"Nous causames longtemps; elle etait simple et bonne. Ne sachant pas le mal, elle faisait le bien; Des richesses du coeur elle me fit l'aumone, Et tout en ecoutant comme le coeur se donne, Sans oser y penser je lui donnai le mien; Elle emporta ma vie, et n'en sut jamais rien." --ALFRED DE MUSSET.

Will Ladislaw was delightfully agreeable at dinner the next day, and gave no opportunity for Mr. Casaubon to show disapprobation. On the contrary it seemed to Dorothea that Will had a happier way of drawing her husband into conversation and of deferentially listening to him than she had ever observed in any one before. To be sure, the listeners about Tipton were not highly gifted! Will talked a good deal himself, but what he said was thrown in with such rapidity, and with such an unimportant air of saying something by the way, that it seemed a gay little chime after the great bell. If Will was not always perfect, this was certainly one of his good days. He described touches of incident among the poor people in Rome, only to be seen by one who could move about freely; he found himself in agreement with Mr. Casaubon as to the unsound opinions of Middleton concerning the relations of Judaism and Catholicism; and passed easily to a half-enthusiastic half-playful picture of the enjoyment he got out of the very miscellaneousness of Rome, which made the mind flexible with constant comparison, and saved you from seeing the world's ages as a set of box-like partitions without vital connection. Mr. Casaubon's studies, Will observed, had always been of too broad a kind for that, and he had perhaps never felt any such sudden effect, but for himself he confessed that Rome had given him quite a new sense of history as a whole: the fragments stimulated his imagination and made him constructive. Then occasionally, but not too often, he appealed to Dorothea, and discussed what she said, as if her sentiment were an item to be considered in the final judgment even of the Madonna di Foligno or the Laocoon. A sense of contributing to form the world's opinion makes conversation particularly cheerful; and Mr. Casaubon too was not without his pride in his young wife, who spoke better than most women, as indeed he had perceived in choosing her.

Since things were going on so pleasantly, Mr. Casaubon's statement that his labors in the Library would be suspended for a couple of days, and that after a brief renewal he should have no further reason for staying in Rome, encouraged Will to urge that Mrs. Casaubon should not go away without seeing a studio or two. Would not Mr. Casaubon take her? That sort of thing ought not to be missed: it was quite special: it was a form of life that grew like a small fresh vegetation with its population of insects on huge fossils. Will would be happy to conduct them--not to anything wearisome, only to a few examples.

Mr. Casaubon, seeing Dorothea look earnestly towards him, could not but ask her if she would be interested in such visits: he was now at her service during the whole day; and it was agreed that Will should come on the morrow and drive with them.

Will could not omit Thorwaldsen, a living celebrity about whom even Mr. Casaubon inquired, but before the day was far advanced he led the way to the studio of his friend Adolf Naumann, whom he mentioned as one of the chief renovators of Christian art, one of those who had not only revived but expanded that grand conception of supreme events as mysteries at which the successive ages were spectators, and in relation to which the great souls of all periods became as it were contemporaries. Will added that he had made himself Naumann's pupil for the nonce.

"I have been making some oil-sketches under him," said Will. "I hate copying. I must put something of my own in. Naumann has been painting the Saints drawing the Car of the Church, and I have been making a sketch of Marlowe's Tamburlaine Driving the Conquered Kings in his Chariot. I am not so ecclesiastical as Naumann, and I sometimes twit him with his excess of meaning. But this time I mean to outdo him in breadth of intention. I take Tamburlaine in his chariot for the tremendous course of the world's physical history lashing on the harnessed dynasties. In my opinion, that is a good mythical interpretation." Will here looked at Mr. Casaubon, who received this offhand treatment of symbolism very uneasily, and bowed with a neutral air.

"The sketch must be very grand, if it conveys so much," said Dorothea. "I should need some explanation even of the meaning you give. Do you intend Tamburlaine to represent earthquakes and volcanoes?"

"Oh yes," said Will, laughing, "and migrations of races and clearings of forests--and America and the steam-engine. Everything you can imagine!"

"What a difficult kind of shorthand!" said Dorothea, smiling towards her husband. "It would require all your knowledge to be able to read it."

Mr. Casaubon blinked furtively at Will. He had a suspicion that he was being laughed at. But it was not possible to include Dorothea in the suspicion.

