though her next move should have been to contact Randolph Driblette again, she decided instead to drive up to Berkeley. She wanted to find out where Richard Wharfinger had got his information about Trystero. Possibly also take a look at how the inventor John Nefastis picked up his mail.
As with Mucho when she'd left Kinneret, Metzger did not seem desperate at her going. She debated, driving north, whether to stop off at home on the way to Berkeley or coming back. As it turned out she missed the exit for Kinneret and that solved it. She purred along up the east side of the bay, presently climbed into the Berkeley hills and arrived close to midnight at a sprawling, many-leveled, German-baroque hotel, car-peted in deep green, going in for curved corridors and ornamental chandeliers. A sign in the lobby said wel-come california chapter american deaf-mute assembly. Every light in the place burned, alarmingly bright; a truly ponderable silence occupied the build-ing. A clerk popped up from behind the desk where he'd been sleeping and began making sign language at her. Oedipa considered giving him the finger to see what would happen. But she'd driven straight through, and all at once the fatigue of it had caught up with her. The clerk took her to a room with a reproduction of a Remedios Varo in it, through corridors gently curv-ing as the streets of San Narciso, utterly silent. She fell asleep almost at once, but kept waking from a nightmare about something in the mirror, across from her bed. Nothing specific, only a possibility, nothing she could see. When she finally did settle into sleep, she dreamed that Mucho, her husband, was making love to her on a soft white beach that was not part of any California she knew. When she woke in the morning, she was sitting bolt upright, staring into the mirror at her own exhausted face.
She found the Lectern Press in a small office building on Shattuck Avenue. They didn't have Plays of Ford, Webster, Tourneur and Wharfinger on the prem-ises, but did take her check for $12.50, gave her the address of their warehouse in Oakland and a receipt to show the people there. By the time she'd collected the book, it was afternoon. She skimmed through to find the line that had brought her all the way up here. And in the leaf-fractured sunlight, froze.
No hallowed skein of stars can ward, I trow, ran the couplet, Who once has crossed the lusts of Angela. "No," she protested aloud. " 'Who's once been set his tryst with Trystero.'" The pencilled note in the paperback had mentioned a variant. But the paperback was supposed to be a straight reprint of the book she now held. Puzzled, she saw that this edition also had a footnote:
According only to the Quarto edition (1687). The earlier Folio has a lead inserted where the closing line should have been. D'Amico has suggested that Wharfinger may have made a libellous comparison involving someone at court, and that the later 'restoration' was actually the work of the printer, Inigo Barfstable. The doubt-ful 'Whitechapel' version (c. 1670) has This tryst or odious awry, O Niccolo,' which besides bring-ing in a quite graceless Alexandrine, is difficult to make sense of syntactically, unless we accept the rather unorthodox though persuasive argument of J.-K. Sale that the line is really a pun on 'This trystero dies irae . . . .' This, however, it must be pointed out, leaves the line nearly as corrupt as before, owing to no clear meaning for the word trystero, unless it be a pseudo-Italianate variant on triste (= wretched, depraved). But the 'White-chapel' edition, besides being a fragment, abounds in such corrupt and probably spurious lines, as we have mentioned elsewhere, and is hardly to be trusted.
Then where, Oedipa wondered, does the paper-back I bought at Zapf's get off with its "Trystero" line? Was there yet another edition, besides the Quarto, Folio, and "Whitechapel" fragment? The editor's preface, signed this time, by one Emory Bortz, professor of English at Cal, mentioned none. She spent nearly an hour more, searching through all the foot-notes, finding nothing.
"Dammit," she yelled, started the car and headed for the Berkeley campus, to find Professor Bortz.
She should have remembered the date on the book —1957. Another world. The girl in the English office informed Oedipa that Professor Bortz was no longer with the faculty. He was teaching at San Narciso College, San Narciso, California.
Of course, Odeipa thought, wry, where else? She copied the address and walked away trying to remem-ber who'd put out the paperback. She couldn't.
