The effectual abolition of a labouring and servile class will make itself felt in every detail of the inn that will shelter us, of the bedrooms we shall occupy. You conceive my awakening to all these things on the morning after our arrival. I shall lie for a minute or so with my nose peeping over the coverlet, agreeably and gently coming awake, and with some vague nightmare of sitting at a common table with an unavoidable dustman in green and gold called Boffin, [Footnote: Vide William Morris’s News from Nowhere.] fading out of my mind. Then I should start up. You figure my apprehensive, startled inspection of my chamber. “Where am I?” that classic phrase, recurs. Then I perceive quite clearly that I am in bed in Utopia.

Utopia! The word is enough to bring anyone out of bed, to the nearest window, but thence I see no more than the great mountain mass behind the inn, a very terrestrial looking mountain mass. I return to the contrivances about me, and make my examination as I dress, pausing garment in hand to hover over first this thing of interest and then that.

The room is, of course, very clear and clean and simple; not by any means cheaply equipped, but designed to economise the labour of redding and repair just as much as is possible. It is beautifully proportioned, and rather lower than most rooms I know on earth. There is no fireplace, and I am perplexed by that until I find a thermometer beside six switches on the wall. Above this switch-board is a brief instruction: one switch warms the floor, which is not carpeted, but covered by a substance like soft oilcloth; one warms the mattress (which is of metal with resistance coils threaded to and fro in it); and the others warm the wall in various degrees, each directing current through a separate system of resistances. The casement does not open, but above, flush with the ceiling, a noiseless rapid fan pumps air out of the room. The air enters by a Tobin shaft. There is a recess dressing-room, equipped with a bath and all that is necessary to one’s toilette, and the water, one remarks, is warmed, if one desires it warm, by passing it through an electrically heated spiral of tubing. A cake of soap drops out of a store machine on the turn of a handle, and when you have done with it, you drop that and your soiled towels and so forth, which also are given you by machines, into a little box, through the bottom of which they drop at once, and sail down a smooth shaft. A little notice tells you the price of your room, and you gather the price is doubled if you do not leave the toilette as you found it. Beside the bed, and to be lit at night by a handy switch over the pillow, is a little clock, its face flush with the wall. The room has no corners to gather dirt, wall meets floor with a gentle curve, and the apartment could be swept out effectually by a few strokes of a mechanical sweeper. The door frames and window frames are of metal, rounded and impervious to draught. You are politely requested to turn a handle at the foot of your bed before leaving the room, and forthwith the frame turns up into a vertical position, and the bedclothes hang airing. You stand at the doorway and realise that there remains not a minute’s work for anyone to do. Memories of the foetid disorder of many an earthly bedroom after a night’s use float across your mind.

And you must not imagine this dustless, spotless, sweet apartment as anything but beautiful. Its appearance is a little unfamiliar of course, but all the muddle of dust-collecting hangings and witless ornament that cover the earthly bedroom, the valances, the curtains to check the draught from the ill-fitting wood windows, the worthless irrelevant pictures, usually a little askew, the dusty carpets, and all the paraphernalia about the dirty, black-leaded fireplace are gone. But the faintly tinted walls are framed with just one clear coloured line, as finely placed as the member of a Greek capital; the door handles and the lines of the panels of the door, the two chairs, the framework of the bed, the writing table, have all that final simplicity, that exquisite finish of contour that is begotten of sustained artistic effort. The graciously shaped windows each frame a picture — since they are draughtless the window seats are no mere mockeries as are the window seats of earth — and on the sill, the sole thing to need attention in the room, is one little bowl of blue Alpine flowers.

The same exquisite simplicity meets one downstairs.

Our landlord sits down at table with us for a moment, and seeing we do not understand the electrically hea............