They found Naumann painting industriously, but no model was present; his pictures were advantageously arranged, and his own plain vivacious person set off by a dove-colored blouse and a maroon velvet cap, so that everything was as fortunate as if he had expected the beautiful young English lady exactly at that time.

The painter in his confident English gave little dissertations on his finished and unfinished subjects, seeming to observe Mr. Casaubon as much as he did Dorothea. Will burst in here and there with ardent words of praise, marking out particular merits in his friend's work; and Dorothea felt that she was getting quite new notions as to the significance of Madonnas seated under inexplicable canopied thrones with the simple country as a background, and of saints with architectural models in their hands, or knives accidentally wedged in their skulls. Some things which had seemed monstrous to her were gathering intelligibility and even a natural meaning: but all this was apparently a branch of knowledge in which Mr. Casaubon had not interested himself.

"I think I would rather feel that painting is beautiful than have to read it as an enigma; but I should learn to understand these pictures sooner than yours with the very wide meaning," said Dorothea, speaking to Will.

"Don't speak of my painting before Naumann," said Will. "He will tell you, it is all pfuscherei, which is his most opprobrious word!"

"Is that true?" said Dorothea, turning her sincere eyes on Naumann, who made a slight grimace and said--

"Oh, he does not mean it seriously with painting. His walk must be belles-lettres. That is wi-ide."

Naumann's pronunciation of the vowel seemed to stretch the word satirically. Will did not half like it, but managed to laugh: and Mr. Casaubon, while he felt some disgust at the artist's German accent, began to entertain a little respect for his judicious severity.

The respect was not diminished when Naumann, after drawing Will aside for a moment and looking, first at a large canvas, then at Mr. Casaubon, came forward again and said--

"My friend Ladislaw thinks you will pardon me, sir, if I say that a sketch of your head would be invaluable to me for the St. Thomas Aquinas in my picture there. It is too much to ask; but I so seldom see just what I want--the idealistic in the real."

"You astonish me greatly, sir," said Mr. Casaubon, his looks improved with a glow of delight; "but if my poor physiognomy, which I have been accustomed to regard as of the commonest order, can be of any use to you in furnishing some traits for the angelical doctor, I shall feel honored. That is to say, if the operation will not be a lengthy one; and if Mrs. Casaubon will not object to the delay."

As for Dorothea, nothing could have pleased her more, unless it had been a miraculous voice pronouncing Mr. Casaubon the wisest and worthiest among the sons of men. In that case her tottering faith would have become firm again.

Naumann's apparatus was at hand in wonderful completeness, and the sketch went on at once as well as the conversation. Dorothea sat down and subsided into calm silence, feeling happier than she had done for a long while before. Every one about her seemed good, and she said to herself that Rome, if she had only been less ignorant, would have been full of beauty its sadness would have been winged with hope. No nature could be less suspicious than hers: when she was a child she believed in the gratitude of wasps and the honorable susceptibility of sparrows, and was proportionately indignant when their baseness was made manifest.

The adroit artist was asking Mr. Casaubon questions about English polities, which brought long answers, and, Will meanwhile had perched himself on some steps in the background overlooking all.

Presently Naumann said--"Now if I could lay this by for half an hour and take it up again--come and look, Ladislaw--I think it is perfect so far."

Will vented those adjuring interjections which imply that admiration is too strong for syntax; and Naumann said in a tone of piteous regret--

"Ah--now--if I could but have had more--but you have other engagements-- I could not ask it--or even to come again to-morrow."

"Oh, let us stay!" said Dorothea. "We have nothing to do to-day except go about, have we?" she added, looking entreatingly at Mr. Casaubon. "It would be a pity not to make the head as good as possible."

"I am at your service, sir, in the matter," said Mr. Casaubon, with polite condescension. "Having given up the interior of my head to idleness, it is as well that the exterior should work in this way."

"You are unspeakably good--now I am happy!" said Naumann, and then went on in German to Will, pointing here and there to the sketch as if he were considering that. Putting it aside for a moment, he looked round vaguely, as if seeking some occupation for his visitors, and afterwards turning to Mr. Casaubon, said--

"Perhaps the beautiful bride, the gracious lady, would not be unwilling to let me fill up the time by trying to make a slight sketch of her--not, of course, as you see, for that picture-- only as a single study."

Mr. Casaubon, bowing, doubted not that Mrs. Casaubon would oblige him, and Dorothea said, at once, "Where shall I put myself?"