It was summer, a weekday, and midafternoon; no time for any campus Oedipa knew of to be jumping, yet this one was. She came downslope from Wheeler Hall, through Sather Gate into a plaza teeming with corduroy, denim, bare legs, blonde hair, hornrims, bi-cycle spokes in the sun, bookbags, swaying card tables, long paper petitions dangling to earth, posters for un-decipherable FSM's, YAF's, VDC's, suds in the foun-tain, students in nose-to-nose dialogue. SJie_joiQyjgd^ through it carrying her fat book, attracted, unsure, a stranger, wanting to feel relevant but knowing how much of a search among alternate universes it would take. For she had undergone her own educating at a time of nerves, blandness and retreat among not only her fellow students but also most of the visible structure around and ahead of them, this having been a national reflex to certain pathologies in high places only death had had the power to cure, and this Berkeley was like no somnolent Siwash out of her own past at all, but more akin to those Far Eastern or Latin American universities you read about, those autonomous culture media where the most beloved of folklores may be brought into doubt, cataclysmic of dissents voiced, suicidal of commitments chosen—the sort that bring governments down. But it was English she was hearing as she crossed Bancroft Way among the blonde children and the muttering Hondas and Su-zukis; American English. Where were Secretaries James and Foster and Senator Joseph, those dear daft numina who'd mothered over Oedipa's so temperate youth? In another world. Along another pattern of track, another string of decisions taken, switches closed, the faceless pointsmen who'd thrown them now all trans-ferred, deserted, in stir, fleeing the skip-tracers, out of their skull, on horse, alcoholic, fanatic, under aliases, dead, impossible to find ever again. Among them they had managed to turn the young Oedipa into a rare creature indeed, unfit perhaps for marches and sit-ins, but just a whiz at pursuing strange words in Jacobean texts.
She pulled the Impala into a gas station some-where along a gray stretch of Telegraph Avenue and found in a phone book the address of John Nefastis. She then drove to a pseudo-Mexican apartment house, looked for his name among the U. S. mailboxes, as-cended outside steps and walked down a row of draped windows till she found his door. He had a crewcut and the same underage look as Koteks, but wore a shirt on various Polynesian themes and dating from the Truman administration.
Introducing herself, she invoked the name of Stan-ley Koteks. "He said you could tell me whether or not I'm a 'sensitive'."
Nefastis had been watching on his TV set a bunch of kids dancing some kind of a Watusi. "I like to watch young stuff," he explained. "There's something about a little chick that age."
"So does my husband," she said. "I understand."
John Nefastis beamed at her, simpatico, and brought out his Machine from a workroom in back. It looked about the way the patent had described it. "You know how this works?"
"Stanley gave me a kind of rundown." He began then, bewilderingly, to talk about some-thing called entropy. The word bothered him as much as "Trystero" bothered Oedipa. But it was too technical for her. She did gather that there were two distinct kinds of this entropy. One having to do with heat-engines, the other to do with communication. The equation for one, back in the '3o's, had looked very like the equation for the other. It was a coincidence. The two fields were entirely unconnected, except at one point: Maxwell's Demon. As the Demon sat and sorted his molecules into hot and cold, the system was said to lose entropy. But somehow the loss was off-set by the information the Demon gained about what molecules were where.
"Communication is the key," cried Nefastis. "The Demon passes his data on to the sensitive, and the sensitive must reply in kind. There are untold billions of molecules in that box. The Demon collects data on each and every one. At some deep psychic level he must get through. The sensitive must receive that staggering set of energies, and feed back something like the same quantity of information. To keep it all cycling. On the secular level all we can see is one piston, hopefully moving. One little movement, against all that massive complex of information, destroyed over and over with each power stroke."
"Help," said Oedipa, "you're not reaching me."
"Entropy is a figure of speech, then," sighed Nefastis, "a metaphor. It connects the world of thermo-dynamics to the world of information flow. The Ma-chine uses both. The Demon makes the metaphor not only verbally graceful, but also objectively true."
"But what," she felt like some kind of a heretic, "if the Demon exists only because the two equations look alike? Because of the metaphor?"
Nefastis smiled; impenetrable, calm, a believer. "He existed for Clerk Maxwell long before the days of the metaphor."
