The day following that on which the Duchess Padovani, to show herself smiling under the blow which had fallen upon her, had appeared at the theatre, she went, as she usually did at that time of year, to Mousseaux. She made no change in her plans. She had sent out her invitations for the season, and did not cancel them. But before the arrival of the first instalment of visitors, during the few days’ solitude usually spent in superintending in detail the arrangements for entertaining her guests, she passed the whole time from morning to night in the park at Mousseaux, whose slopes stretched far and wide on the banks of the Loire. She would go madly along, like a wounded and hunted animal, stop for a moment from exhaustion, and then at a throb of pain start off again. ‘Coward! coward! wretch!’ She hurled invectives at the Prince as though he had been by her side, and still she walked with the same fevered tread the labyrinth of green paths which ran down in long shady windings to the river. Here, forgetting her rank and her position, flinging off her mask and able to be natural at last, she would give vent to her despair, a despair perhaps something less than her wrath, for the voice of pride spoke louder within her than any other, and the few tears which escaped her lids did not flow, but leaped and sparkled like flames. Revenge, revenge! She longed for a revenge of blood, and sometimes pictured one of her foresters, Bertoli or Salviato, going off abroad to put a bullet into him on his wedding-day. Then she changed her mind. No, she would deal the blow herself, and feel the joy of the vendetta in her own grasp. She envied the women of lower class who wait behind a doorway for the traitor, and fling in his face a bottle full of vitriol with a storm of hideous curses. Why did she not know some of the horrible names that relieve the heart, some foul insult to shriek at the mean treacherous companion who rose before her mind with the hesitating look and false constrained smile he wore at their last meeting? But even in her savage Corsican patois the great lady knew no ‘nasty words,’ and when she had cried ‘Coward! coward! wretch!’ her beautiful mouth could only writhe in helpless rage.
In the evening after her solitary dinner in the vast hall, whose panelling of old leather was gilt by the setting sun, her wild pacing to and fro began again. Now it was on the gallery overhanging the river, quaintly restored by Paul Astier, with open arcades like lace-work and two pretty corbel-turrets. Below on the Loire, outspread like a lake, there still lingered a delicate silvery light from the departing day, while the hazy evening air exaggerated the distances between the willow beds and islands out towards Chaumont. But poor Mari’ Anto did not look at the view when, worn out with retracing the steps of her grief, she leant both elbows on the balustrade and gazed into the dimness. Her life appeared before her, waste and desolate, at an age when it is difficult to make a fresh start. A faint sound of voices rose from Mousseaux, a group of two or three small houses on the embankment; the chain of a boat creaked as the night breeze rose. How easy it would be! Grief had bowed down her head so low, that if she were but to lean forward a little farther.... But then what would the world say? A woman of her rank and age could not kill herself like any little grisette! The third day Paul’s note arrived, and with it the newspapers’ detailed report of the duel. It gave her the same delight as a warm pressure of the hand. So some one still cared for her, and had wanted to avenge her at the risk of his life! Not that Paul’s feeling was love, she supposed, but only a grateful affection, the reminiscence of kindnesses done by her to him and his family, perhaps an imperative desire to atone for his mother’s treachery. Generous, brave fellow! If she had been in Paris, she would have gone to him at once, but as her guests were just due, she could only write and send him her own doctor.
Every hour came fresh arrivals from Blois and from Onzain, Mousseaux lying half way between the two stations. The landau, the victoria, and two great breaks set down at the steps in the great court, amid the incessant ringing of the bell, many illustrious members of the Duchess’s set, academicians and diplomatists, the Count and Countess Foder, the Comte de Brétigny and his son the Vicomte, who was a Secretary of Legation, M. and Madame Desminières, Laniboire the philosopher, who had come to the castle to draw up his report on the award of the Prix de vertu, the young critic of Shelley, who was ‘run’ by the Padovani set, and Danjou, handsome Danjou, all by himself, though his wife had been asked. Life at Mousseaux was exactly what it had been the year before. The day passed in calls, or work in the separate rooms, meals, general conversation, afternoon naps; then, when the great heat was passed, came long drives through the woods, or sails on the river in the little fleet of boats anchored at the bottom of the park. Parties would be made to picnic on an island, and some of the guests would repair to the fish preserves, which were always well stocked with lively fish, as the keeper took care to replenish them from his nets before each expedition. Then every one came back to the ceremonious dinner, after which the gentlemen, when they had smoked in the billiard room or on the gallery, joined the ladies in a splendid apartment, which had been the council-chamber of Catherine de Médicis.
All round the huge room were depicted in tapestry the loves of Dido and her despair at the departure of the Trojan ships. The irony of this strange coincidence was not remarked by any one, so little do people in society regard their surroundings, less for want of observation than because they are always and fully occupied with their personal behaviour and the effect they are to produce. But there was a striking contrast between the tragic despair of the abandoned queen, gazing with arms uplifted and streaming eyes as the little black speck disappeared, and the smiling serenity of the Duchess, as she presided in the drawing-room, maintaining her supremacy over the other ladies, whose dress and whose reading were guided by her taste, or joining in the discussions between Laniboire and the young critic, and in the disputes waged over the candidates for Loisillon’s seat by Desminières and Danjou. Indeed, if the Prince d’Athis, the faithless Sammy, whose name was in every one’s thoughts, though on no one’s lips, could have seen her, he would have been mortified to find how small was the gap left in a woman’s life by his-absence, and how busy was the turmoil throughout the royal castle of Mousseaux, where in all the long front there were but three windows shut up, those belonging to what were called ‘the Prince’s rooms.’
