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chapter 33
My tongue hath but a heavier tale to say.

I play the torturer, by small and small,

To lengthen out the worst that must be spoken.

RICHARD II

We now return, for a moment, to Venice, where Count Morano was suffering under an accumulation of misfortunes. Soon after his arrival in that city, he had been arrested by order of the Senate, and, without knowing of what he was suspected, was conveyed to a place of confinement, whither the most strenuous enquiries of his friends had been unable to trace him. Who the enemy was, that had occasioned him this calamity, he had not been able to guess, unless, indeed, it was Montoni, on whom his suspicions rested, and not only with much apparent probability, but with justice.

In the affair of the poisoned cup, Montoni had suspected Morano; but, being unable to obtain the degree of proof, which was necessary to convict him of a guilty intention, he had recourse to means of other revenge, than he could hope to obtain by prosecution. He employed a person, in whom he believed he might confide, to drop a letter of accusation into the DENUNZIE SECRETE, or lions’ mouths, which are fixed in a gallery of the Doge’s palace, as receptacles for anonymous information, concerning persons, who may be disaffected towards the state. As, on these occasions, the accuser is not confronted with the accused, a man may falsely impeach his enemy, and accomplish an unjust revenge, without fear of punishment, or detection. That Montoni should have recourse to these diabolical means of ruining a person, whom he suspected of having attempted his life, is not in the least surprising. In the letter, which he had employed as the instrument of his revenge, he accused Morano of designs against the state, which he attempted to prove, with all the plausible simplicity of which he was master; and the Senate, with whom a suspicion was, at that time, almost equal to a proof, arrested the Count, in consequence of this accusation; and, without even hinting to him his crime, threw him into one of those secret prisons, which were the terror of the Venetians, and in which persons often languished, and sometimes died, without being discovered by their friends.

Morano had incurred the personal resentment of many members of the state; his habits of life had rendered him obnoxious to some; and his ambition, and the bold rivalship, which he discovered, on several public occasions,— to others; and it was not to be expected, that mercy would soften the rigour of a law, which was to be dispensed from the hands of his enemies.

Montoni, meantime, was beset by dangers of another kind. His castle was besieged by troops, who seemed willing to dare every thing, and to suffer patiently any hardships in pursuit of victory. The strength of the fortress, however, withstood their attack, and this, with the vigorous defence of the garrison and the scarcity of provision on these wild mountains, soon compelled the assailants to raise the siege.

When Udolpho was once more left to the quiet possession of Montoni, he dispatched Ugo into Tuscany for Emily, whom he had sent from considerations of her personal safety, to a place of greater security, than a castle, which was, at that time, liable to be overrun by his enemies. Tranquillity being once more restored to Udolpho, he was impatient to secure her again under his roof, and had commissioned Ugo to assist Bertrand in guarding her back to the castle. Thus compelled to return, Emily bade the kind Maddelina farewell, with regret, and, after about a fortnight’s stay in Tuscany, where she had experienced an interval of quiet, which was absolutely necessary to sustain her long-harassed spirits, began once more to ascend the Apennines, from whose heights she gave a long and sorrowful look to the beautiful country, that extended at their feet, and to the distant Mediterranean, whose waves she had so often wished would bear her back to France. The distress she felt, on her return towards the place of her former sufferings, was, however, softened by a conjecture, that Valancourt was there, and she found some degree of comfort in the thought of being near him, notwithstanding the consideration, that he was probably a prisoner.

It was noon, when she had left the cottage, and the evening was closed, long before she came within the neighbourhood of Udolpho. There was a moon, but it shone only at intervals, for the night was cloudy, and, lighted by the torch, which Ugo carried, the travellers paced silently along, Emily musing on her situation, and Bertrand and Ugo anticipating the comforts of a flask of wine and a good fire, for they had perceived for some time the difference between the warm climate of the lowlands of Tuscany and the nipping air of these upper regions. Emily was, at length, roused from her reverie by the far- off sound of the castle clock, to which she listened not without some degree of awe, as it rolled away on the breeze. Another and another note succeeded, and died in sullen murmur among the mountains:— to her mournful imagination it seemed a knell measuring out some fateful period for her.

‘Aye, there is the old clock,’ said Bertrand, ‘there he is still; the cannon have not silenced him!’