But had Clerk Maxwell been such a fanatic about his Demon's reality? She looked at the picture on the outside of the box. Clerk Maxwell was in profile and would not meet her eyes. The forehead was round and smooth, and there was a curious bump at the back of his head, covered by curling hair. His visible eye seemed mild and noncommittal, but Oedipa wondered what hangups, crises, spookings in the middle of the night might be developed from the shadowed subtleties of his mouth, hidden under a full beard.
"Watch the picture," said Nefastis, "and concen-trate on a cylinder. Don't worry. If you're a sensitive you'll know which one. Leave your mind open, recep-tive to the Demon's message. I'll be back." He returned to his TV set, which was now showing cartoons. Oedipa sat through two Yogi Bears, one Magilla Gorilla and a Peter Potamus, staring at Clerk Maxwell's enigmatic profile, waiting for the Demon to communicate.
Are you there, little fellow, Oedipa asked the Demon, or is Nefastis putting me on. Unless a piston moved, she'd never know. Clerk Maxwell's hands were cropped out of the photograph. He might have been holding a book. He gazed away, into some vista of Victorian England whose light had been lost forever. Oedipa's anxiety grew. It seemed, behind the beard, he'd begun, ever so faintly, to smile. Something in his eyes, certainly, had changed . . .
And there. At the top edge of what she could see: hadn't the right-hand piston moved, a fraction? She couldn't look directly, the instructions were to keep her eyes on Clerk Maxwell. Minutes passed, pistons re-mained frozen in place. High-pitched, comic voices issued from the TV set. She had seen only a retinal twitch, a misfired nerve cell. Did the true sensitive see more? In her colon now she was afraid, growing more so, that nothing would happen. Why worry, she wor-ried; Nefastis is a nut, forget it, a sincere nut. The true sensitive is the one that can share in the man's hallu-cinations, that's all.
How wonderful they might be to share. For fif-teen minutes more she tried; repeating, if you are there, whatever you are, show yourself to me, I need you, show yourself. But nothing happened.
"I'm sorry," she called in, surprisingly about to cry with frustration, her voice breaking, "It's no use." Nefastis came to her and put an arm around her shoulders.
"It's OK," he said. "Please don't cry. Come on in on the couch. The news will be on any minute. We can do it there."
"It?" said Oedipa. "Do it? What?"
"Have sexual intercourse," replied Nefastis. "Maybe there'll be something about China tonight. I like to do it while they talk about Viet Nam, but China is best of all. You think about all those Chinese. Teeming. That profusion of life. It makes it sexier, right?"
"Gah," Oedipa screamed, and fled, Nefastis snap-ping his fingers through the dark rooms behind her in a hippy-dippy, oh-go-ahead-then-chick fashion he had doubtless learned from watching the TV also.
"Say hello to old Stanley," he called as she pattered down the steps into the street, flung a babushka over her license plate and screeched away down Telegraph. She drove more or less automatically until a swift boy in a Mustang, perhaps unable to contain the new sense of virility his auto gave him, nearly killed her and she realized that she was on the freeway, heading irreversi-bly for the Bay Bridge. It was the middle of rush hour. Oedipa was appalled at the spectacle, having thought such traffic only possible in Los Angeles, places like that. Looking down at San Francisco a few minutes later from the high point of the bridge's arc, she saw smog. Haze, she corrected herself, is what it is, haze. How can they have smog in San Francisco? Smog, according to the folklore, did not begin till farther south. It had to be the angle of the sun.
Amid the exhaust, sweat, glare and ill-humor of a summer evening on an American freeway, Oedipa Maas pondered her Trystero problem. All the silence of San Narciso—the calm surface of the motel pool, the con-templative contours of residential streets like rakings in the sand of a Japanese garden—had not allowed her to think as leisurely as this freeway madness.
For John Nefastis (to take a recent example) two kinds of entropy, thermodynamic and informational, happened, say by coincidence, to look alike, when you wrote them down as equations. Yet he had made his mere coincidence respectable, with the help of Max-well's Demon.
Now here was Oedipa, faced with a metaphor of God knew how many parts; more than two, anyway. With coincidences blossoming these days wherever she looked, she had nothing but a sound, a word, Trystero, a to hold them together.
