, dark-eyed nymph with her jet-black coronet of hair; the next, Maggie felt herself, for the first time in her life, receiving the tribute of a very deep blush and a very deep bow from a person toward whom she herself was conscious of timidity.
This new experience was very agreeable to her, so agreeable that it almost effaced her previous emotion about Philip. There was a new brightness in her eyes, and a very becoming flush on her cheek, as she seated herself.
“I hope you perceive what a striking likeness you drew the day before yesterday,” said Lucy, with a pretty laugh of triumph. She enjoyed her lover’s confusion; the advantage was usually on his side.
“This designing cousin of yours quite deceived me, Miss Tulliver,” said Stephen, seating himself by Lucy, and stooping to play with Minny, only looking at Maggie furtively. “She said you had light hair and blue eyes.”
“Nay, it was you who said so,” remonstrated Lucy. “I only refrained from destroying your confidence in your own second-sight.”
“I wish I could always err in the same way,” said Stephen, “and find reality so much more beautiful than my preconceptions.”
“Now you have proved yourself equal to the occasion,” said Maggie, “and said what it was incumbent on you to say under the circumstances.”
She flashed a slightly defiant look at him; it was clear to her that he had been drawing a satirical portrait of her beforehand. Lucy had said he was inclined to be satirical, and Maggie had mentally supplied the addition, “and rather conceited.”
“An alarming amount of devil there,” was Stephen’s first thought. The second, when she had bent over her work, was, “I wish she would look at me again.” The next was to answer —
“I suppose all phrases of mere compliment have their turn to be true. A man is occasionally grateful when he says ‘Thank you.’ It’s rather hard upon him that he must use the same words with which all the world declines a disagreeable invitation, don’t you think so, Miss Tulliver?”
“No,” said Maggie, looking at him with her direct glance; “if we use common words on a great occasion, they are the more striking, because they are felt at once to have a particular meaning, like old banners, or every-day clothes, hung up in a sacred place.”
“Then my compliment ought to be eloquent,” said Stephen, really not quite knowing what he said while Maggie looked at him, “seeing that the words were so far beneath the occasion.”
“No compliment can be eloquent, except as an expression of indifference,” said Maggie, flushing a little.
Lucy was rather alarmed; she thought Stephen and Maggie were not going to like each other. She had always feared lest Maggie should appear too old and clever to please that critical gentleman. “Why, dear Maggie,” she interposed, “you have always pretended that you are too fond of being admired; and now, I think, you are angry because some one ventures to admire you.”
“Not at all,” said Maggie; “I like too well to feel that I am admired, but compliments never make me feel that.”
“I will never pay you a compliment again, Miss Tulliver,” said Stephen.
“Thank you; that will be a proof of respect.”
Poor Maggie! She was so unused to society that she could take nothing as a matter of course, and had never in her life spoken from the lips merely, so that s............