‘No,’ answered Ugo, ‘he crowed as loud as the best of them in the midst of it all. There he was roaring out in the hottest fire I have seen this many a day! I said that some of them would have a hit at the old fellow, but he escaped, and the tower too.’

The road winding round the base of a mountain, they now came within view of the castle, which was shewn in the perspective of the valley by a gleam of moon-shine, and then vanished in shade; while even a transient view of it had awakened the poignancy of Emily’s feelings. Its massy and gloomy walls gave her terrible ideas of imprisonment and suffering: yet, as she advanced, some degree of hope mingled with her terror; for, though this was certainly the residence of Montoni, it was possibly, also, that of Valancourt, and she could not approach a place, where he might be, without experiencing somewhat of the joy of hope.

They continued to wind along the valley, and, soon after, she saw again the old walls and moon-lit towers, rising over the woods: the strong rays enabled her, also, to perceive the ravages, which the siege had made,— with the broken walls, and shattered battlements, for they were now at the foot of the steep, on which Udolpho stood. Massy fragments had rolled down among the woods, through which the travellers now began to ascend, and there mingled with the loose earth, and pieces of rock they had brought with them. The woods, too, had suffered much from the batteries above, for here the enemy had endeavoured to screen themselves from the fire of the ramparts. Many noble trees were levelled with the ground, and others, to a wide extent, were entirely stripped of their upper branches. ‘We had better dismount,’ said Ugo, ‘and lead the mules up the hill, or we shall get into some of the holes, which the balls have left. Here are plenty of them. Give me the torch,’ continued Ugo, after they had dismounted, ‘and take care you don’t stumble over any thing, that lies in your way, for the ground is not yet cleared of the enemy.’

‘How!’ exclaimed Emily, ‘are any of the enemy here, then?’

‘Nay, I don’t know for that, now,’ he replied, ‘but when I came away I saw one or two of them lying under the trees.’

As they proceeded, the torch threw a gloomy light upon the ground, and far among the recesses of the woods, and Emily feared to look forward, lest some object of horror should meet her eye. The path was often strewn with broken heads of arrows, and with shattered remains of armour, such as at that period was mingled with the lighter dress of the soldiers. ‘Bring the light hither,’ said Bertrand, ‘I have stumbled over something, that rattles loud enough.’ Ugo holding up the torch, they perceived a steel breastplate on the ground, which Bertrand raised, and they saw, that it was pierced through, and that the lining was entirely covered with blood; but upon Emily’s earnest entreaties, that they would proceed, Bertrand, uttering some joke upon the unfortunate person, to whom it had belonged, threw it hard upon the ground, and they passed on.

At every step she took, Emily feared to see some vestige of death. Coming soon after to an opening in the woods, Bertrand stopped to survey the ground, which was encumbered with massy trunks and branches of the trees, that had so lately adorned it, and seemed to have been a spot particularly fatal to the besiegers; for it was evident from the destruction of the trees, that here the hottest fire of the garrison had been directed. As Ugo held again forth the torch, steel glittered between the fallen trees; the ground beneath was covered with broken arms, and with the torn vestments of soldiers, whose mangled forms Emily almost expected to see; and she again entreated her companions to proceed, who were, however, too intent in their examination, to regard her, and she turned her eyes from this desolated scene to the castle above, where she observed lights gliding along the ramparts. Presently, the castle clock struck twelve, and then a trumpet sounded, of which Emily enquired the occasion.

‘O! they are only changing watch,’ replied Ugo. ‘I do not remember this trumpet,’ said Emily, ‘it is a new custom.’ ‘It is only an old one revived, lady; we always use it in time of war. We have sounded it, at midnight, ever since the place was besieged.’

‘Hark!’ said Emily, as the trumpet sounded again; and, in the next moment, she heard a faint clash of arms, and then the watchword passed along the terrace above, and was answered from a distant part of the castle; after which all was again still. She complained of cold, and begged to go on. ‘Presently, lady,’ said Bertrand, turning over some broken arms with the pike he usually carried. ‘What have we here?’

‘Hark!’ cried Emily, ‘what noise was that?’

‘What noise was it?’ said Ugo, starting up and listening.