She knew a few things about it: it had opposed the Thurn and Taxis postal system in Europe; its symbol was a muted post horn; sometime before 1853 it had appeared in America and fought the Pony Express and Wells, Fargo, either as outlaws in black, or disguised as Indians; and it survived today, in California, serving as a channel of communication for those of unorthodox sexual persuasion, inventors who believed in the reality of Maxwell's Demon, possibly her own husband, Mucho Maas (but she'd thrown Mucho's letter long away, there was no way for Genghis Cohen to check the stamp, so if she wanted to find out for sure she'd have to ask Mucho himself).
Either Trystero did exist, in its own right, or it was being presumed, perhaps fantasied by Oedipa, so hung up on and interpenetrated with the dead man's estate. Here in San Francisco, away from all tangible assets of that estate, there might still be a chance of getting the whole thing to go away and disintegrate quietly. She had only to drift tonight, at random, and watch nothing happen, to be convinced it was purely nervous, a little something for her shrink to fix. She got off the freeway at North Beach, drove around, parked finally in a steep side-street among warehouses. Then walked along Broadway, into the first crowds of evening.
But it took her no more than an hour to catch sight of a muted post horn. She was moseying along a street full of aging boys in Roos Atkins suits when she collided with a gang of guided tourists come rowdy-dowing out of a Volkswagen bus, on route to take in a few San Francisco nite spots. "Let me lay this on you," a voice spoke into her ear, "because I just left," and she found being deftly pinned outboard of one breast this big cerise ID badge, reading Hi! my name Is Arnold Snarb! and i'm lookin' for A good time! Oedipa glanced around and saw a cherubic face vanishing with a wink in among natural shoulders and striped shirts, and away went Arnold Snarb, looking for a better time.
Somebody blew on an athletic whistle and Oedipa found herself being herded, along with other badged citizens, toward a bar called The Greek Way. Oh, no, Oedipa thought, not a fag joint, no; and for a minute tried to fight out of the human surge, before recalling how she had decided to drift tonight.
"Now in here," their guide, sweating dark tentacles into his tab collar, briefed them, "you are going to see the members of the third sex, the lavender crowd this city by the Bay is so justly famous for. To some of you the experience may seem a little queer, but remember, try not to act like a bunch of tourists. If you get propositioned it'll all be in fun, just part of the gay night life to be found here in famous North Beach. Two drinks and when you hear the whistle it means out, on the double, regroup right here. If you're well behaved we'll hit Finocchio's next." He blew the whistle twice and the tourists, breaking into a yell, swept Oedipa inside, in a frenzied assault on the bar. When things had calmed she was near the door with an unidenti-fiable drink in her fist, jammed against somebody tall in a suede sport coat. In the lapel of which she spied, wrought exquisitely in some pale, glimmering alloy, not another cerise badge, but a pin in the shape of the Trystero post horn. Mute and everything.
All right, she told herself. You lose. A game try, all one hour's worth. She should have left then and gone back to Berkeley, to the hotel. But couldn't.
"What if I told you," she addressed the owner of the pin, "that I was an agent of Thurn and Taxis?"
"What," he answered, "some theatrical agency?" He had large ears, hair cropped nearly to his scalp, acne on his face, and curiously empty eyes, which now swiveled briefly to Oedipa's breasts. "How'd you get a name like Arnold Snarb?"
"If you tell me where you got your lapel pin," said Oedipa.
"Sorry."
She sought to bug him: "If it's a homosexual sign or something, that doesn't bother me."
Eyes showing nothing: "I don't swing that way," he said. "Yours either." Turned his back on her and ordered a drink. Oedipa took off her badge, put it in an ashtray and said, quietly, trying not to suggest
hysteria,
"Look, you have to help me. Because I really think I am going out of my head."
"You have the wrong outfit, Arnold. Talk to your clergyman."
"I use the U. S. Mail because I was never taught any different," she pleaded. "But I'm not your enemy. I don't want to be."
"What about my friend?" He came spinning around on the stool to face her again. "You want to be that, Arnold?"
"I don't know," she thought she'd better say.
He looked at her, blank. "What do you know?"
She told him everything. Why not? Held nothing back. At the end of it the tourists had been whistled away and he'd bought two rounds to Oedipa's three.
