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Chapter 9

EVERY day between four and six, earlier or later according to the time of year, Paul Astier came to take his douche at Keyser’s hydropathic establishment at the top of the Faubourg Saint-Honoré Twenty minutes’ fencing, boxing, or single-stick followed by a bath and a cold douche; then a little halt at the flower-shop, as he came out, to have a carnation stitched in his buttonhole; then a constitutional as far as the Arc de l’Etoile, Stenne and the phaeton following close to the footway. Finally came a turn in the Bois, where Paul, thanks to his observance of fashionable hygiene, displayed a feminine delicacy of colouring and a complexion rivalling any lady’s . By this visit to Keyser’s he also saved himself the trouble of reading the papers. Gossip went on between one dressing-room and another, or on the lounges of the fencing-room, where the visitors sat in fencing dress or flannel dressing-gowns, or even outside the doctor’s door while awaiting the douche. From clubs, drawing-rooms, the Chamber, the Bourse, or the Palais de Justice came in the news of the day, and there it was proclaimed freely in loud tones, to the accompaniment of the clashing of swords and sticks, shouts for the waiter, resounding slaps on bare backs, creaking of wheel-chairs for rheumatic patients, heavy plunges re-echoing under the reverberating roof of the swimming-bath, while above the various sounds of splashing and spurting water rose the voice of worthy Dr. Keyser, standing on his platform, and the ever-recurring burden, ‘Turn round.’

On this occasion Paul Astier was ‘turning round’ under the refreshing shower with great enjoyment; he was getting rid of the dust and fatigue of his wearisome afternoon, as well as of the lugubrious sonorities of Astier-Réhu’s Academic regret ‘His hour sounded upon the bell’... ‘the hand of Loisillon was cold’... ‘he had drained the cup of happiness’... &c, &c. Oh Master! Master! oh, respected papa! It took a good deal of water, showers, streams, floods of it, to wash off all that grimy rubbish.

As he went away with the water running off him, he passed a tall figure bent double, coming up from the swimming bath, which gave him a shivering nod from under a huge gutta-percha cap covering the head and half the face. The man’s lean pallor and stiff stooping walk made Paul take him for one of the poor invalids who attend the establishment regularly, and whose apparition, silent as night-birds in the fencing-room where they come to be weighed, contrasts so strangely with the healthy laughter and superabundant vigour of the rest of the company. But the contemptuous curve of the large nose and the weary lines round the mouth vaguely recalled some face he knew in society. In his dressing-room he asked the man who was shampooing him, ‘Who was that, Raymond, who bowed to me just now?’

‘Why, that’s the Prince d’Athis, sir,’ replied Raymond, with a plebeian’s satisfaction in uttering the word ‘prince.’ ‘He has been taking douches for some time past, and generally comes in the morning. But he is later to-day, on account of a burial, so he told Joseph.’

The door of Paul’s dressing-room was partly open during this dialogue, and in the room on the opposite side of the passage was visible La vaux. As he pulled on and buckled his long clerical hose, he said, ‘I say, Paul, did you see Sammy coming to freshen himself up a bit?’

‘Freshen himself up?’ said Paul. ‘What for?’

‘He’s going to be married in a fortnight, you know.’

‘Oh! And when does he go to his Embassy?’

‘Why, now, at once. The Princess has started. They are to be married out there.’

Paul had a horrid presentiment. ‘The Princess?’ he asked. ‘Whom is he going to marry?’

‘Where have you been? It’s been the talk of Paris for the last two days! Colette, of course; Colette the inconsolable. I should like to see what the Duchess looks like. At the Loisillon affair she carried herself well, but never lifted her veil or spoke a word. It’s a tough bit to swallow, eh? When you think that only yesterday I was helping her to choose materials for the room he was to have at St. Petersburg!’

The ill-natured unctuous voice of the fashionable scandalmonger went on with the story as he finished buckling his garters, accompanied by the sound of a douche two boxes off, and the Prince’s voice saying, ‘Harder, Joseph, harder, don’t be afraid.’ Freshening himself up, was he?

Paul had crossed the passage as soon as Lavaux began to talk, that he might hear better. He was seized with a wild desire to kick in the door of the Prince’s room, spring on him, and have an explanation face to face with the scoundrel who was stealing the fortune almost in his grasp. Suddenly he perceived that he had nothing on, reflected that his wrath was ill-timed, and went back to his room, where he calmed down a little as he realised that the first thing to do was to have a talk with his mother and find out exactly how matters stood.

That afternoon, for once, he had no flower in his buttonhole, and while, as the stream of carriages went past, the ladies looked languidly for the charming young man in the usual row, he was driving rapidly to the Rue de Beaune. There he was greeted by Corentine with bare arms and a dirty apron. She had taken the opportunity of her mistress’s absence to have a great clean-up.

‘Do you know where my mother is dining?’

No, her mistress had not told her. But the master was upstairs, rummaging in his papers. The little staircase leading to the paper-room creaked under Léonard Astier’s heavy tread.

‘Is that you, Paul?’ he asked.

The dim light of the passage and his own agitation prevented the young man from noticing his father’s extraordinary appearance and the dazed sound of his voice when he answered.

‘How’s the Master?’ said the son—‘So mamma’s not in?’

‘No, she is dining with Madame Ancelin and going on to the Fran?ais; I am to join them in the evening.’

After this the father and son had nothing further to say to each other. They met like two strangers, like two men of hostile races. On this occasion, indeed, Paul in his impatience was half inclined to ask Leonard whether he knew anything about the marriage; but he thought the next minute, ‘No, he is too stupid; mother would never say a word to him.’ His father, who was also strongly tempted to put a question, called him back with an air of embarrassment.