‘Hush!’ repeated Emily. ‘It surely came from the ramparts above:’ and, on looking up, they perceived a light moving along the walls, while, in the next instant, the breeze swelling, the voice sounded louder than before.

‘Who goes yonder?’ cried a sentinel of the castle. ‘Speak or it will be worse for you.’ Bertrand uttered a shout of joy. ‘Hah! my brave comrade, is it you?’ said he, and he blew a shrill whistle, which signal was answered by another from the soldier on watch; and the party, then passing forward, soon after emerged from the woods upon the broken road, that led immediately to the castle gates, and Emily saw, with renewed terror, the whole of that stupendous structure. ‘Alas!’ said she to herself, ‘I am going again into my prison!’

‘Here has been warm work, by St. Marco!’ cried Bertrand, waving a torch over the ground; ‘the balls have torn up the earth here with a vengeance.’

‘Aye,’ replied Ugo, ‘they were fired from that redoubt, yonder, and rare execution they did. The enemy made a furious attack upon the great gates; but they might have guessed they could never carry it there; for, besides the cannon from the walls, our archers, on the two round towers, showered down upon them at such a rate, that, by holy Peter! there was no standing it. I never saw a better sight in my life; I laughed, till my sides aked, to see how the knaves scampered. Bertrand, my good fellow, thou shouldst have been among them; I warrant thou wouldst have won the race!’

‘Hah! you are at your old tricks again,’ said Bertrand in a surly tone. ‘It is well for thee thou art so near the castle; thou knowest I have killed my man before now.’ Ugo replied only by a laugh, and then gave some further account of the siege, to which as Emily listened, she was struck by the strong contrast of the present scene with that which had so lately been acted here.

The mingled uproar of cannon, drums, and trumpets, the groans of the conquered, and the shouts of the conquerors were now sunk into a silence so profound, that it seemed as if death had triumphed alike over the vanquished and the victor. The shattered condition of one of the towers of the great gates by no means confirmed the VALIANT account just given by Ugo of the scampering party, who, it was evident, had not only made a stand, but had done much mischief before they took to flight; for this tower appeared, as far as Emily could judge by the dim moon-light that fell upon it, to be laid open, and the battlements were nearly demolished. While she gazed, a light glimmered through one of the lower loop-holes, and disappeared; but, in the next moment, she perceived through the broken wall, a soldier, with a lamp, ascending the narrow staircase, that wound within the tower, and, remembering that it was the same she had passed up, on the night, when Barnardine had deluded her with a promise of seeing Madame Montoni, fancy gave her somewhat of the terror she had then suffered. She was now very near the gates, over which the soldier having opened the door of the portal-chamber, the lamp he carried gave her a dusky view of that terrible apartment, and she almost sunk under the recollected horrors of the moment, when she had drawn aside the curtain, and discovered the object it was meant to conceal.

‘Perhaps,’ said she to herself, ‘it is now used for a similar purpose; perhaps, that soldier goes, at this dead hour, to watch over the corpse of his friend!’ The little remains of her fortitude now gave way to the united force of remembered and anticipated horrors, for the melancholy fate of Madame Montoni appeared to foretell her own. She considered, that, though the Languedoc estates, if she relinquished them, would satisfy Montoni’s avarice, they might not appease his vengeance, which was seldom pacified but by a terrible sacrifice; and she even thought, that, were she to resign them, the fear of justice might urge him either to detain her a prisoner, or to take away her life.

They were now arrived at the gates, where Bertrand, observing the light glimmer through a small casement of the portal-chamber, called aloud; and the soldier, looking out, demanded who was there. ‘Here, I have brought you a prisoner,’ said Ugo, ‘open the gate, and let us in.’

‘Tell me first who it is, that demands entrance,’ replied the soldier. ‘What! my old comrade,’ cried Ugo, ‘don’t you know me? not know Ugo? I have brought home a prisoner here, bound hand and foot — a fellow, who has been drinking Tuscany wine, while we here have been fighting.’

‘You will not rest till you meet with your match,’ said Bertrand sullenly. ‘Hah! my comrade, is it you?’ said the soldier —‘I’ll be with you directly.’