"I'd heard about 'Kirby,'" he said, "it's a code name, nobody real. But none of the rest, your Sinophile across the bay, or that sick play. I never thought there was a history to it."
"I think of nothing but," she said, and a little plaintive.
"And," scratching the stubble on his head, "you have nobody else to tell this to. Only somebody in a bar whose name you don't know?"
She wouldn't look at him. "I guess not."
"No husband, no shrink?"
"Both," Oedipa said, "but they don't know."
"You can't tell them?"
She met his eyes' void for a second after all, and shrugged.
"I'll tell you what I know, then," he decided. "The pin I'm wearing means I'm a member of the IA. That's Inamorati Anonymous. An inamorato is somebody in love. That's the worst addiction of all."
"Somebody is about to fall in love," Oedipa said, "you go sit with them, or something?"
"Right. The whole idea is to get to where you don't need it. I was lucky. I kicked it young. But there are
sixty-year-old men, believe it or not, and women even older, who wake up in the night screaming." "You hold meetings, then, like the AA?" "No, of course not. You get a phone number, an answering service you can call. Nobody knows anybody else's name; just the number in case it gets so bad you can't handle it alone. We're isolates, Arnold. Meetings would destroy the whole point of it."
"What about the person who comes to sit with you? Suppose you fall in love with them?"
"They go away," he said. "You never see them twice. The answering service dispatches them, and they're careful not to have any repeats."
How did the post horn come in? That went back to their founding. In the early '6o's a Yoyodyne execu-tive living near L.A. and located someplace in the corporate root-system above supervisor but below vice-president, found himself, at age 39, automated out of a job. Having been since age 7 rigidly instructed in an eschatology that pointed nowhere but to a presi-dency and death, trained to do absolutely nothing but sign his name to specialized memoranda he could not begin to understand and to take blame for the running-amok of specialized programs that failed for specialized reasons he had to have explained to him, the execu-tive's first thoughts were naturally of suicide. But pre-vious training got the better of him: he could not make the decision without first hearing the ideas of a com-mittee. He placed an ad in the personal column of the L.A. Times, asking whether anyone who'd been in the same fix had ever found any good reasons for not com-mitting suicide. His shrewd assumption being that no suicides would reply, leaving him automatically with only valid inputs. The assumption was false. After a week of anxiously watching the mailbox through little Japanese binoculars his wife had given him for a going-away present (she'd left him the day after he was pink-slipped) and getting nothing but sucker-list stuff through the regular deliveries that came each noon, he was jolted out of a boozy, black-and-white dream of jumping off The Stack into rush-hour traffic, by an insistent banging at the door. It was late on a Sunday afternoon. He opened his door and found an aged bum with a knitted watch cap on his head and a hook for a hand, who presented him with a bundle of letters and loped away without a word. Most of the letters were from suicides who had failed, either through clumsiness or last-minute cowardice. None of them, however, could offer any compelling reasons for stay-ing alive. Still the executive dithered: spent another week with pieces of paper on which he would list, in columns headed "pro" and "con," reasons for and against taking his Brody. He found it impossible, in the absence of some trigger, to come to any clear decision. Finally one day he noticed a front page story in the Times, complete with AP wirephoto, about a Buddhist monk in Viet Nam who had set himself on fire to protest government policies. "Groovy!" cried the execu-tive. He went to the garage, siphoned all the gasoline from his Buick's tank, put on his green Zachary All suit with the vest, stuffed all his letters from unsuccess-ful suicides into a coat pocket, went in the kitchen, sat on the floor, proceeded to douse himself good with the gasoline. He was about to make the farewell flick of the wheel on his faithful Zippo, which had seen him through the Normany hedgerows, the Ardennes, Germany, and postwar America, when he heard a key in the front door, and voices. It was his wife and some man, whom he soon recognized as the very efficiency expert at Yoyodyne who had caused him to be replaced by an IBM 7094. Intrigued by the irony of it, he sat in the kitchen and listened, leaving his necktie dipped in the gasoline as a sort of wick. From what he could gather, the efficiency expert wished to have sexual intercourse with the wife on the Moroccan rug in the living room. The wife was not unwilling. The executive heard lewd laughter, zippers, the thump of