‘She takes it well,’ said Danjou the first evening. And neither little Countess Foder, from whose massy lace protruded a very sharp inquisitive little nose, nor sentimental Madame Desminières, who had looked forward to lamentations and confidences, could get over such amazing courage. In truth they were as much amazed at her as if going to a long-expected play they had found the house ‘closed for the day’; while the men took Ariadne’s equanimity as an encouragement to would-be successors. The real change in the Duchess’s life lay in the attitude observed towards her by all or nearly all the men; they were less reserved, more sedulous, more eager to please her, and fluttered round her chair with an obvious desire, not merely to merit her patronage, but to attract her regard.
Never indeed had Maria Antonia been more beautiful. When she entered the dining-room the tempered brilliancy of her complexion and her shoulders in their light summer robe made a bright place at the table, even when the Marquise de Roca Nera had come over from her neighbouring country seat on the other side of the Loire. The Marquise was younger, but no one would have thought so to look at them. Laniboire, the philosopher, was strongly attracted to the Duchess. He was a widower, well on in years, with heavy features and apoplectic complexion, but he did his best to captivate his hostess by the display of a manly and sportsmanlike activity which led him into occasional mishaps. One day, in a boat, as he tried to make a great display of biceps over his rowing, he fell into the river; another time, as he was prancing on horseback at the side of the carriage, his mount squeezed his leg so hard against the wheel that he had to keep his room and be bandaged for several days. But the finest spectacle was to see him in the drawing-room, ‘dancing,’ as Danjou said, ‘before the Ark.’ He stretched and bent his unwieldy person in all directions. He would challenge to a philosophic duel the young critic, a confirmed pessimist of three-and-twenty, and overwhelm him with his own imperturbable optimism. Laniboire the philosopher had one particular reason for this good opinion of the world; his wife had died of diphtheria caught from nursing their children; both his children had died with their mother; and each time that he repeated his dithyramb in praise of existence, the philosopher concluded his statement with a sort of practical demonstration, a bow to the Duchess, which seemed to say, ‘How can a man think ill of life in the presence of such beauty as yours?’
The young critic paid his court in a less conspicuous and sufficiently cunning fashion. He was an immense admirer of the Prince d’Athis, and being at the age when admiration shows itself by imitation, he no sooner made his entry into society than he copied Sammy’s attitudes, his walk, even the carriage of his head, his bent back, and vague mysterious smile of contemptuous reserve. Now he increased the resemblance by details of dress, which he had observed and collected with the sharpness of a child, from the way of pinning his tie just at the opening of the collar to the fawn-coloured check of his English trousers. Unfortunately he had too much hair and not a scrap of beard, so that his efforts were quite thrown away, and revived no uncomfortable memories in the Duchess, who was as indifferent to his English checks as she was to the languishing glances of Brétigny fils, or the significant pressure of Brétigny père, as he gave her his arm to dinner. But all this helped to surround her with that atmosphere of gallantry to which she had long been accustomed by D’Athis, who played the humble servant to the verge of servility, and to save her woman’s pride from the conscious humiliation of abandonment.
Amidst all these aspirants Danjou kept somewhat aloof, amusing the Duchess with his green-room stories and making her laugh, a way of self-recommendation in certain cases not unsuccessful. But the time came when he thought matters sufficiently advanced: and one morning when she was starting for her rapid solitary walk with her dogs through the park, in the hope of leaving her wrath behind in the thickets with the waking birds, or of cooling and tempering it among the dewy lawns and dripping branches—suddenly, at a turn in the path, appeared Danjou, ready for the attack. Dressed from head to foot in white flannels, his trousers tucked into his boots, with a picturesque cap and a well-trimmed beard, he was trying to find a dénouement for a three-act drama, to be ready for the Fran?ais that winter. The name was ‘Appearances,’ and the subject a satire on society. Everything was written but the final scene.
‘Well, let us try what we can do together,’ said the Duchess brightly, as she cracked the long lash of the short-handled whip with silver whistle, which she used to call in her dogs. But the moment they turned to walk together, he began to talk of his love, and how sad it would be for her to live alone; and ended by offering himself, after his own fashion, straight out and with no circumlocutions. The Duchess, with a quick movement of pride, threw up her head, grasping her whip handle tightly, as if to strike the insolent fellow who dared to talk to her as he might to a super at the opera. But the insult was also a compliment, and there was pleasure as well as anger in her blush. Danjou steadily urged his point, and tried to dazzle her with his polished wit, pretending to treat the matter less as a love affair than as an intellectual partnership. A man like himself and a woman like her might command the world.