Emily presently heard his steps descending the stairs within, and then the heavy chain fall, and the bolts undraw of a small postern door, which he opened to admit the party. He held the lamp low, to shew the step of the gate, and she found herself once more beneath the gloomy arch, and heard the door close, that seemed to shut her from the world for ever. In the next moment, she was in the first court of the castle, where she surveyed the spacious and solitary area, with a kind of calm despair; while the dead hour of the night, the gothic gloom of the surrounding buildings, and the hollow and imperfect echoes, which they returned, as Ugo and the soldier conversed together, assisted to increase the melancholy forebodings of her heart. Passing on to the second court, a distant sound broke feebly on the silence, and gradually swelling louder, as they advanced, Emily distinguished voices of revelry and laughter, but they were to her far other than sounds of joy. ‘Why, you have got some Tuscany wine among you, HERE,’ said Bertrand, ‘if one may judge by the uproar that is going forward. Ugo has taken a larger share of that than of fighting, I’ll be sworn. Who is carousing at this late hour?’

‘His excellenza and the Signors,’ replied the soldier: ‘it is a sign you are a stranger at the castle, or you would not need to ask the question. They are brave spirits, that do without sleep — they generally pass the night in good cheer; would that we, who keep the watch, had a little of it! It is cold work, pacing the ramparts so many hours of the night, if one has no good liquor to warm one’s heart.’

‘Courage, my lad, courage ought to warm your heart,’ said Ugo. ‘Courage!’ replied the soldier sharply, with a menacing air, which Ugo perceiving, prevented his saying more, by returning to the subject of the carousal. ‘This is a new custom,’ said he; ‘when I left the castle, the Signors used to sit up counselling.’

‘Aye, and for that matter, carousing too,’ replied the soldier, ‘but, since the siege, they have done nothing but make merry: and if I was they, I would settle accounts with myself, for all my hard fighting, the same way.’

They had now crossed the second court, and reached the hall door, when the soldier, bidding them good night, hastened back to his post; and, while they waited for admittance, Emily considered how she might avoid seeing Montoni, and retire unnoticed to her former apartment, for she shrunk from the thought of encountering either him, or any of his party, at this hour. The uproar within the castle was now so loud, that, though Ugo knocked repeatedly at the hall door, he was not heard by any of the servants, a circumstance, which increased Emily’s alarm, while it allowed her time to deliberate on the means of retiring unobserved; for, though she might, perhaps, pass up the great stair-case unseen, it was impossible she could find the way to her chamber, without a light, the difficulty of procuring which, and the danger of wandering about the castle, without one, immediately struck her. Bertrand had only a torch, and she knew, that the servants never brought a taper to the door, for the hall was sufficiently lighted by the large tripod lamp, which hung in the vaulted roof; and, while she should wait till Annette could bring a taper, Montoni, or some of his companions, might discover her.

The door was now opened by Carlo; and Emily, having requested him to send Annette immediately with a light to the great gallery, where she determined to await her, passed on with hasty steps towards the stair-case; while Bertrand and Ugo, with the torch, followed old Carlo to the servants’ hall, impatient for supper and the warm blaze of a wood fire. Emily, lighted only by the feeble rays, which the lamp above threw between the arches of this extensive hall, endeavoured to find her way to the stair-case, now hid in obscurity; while the shouts of merriment, that burst from a remote apartment, served, by heightening her terror, to increase her perplexity, and she expected, every instant, to see the door of that room open, and Montoni and his companions issue forth. Having, at length, reached the stair-case, and found her way to the top, she seated herself on the last stair, to await the arrival of Annette; for the profound darkness of the gallery deterred her from proceeding farther, and, while she listened for her footstep, she heard only distant sounds of revelry, which rose in sullen echoes from among the arcades below. Once she thought she heard a low sound from the dark gallery behind her; and, turning her eyes, fancied she saw something luminous move in it; and, since she could not, at this moment, subdue the weakness that caused her fears, she quitted her seat, and crept softly down a few stairs lower.

Annette not yet appearing, Emily now concluded, that she was gone to bed, and that nobody chose to call her up; and the prospect, that presented itself, of passing the night in darkness, in this place, or in some other equally forlorn (for she knew it would be impracticable to find her way through the intricacies of the galleries to her chamber), drew tears of mingled terror and despondency from her eyes.

