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CHAPTER XXI: THUNDER
    "The earth is full of saltpetre and sulphur, which rise in the form of mist, and, uniting in the sky, become a vapour that possesses the properties of gunpowder. When this nears the intense heat of the sun it explodes, like a natural gas; and the terrible sound is heard by all the world. The shock, striking animals and birds wandering in the clouds, hurls them to the ground. Therefore thunder, and lightning, and the creatures that tumble from the clouds during a storm, are not one and the same thing."
    "Shin-rai-ki" (Record of Thunder).

Raiden

There are many quaint legends in regard to thunder, and in Bakin's Kumono Tayema Ama Yo No Tsuki[1] ("The Moon, shining through a Cloud-rift, on a Rainy Night") the famous Japanese novelist, who is an ardent believer in many of the superstitions of his country, has much to say in regard to Raiden, the God of Thunder, and the supernatural beings associated with him. Raiden is usually depicted as having red skin, the face of a demon, with two claws on each foot, and carrying on his back a great wheel or arc of drums. He is often found in company with Fugin, or with his son, Raitaro. When the Mongols attempted to invade Japan they were prevented from doing so by a great storm, and, according to legend, only three men escaped to tell the tale. Raiden's assistance in favour of Japan is often portrayed in Japanese art. He is depicted sitting on the clouds emitting lightnings and sending forth a shower of arrows upon the invaders. In China the Thunder God is regarded as a being ever on the look-out for wicked people. When he finds[Pg 251] them, the Goddess of Lightning flashes a mirror upon those whom the God wishes to strike.
The Thunder Animal

Raijū, or Thunder Animal, appears to be more closely associated with lightning than with thunder. He is seen in forms resembling a weasel, badger, or monkey. In the Shin-rai-ki ("Thunder Record") we read the following: "On the twenty-second day of the sixth month of the second year of Meiwa [July 1766] a Thunder Animal fell at Oyama [Great Mountain], in the province of Sagami. It was captured by a farmer, who brought it to Yedo, and exhibited it for money on the Riyo-goku Bridge. The creature was a little larger than a cat, and resembled a weasel: it had black hair, and five claws on each paw. During fine weather it was very tame and gentle; but, before and during a storm, exceedingly savage and unmanageable." In China the Thunder Animal is described as having "the head of a monkey, with crimson lips, eyes like mirrors, and two sharp claws on each paw." During a storm the Thunder Animal of Japan springs from tree to tree, and if any of the trees are found to have been struck by lightning it is believed to be the savage work of, the Thunder Animal's claws. This being, in common with the Thunder God himself, is said to have a weakness for human navels, so that for this reason many superstitious people endeavour, if possible, to lie flat on their stomachs during a thunderstorm. Bark torn by the Thunder Animal is carefully preserved, and is supposed to be an excellent remedy for toothache.
The Thunder Bird and Thunder Woman

Raicho, Thunder Bird, resembles a rook, but it has spurs of flesh, which, when struck together, produce a[Pg 252] horrible sound. This is the bird to which the Emperor of Goto-bain referred in the following poem:

"In the shadow of the pine-tree of Shiro-yama
Thunder-birds rest, and spend the night."

These birds feed upon the tree-frog named rai (thunder), and are always seen flying about in the sky during a thunderstorm.

Little is known concerning Kaminari (Thunder Woman), except that on one occasion she is said to have appeared in the guise of a Chinese Empress.
A Strange Belief

Bakin remarks that those who are afraid of thunder have the In, or female principle, predominating, while those who are not afraid have the Yo, or the male principle, in the ascendency. The same writer gives the following custom in regard to those who have suffered as the result of a thunderstorm, and we must note that emphasis is laid upon thunder as the destructive power—noise rather than light: "When any one is struck............
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