Naumann was all apologies in asking her to stand, and allow him to adjust her attitude, to which she submitted without any of the affected airs and laughs frequently thought necessary on such occasions, when the painter said, "It is as Santa Clara that I want you to stand-- leaning so, with your cheek against your hand--so--looking at that stool, please, so!"

Will was divided between the inclination to fall at the Saint's feet and kiss her robe, and the temptation to knock Naumann down while he was adjusting her arm. All this was impudence and desecration, and he repented that he had brought her.

The artist was diligent, and Will recovering himself moved about and occupied Mr. Casaubon as ingeniously as he could; but he did not in the end prevent the time from seeming long to that gentleman, as was clear from his expressing a fear that Mrs. Casaubon would be tired. Naumann took the hint and said--

"Now, sir, if you can oblige me again; I will release the lady-wife."

So Mr. Casaubon's patience held out further, and when after all it turned out that the head of Saint Thomas Aquinas would be more perfect if another sitting could be had, it was granted for the morrow. On the morrow Santa Clara too was retouched more than once. The result of all was so far from displeasing to Mr. Casaubon, that he arranged for the purchase of the picture in which Saint Thomas Aquinas sat among the doctors of the Church in a disputation too abstract to be represented, but listened to with more or less attention by an audience above. The Santa Clara, which was spoken of in the second place, Naumann declared himself to be dissatisfied with-- he could not, in conscience, engage to make a worthy picture of it; so about the Santa Clara the arrangement was conditional.

I will not dwell on Naumann's jokes at the expense of Mr. Casaubon that evening, or on his dithyrambs about Dorothea's charm, in all which Will joined, but with a difference. No sooner did Naumann mention any detail of Dorothea's beauty, than Will got exasperated at his presumption: there was grossness in his choice of the most ordinary words, and what business had he to talk of her lips? She was not a woman to be spoken of as other women were. Will could not say just what he thought, but he became irritable. And yet, when after some resistance he had consented to take the Casaubons to his friend's studio, he had been allured by the gratification of his pride in being the person who could grant Naumann such an opportunity of studying her loveliness--or rather her divineness, for the ordinary phrases which might apply to mere bodily prettiness were not applicable to her. (Certainly all Tipton and its neighborhood, as well as Dorothea herself, would have been surprised at her beauty being made so much of. In that part of the world Miss Brooke had been only a "fine young woman.")

"Oblige me by letting the subject drop, Naumann. Mrs. Casaubon is not to be talked of as if she were a model," said Will. Naumann stared at him.

"Schon! I will talk of my Aquinas. The head is not a bad type, after all. I dare say the great scholastic himself would have been flattered to have his portrait asked for. Nothing like these starchy doctors for vanity! It was as I thought: he cared much less for her portrait than his own."

"He's a cursed white-blooded pedantic coxcomb," said Will, with gnashing impetuosity. His obligations to Mr. Casaubon were not known to his hearer, but Will himself was thinking of them, and wishing that he could discharge them all by a check.

Naumann gave a shrug and said, "It is good they go away soon, my dear. They are spoiling your fine temper."

All Will's hope and contrivance were now concentrated on seeing Dorothea when she was alone. He only wanted her to take more emphatic notice of him; he only wanted to be something more special in her remembrance than he could yet believe himself likely to be. He was rather impatient under that open ardent good-will, reach he saw was her usual state of feeling. The remote worship of a woman throned out of their reach plays a great part in men's lives, but in most cases the worshipper longs for some queenly recognition, some approving sign by which his soul's sovereign may cheer him without descending from her high place. That was precisely what Will wanted. But there were plenty of contradictions in his imaginative demands. It was beautiful to see how Dorothea's eyes turned with wifely anxiety and beseeching to Mr. Casaubon: she would have lost some of her halo if she had been without that duteous preoccupation; and yet at the next moment the husband's sandy absorption of such nectar was too intolerable; and Will's longing to say damaging things about him was perhaps not the less tormenting because he felt the strongest reasons for restraining it.

Will had not been invited to dine the next day. Hence he persuaded himself that he was bound to call, and that the only eligible time was the middle of the day, when Mr. Casaubon would not be at home.

Dorothea, who had not been made aware that her former reception of Will had displeased her husband, had no hesitation about seeing him, especially as he might be come to pay a farewell visit. When he entered she was looking at some cameos which she had been buying for Celia. She greeted Will as if his visit were quite a matter of course, and said at once, having a cameo bracelet in her hand--

"I............