‘Paul,’ he said, ‘I have lost—I can’t find——’

‘Can’t find what?’ asked the son.

Astier-Réhu hesitated a moment; but after looking closely at the pretty face, whose expression, on account of the bend in the nose, was never perfectly straightforward, he added in a gloomy, surly tone—

‘No, nothing; it does not matter. I won’t keep you.’

There was nothing for it but to meet his mother at the theatre in Madame Ancelin’s box. That meant two or three hours to be got through first. Paul dismissed his carriage and ordered Stenne to bring him his dress things at his club. Then he started for a stroll through the city in a faint twilight, while the clipped shrubs of the Tuileries Gardens assumed brighter colours as the sky grew dark around them. It was the mystic hour so precious to people pursuing dreams or making plans. The carriages grow fewer, the shadowy figures hurry by and touch the stroller lightly. There is no interruption to the flow of a man’s thoughts. So the ambitious young fellow, who had quite recovered his presence of mind, carried on his reflections clearly. His thoughts were like those of Napoleon at the last hour of the battle of Waterloo: after a long day of success defeat had come with night. What was the reason? What mistake had he made? He replaced the pieces on the chessboard, and looked for the explanation of failure, but in vain. It had perhaps been rash of him to let two days pass without seeing her. But it was the most elementary rule that after such a scene as that in the cemetery a woman should be left to herself to recover. How was he to foresee this sudden flight? Suddenly a hope flashed upon him. He knew that the Princess changed her plan as often as a bird its perch. Perhaps she might not yet have gone; perhaps he should find her in the midst of preparations, unhappy, undecided, asking Herbert’s portrait for advice, and should win her back by one embrace. He understood and could follow now all the capricious turns of the romance which had been going on in her little head.

He took a cab to the Rue de Courcelles. Nobody there. The Princess had gone abroad, they told him, that very morning. A terrible fit of despair came over him, and he went home instead of to the club, so as not to have to talk and answer questions. His spirits sank even lower at the sight of his great mediaeval erection and its front, in the style of the Tour de la Faim, all covered with bills; it suggested the piles of overdue accounts. As he felt his way in, he was greeted by a smell of fried onions filling the whole place; for his spruce little valet on nights when his master dined at the club would cook himself a tasty dish. A gleam of daylight still lingered in the studio, and Paul flung himself down on a sofa. There, as he was trying to think by what ill-luck his artfullest, cleverest designs had been upset, he fell asleep for a couple of hours and woke up another man. Just as memory gains in sharpness during the sleep of the body, so had his determination and talent for intrigue gone on acting during his short rest. He had found a new plan, and moreover a calm fixity of resolution, such as among the modern youth of France is very much more rarely met with than courage under arms.

He dressed rapidly and took a couple of eggs and a cup of tea; and when, with a faint odour of the warm curling-iron about his beard and moustaches, he entered the Théatre Fran?ais and gave Madame Ancelin’s name at the box-office, the keenest observer would have failed to detect any absorbing preoccupation in the perfect gentleman of fashion, and would never have guessed the contents of this pretty drawing-room article, black-and-white lacquered, and well locked.

Madame Ancelin’s worship of official literature had two temples, the Académie Fran?aise and the Comédie Fran?aise. But the first of these places being open to the pious believer only at uncertain periods, she made the most of the second, and attended its services with great regularity. She never missed a ‘first night,’ whether important or unimportant, nor any of the Subscribers’ Tuesdays. And as she read no books but those stamped with the hall-mark of the Académie, so the actors at the Comédie were the only players to whom she listened with enthusiasm, with excited ejaculations and rapturous amazement. Her exclamations began at the box-office, at the sight of the two great marble fonts, which the good lady’s fancy had set up before the statues of Rachel and Talma in the entrance to the ‘House of Molière.’

‘Don’t they look after it well? Just look at the door-keepers! What a theatre it is!’

The jerky movements of her short arms and the puffing of her fat little body diffused through the passage a sense of noisy gleefulness which made people say in every box, ‘Here’s Madame Ancelin!’ On Tuesdays especially, the fashionable indifference of the house contrasted oddly with the seat where, in supreme content, leaning half out of the box, sat and cooed this good plump pink-eyed pigeon, piping away audibly, ‘Look at Coquelin! Look at De-launay! What perennial youth! What an admirable theatre!’ She never allowed her friends to talk of anything else, and in the entr’actes greeted her visitors with exclamations of rapture over the genius of the Academic playwright and the grace of the Actress-Associate.

At Paul Astier’s entrance the curtain was up; and knowing that the ritual of Madame Ancelin required absolute silence at such a time, he waited quietly in the little room, separated by a step from the front of the box, where Madame Ancelin was seated in bliss between Madame Astier and Madame Eviza, while behind were Danjou and De Freydet looking like prisoners. The click, which the box-door made and must make in shutting, was followed by a ‘Hush!’ calculated to appal the intruder who was disturbing the service. Madame Astier half turned round, and felt a shiver at the sight of her son. What was the matter? What had Paul to say to her of such pressing importance as to bring him to that haunt of boredom—Paul, who never let himself be bored without a reason? Money again, no doubt, horrid money! Well, fortunately she would soon have plenty; Sammy’s marriage would make them all rich. Much as she longed to go up to Paul and reassure him with the good news, which perhaps he had not heard, she was obliged to stay in ............

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