While thus she sat, she fancied she heard again an odd sound from the gallery, and she listened, scarcely daring to breathe, but the increasing voices below overcame every other sound. Soon after, she heard Montoni and his companions burst into the hall, who spoke, as if they were much intoxicated, and seemed to be advancing towards the stair-case. She now remembered, that they must come this way to their chambers, and, forgetting all the terrors of the gallery, hurried towards it with an intention of secreting herself in some of the passages, that opened beyond, and of endeavouring, when the Signors were retired, to find her way to her own room, or to that of Annette, which was in a remote part of the castle.

With extended arms, she crept along the gallery, still hearing the voices of persons below, who seemed to stop in conversation at the foot of the stair-case, and then pausing for a moment to listen, half fearful of going further into the darkness of the gallery, where she still imagined, from the noise she had heard, that some person was lurking, ‘They are already informed of my arrival,’ said she, ‘and Montoni is coming himself to seek me! In the present state of his mind, his purpose must be desperate.’ Then, recollecting the scene, that had passed in the corridor, on the night preceding her departure from the castle, ‘O Valancourt!’ said she, ‘I must then resign you for ever. To brave any longer the injustice of Montoni, would not be fortitude, but rashness.’ Still the voices below did not draw nearer, but they became louder, and she distinguished those of Verezzi and Bertolini above the rest, while the few words she caught made her listen more anxiously for others. The conversation seemed to concern herself; and, having ventured to step a few paces nearer to the stair-case, she discovered, that they were disputing about her, each seeming to claim some former promise of Montoni, who appeared, at first, inclined to appease and to persuade them to return to their wine, but afterwards to be weary of the dispute, and, saying that he left them to settle it as they could, was returning with the rest of the party to the apartment he had just quitted. Verezzi then stopped him. ‘Where is she? Signor,’ said he, in a voice of impatience: ‘tell us where she is.’ ‘I have already told you that I do not know,’ replied Montoni, who seemed to be somewhat overcome with wine; ‘but she is most probably gone to her apartment.’ Verezzi and Bertolini now desisted from their enquiries, and sprang to the stair-case together, while Emily, who, during this discourse, had trembled so excessively, that she had with difficulty supported herself, seemed inspired with new strength, the moment she heard the sound of their steps, and ran along the gallery, dark as it was, with the fleetness of a fawn. But, long before she reached its extremity, the light, which Verezzi carried, flashed upon the walls; both appeared, and, instantly perceiving Emily, pursued her. At this moment, Bertolini, whose steps, though swift, were not steady, and whose impatience overcame what little caution he had hitherto used, stumbled, and fell at his length. The lamp fell with him, and was presently expiring on the floor; but Verezzi, regardless of saving it, seized the advantage this accident gave him over his rival, and followed Emily, to whom, however, the light had shown one of the passages that branched from the gallery, and she instantly turned into it. Verezzi could just discern the way she had taken, and this he pursued; but the sound of her steps soon sunk in distance, while he, less acquainted with the passage, was obliged to proceed through the dark, with caution, lest he should fall down a flight of steps, such as in this extensive old castle frequently terminated an avenue. This passage at length brought Emily to the corridor, into which her own chamber opened, and, not hearing any footstep, she paused to take breath, and consider what was the safest design to be adopted. She had followed this passage, merely because it was the first that appeared, and now that she had reached the end of it, was as perplexed as before. Whither to go, or how further to find her way in the dark, she knew not; she was aware only that she must not seek her apartment, for there she would certainly be sought, and her danger increased every instant, while she remained near it. Her spirits and her breath, however, were so much exhausted, that she was compelled to rest, for a few minutes, at the end of the passage, and still she heard no steps approaching. As thus she stood, light glimmered under an opposite door of the gallery, and, from its situation, she knew, that it was the door of that mysterious chamber, where she had made a discovery so shocking, that she never remembered it but with the utmost horror. That there should be light in this chamber, and at this hour, excited her strong surprise, and she felt a momentary terror concerning it, which did not permit her to look again, for her spirits were now in such a state of weakness, that she almost expected to see the door slowly open, and some horrible object appear at it. Still she listened for a step along the passage, and looked up it, where, not a ray of light appearing, she concluded, that Verezzi had gone back for the lamp; and, believing tha............
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