shoes, heavy breathing, moans. He took his tie out of the gasoline and started to snigger. He closed the top on his Zippo. "I hear laughing," his wife said presently. "I smell gasoline," said the efficiency expert. Hand in hand, naked, the two proceeded to the kitchen. "I was about to do the Buddhist monk thing," explained the execu-tive. "Nearly three weeks it takes him," marvelled the efficiency expert, "to decide. You know how long it would've taken the IBM 7094? Twelve microseconds. No wonder you were replaced." The executive threw back his head and laughed for a solid ten minutes, along toward the middle of which his wife and her friend, alarmed, retired, got dressed and went out looking for the police. The executive undressed, showered and hung his suit out on the line to dry. Then he noticed a curious thing. The stamps on some of the letters in his suit pocket had turned almost white. He realized that the gasoline must have dissolved the printing ink. Idly, he peeled off a stamp and saw suddenly the image of the muted post horn, the skin of his hand showing clearly through the watermark. "A sign," he whispered, "is what it is." If he'd been a religious man he would have fallen to his knees. As it was, he only declared, with great solemnity: "My big mistake was love. From this day I swear to stay off of love: hetero, homo, bi, dog or cat, car, every kind there is. I will found a society of isolates, dedicated to this purpose, and this sign, re-vealed by the same gasoline that almost destroyed me, will be its emblem." And he did.
Oedipa, by now rather drunk, said, "Where is he now?"
"He's anonymous," said the anonymous inamo-rato. "Why not write to him through your WASTE system? Say 'Founder, IA.'"
"But I don't know how to use it," she said.
"Think of it," he went on, also drunk. "A whole underworld of suicides who failed. All keeping in touch through that secret delivery system. What do they tell each other?" He shook his head, smiling, stumbled off his stool and headed off to take a leak, disappearing into the dense crowd. He didn't come back.
Oedipa sat, feeling as alone as she ever had, now the only woman, she saw, in a room full of drunken male homosexuals. Story of my life, she thought, Mucho won't talk to me, Hilarius won't listen, Clerk Maxwell didn't even look at me, and this group, God knows. Despair came over her, as it will when nobody around has any sexual relevance to you. She gauged the spectrum of feeling out there as running from really violent hate (an Indian-looking kid hardly out of his teens, with frosted shoulder-length hair tucked behind his ears and pointed cowboy boots) to dry speculation (a hornrimmed SS type who stared at her legs, trying to figure out if she was in drag), none of which could do her any good. So she got up after awhile and left The Greek Way, and entered the city again, the infected city.
And spent the rest of the night finding the image of the Trystero post horn. In Chinatown, in the dark window of a herbalist, she thought she saw it on a sign among ideographs. But the streetlight was dim. Later, on a sidewalk, she saw two of them in chalk, 20 feet apart. Between them a complicated array of boxes, some with letters, some with numbers. A kids' game? Places on a. map, dates from a secret history? She copied the diagram in her memo book. When she looked up, a man, perhaps a man, in a black suit, was standing in a doorway half a block away, watching her. She thought she saw a turned-around collar but took no chances; headed back the way she'd come, pulse thundering. A bus stopped at the next corner, and she ran to catch it.
She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed.
At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunken-ness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing
did. The repetition of symbols was to be enough, with-out trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feed-ing-time among the beasts in a zoo—any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up._for~her having lost the direct, epileptic Word, the cry that might abolish the night.
In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but noth-ing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang:
Tristoe, Tristoe, one, two, three, Turning taxi from across the sea ... "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.
In an all-night Mexican greasy spoon off 24th, she found a piece of her past, in the form of one Jesus Arrabal, who was sitting in a corner under the TV set, idly stirring his bowl of opaque soup with the foot of a chicken. "Hey," he greeted Oedipa, "you were the lady in Mazatlan." He beckoned her to sit.
"You remember everything," Oedipa said, "Jesus; even tourists. How is your CIA?" Standing not for the agency you think, but for a clandestine Mexican outfit known as the Conjuration de los Insurgentes Anarquis-tas, traceable back to the time of the Flores Mag6n brothers and later............