‘Many thanks, my dear Danjou; such specious reasoning is not new to me. I am suffering from it still.’ Then with a haughty wave of her hand, which allowed no reply, she pointed out the shady path which the dramatist was to follow, and said, ‘Look for your dénouement; I am going in.’ He stood where he was, completely disconcerted, and gazed at her beautiful carriage as she walked away.
‘Not even as zebra?’ he said, in a tone of appeal.
She looked round, her black brows meeting. ‘Ah, yes, you are right; the post is vacant,’ Her thoughts went to Lavaux, the base underling for whom she had done so much, and without a smile she answered in a weary voice, ‘Zebra, if you like.’
Then she vanished behind a little group of fine yellow roses a little overblown, whose leaves would be scattered at the first fresh breeze.
It was something to boast of that the proud Mari’ Anto’ had heard him through. Probably no other man, not even her Prince, had ever spoken to her thus. Full of the inspiration of hope, and stimulated by the fine speeches he had just thrown off, the dramatist soon hit upon his final scene. He was going back to write it out before breakfast, when he stopped short in surprise at seeing through the branches ‘the Prince’s ‘ windows open to the sunlight Who was coming? What favourite guest was to be honoured with those convenient and luxurious rooms, looking over the river and the park? He made inquiries, and was reassured. It was her Grace’s architect; he was coming to the castle after an illness. Considering the intimacy between the lady and the Astiers, nothing was more natural than that Paul should be entertained like a son of the house in a mansion which he had more or less created. Still, when the new arrival took his seat at breakfast, his chastened delicacy of feature, his paleness—the paler by a white silk kerchief—his duel, his wound, and the general flavour of romance surrounding him seemed to make so keen an impression on the ladies, and called forth such affectionate interest and care on the part of the Duchess herself, that handsome Danjou, being one of those all-engrossing persons to whom any other man’s success seems a personal loss, if not downright robbery, felt a jealous pang. With his eyes on his plate he took advantage of his position by the hostess to murmur some depreciatory remarks upon the pretty young fellow, unfortunately so much disfigured by his mother’s nose. He made merry over his duel, his wound, and his reputation in the fencing-room, the kind of bubble which bursts at the first prick of a real sword. He added, not knowing how near he was to the truth, ‘The quarrel at cards was of course a mere pretext; there was a woman at the bottom of it.’
‘Of the duel? Do you think so?’ His nod said ‘I am sure of it.’ Much admiring his own cleverness, he turned to the company, and dazzled them with his epigrams and anecdotes. He never went into society without providing himself with a store of these pocket squibs. Paul was no match for him here, and the ladies’ interest soon reverted to the brilliant talker, especially when he announced that, having got his dénouement and finished his play, he would read it in the drawing-room while it was too hot to go out. A universal exclamation of delight from the ladies welcomed this invaluable relief to the day’s monotony. What a precious privilege for them, proud as they were already of dating their letters from Mousseaux, to be able to send to all their dear friends, who were not there, accounts of an unpublished play by Danjou, read by Danjou himself, and then next winter to be in a position to say when the rehearsals were going on, ‘Oh, Danjou’s play! I know it; he read it to us at the castle.’
As the company rose, full of excitement at this good news, the Duchess went towards Paul, and taking his arm with her graceful air of command said, ‘Come for a turn on the gallery; it is stifling here.’ The air was heavy even at the height of the gallery, for there rose from the steaming river a mist of heat, which overspread and blurred the irregular green outlines of its banks and of its low floating islands. She led the young man away from the smokers right to the end of the furthest bay, and then clasping his hand said, ‘So it was for me; it was all for me.’
‘Yes, Duchess, for you.’
And he pursed his lips as he added, ‘And presently we shall have another try.’
‘You must not say that, you naughty boy.’
She stopped, as an inquisitive footstep came towards them. Danjou!’
‘Yes, Duchess.’
‘My fan... on the dining-room table... would you be so kind?...’ When he was some way off, she said, ‘I will not have it, Paul. In the first place, the creature is not worth fighting. Ah, if we were alone—if I could tell you!’ The fierceness of her tone and the clenching of her hands betrayed a rage that amazed Paul Astier. After a month he had hoped to find her calmer than this. It was a disappointment, and it checked the explosion, ‘I love you—I have always loved you,’ which was to have been forced from him at the first confidential interview. He was only telling the story of the duel, in which she was very much interested, when the Academician brought her fan. ‘Well fetched, zebra!’ she said by way of thanks. With a little pout he answered in the same strain but a lowered voice, ‘A zebra on promotion, you know!’
‘What, wanting to be raised already!’ She tapped him with her fan as she spoke, and anxious to put him in a good temper for his reading, let him escort her back to the drawing-room, where his manuscript was lying ready on a dainty card-table in the full light of a high window partly open, showing the flower-garden and the groups of great trees.
‘Appearances. A Drama in Three Acts. Dramatis Person?....’
The ladies, getting as close round as they could, drew themselves together with the charming little shiver which is their way of anticipating enjoyment. Danjou read like a genuine ‘Player’ of Picheral’s classification, making lengthy pauses while he moistened his lips with his glass of water, and wiped them with a fine cambric handkerchief. As he finished each of the long broad pages, scribbled all over with his tiny handwriting, ............