Forester had not, since he left Dr. Campbell’s, been often spoken to in a tone of friendship. The bookseller’s well-meant frank remonstrance made its just impression; and he resolved to make the necessary additions to his wardrobe; nay, he even went to a hair-dresser, to have his hair cut and brought into decent order. His companions, the printers, had not been sparing in their remarks upon the meanness of his former apparel, and Forester pleased himself with anticipating the respect they would feel for him, when he should appear in better clothes. “Can such trifles,” said he to himself, “make such a change in the opinion of my fellow-creatures? And why should I fight with the world for trifles? My real merit is neither increased nor diminished by the dress I may happen to wear; but I see, that unless I waste all my life in combating the prejudices of superficial observers, I should avoid all those pecuiliarities in my external appearance which prevent whatever good qualities I have from obtaining their just respect.” He was surprised at the blindness of his companions, who could not discover his merit through the roughness of his manners and the disadvantages of his dress; but he determined to shine out upon them in the superior dress and character of a corrector of the press. He went to a tailor’s, and bespoke a suit of clothes. He bought new linen; and our readers will perhaps hear with surprise, that he actually began to consider very seriously whether he should not take a few lessons in dancing. He had learned to dance formerly, and was not naturally either inactive or awkward: but his contempt for the art prevented him, for some years, from practising it; and he had nearly forgotten his wonted agility. Henry Campbell once, when Forester was declaiming against dancing, told him, that if he had learned to dance, and excelled in the art, his contempt for the trifling accomplishment would have more effect upon the minds of others, because it could not be mistaken for envy. This remark made a deep impression upon our hero, especially as he observed that his friend Henry was not in the least vain of his personal graces, and had cultivated his understanding, though he could dance a Scotch reel. Scotch reels were associated in Forester’s imagination with Flora Campbell; and in balancing the arguments for and against learning to dance, the recollection of Archibald Mackenzie’s triumphant look, when he led her away as his partner at the famous ball, had more influence perhaps upon Forester’s mind than his pride and philosophy apprehended. He began to have some confused design of returning, at some distant period, to his friends; and he had hopes that he should appear in a more amiable light to Flora, after he had perfected himself in an accomplishment which he fancied she admired prodigiously. His esteem for that lady was rather diminished by this belief; but still a sufficient quantity remained to excite in him a strong ambition to please. The agony he felt the night he left the ball-room was such, that he could not even now recollect the circumstances without confusion and anguish of mind. His hands were now such as could appear without gloves; and he resolved to commence the education of his feet.

M. Pasgrave called upon him, in consequence of the message which he left at the magistrate’s: his original design in sending for the dancing-master was to offer him some acknowledgment for his obliging conduct. “M. Pasgrave,” said he, “you have behaved towards me like a man of honour; you have kept my secret; I am convinced that you will continue to keep it inviolate.” As he spoke, he produced a ten-guinea bank-note, for at length he had prevailed upon himself to have recourse to his pocket-book, which, till this day, had remained unopened. Pasgrave stared at the sight of the note, and withdrew his hand at first, when it was offered; but he yielded at length, when Forester assured him that he was not in any distress, and that he could perfectly well afford to indulge his feelings of gratitude. “Nay,” continued Forester, who, if he had not always practised the maxims of politeness, notwithstanding possessed that generosity of mind and good sense on which real politeness must depend —“you shall not be under any obligation to me, M. Pasgrave: I am just going to ask a favour from you. You must teach me to dance.” “Wid de utmost pleasure,” exclaimed the delighted dancing-master; and the hours of his attendance were soon settled. Whatever Forester attempted, he pursued with energy. M. Pasgrave, after giving him a few lessons, prophesied that he would do him infinite credit; and Forester felt a secret pride in the idea that he should surprise his friends, some time or other, with his new accomplishment.

He continued in the bookseller’s service, correcting the press for him, much to his satisfaction; and the change in his personal appearance pleased his master, as it showed attention to his advice. Our hero, from time to time, exercised his talents in writing; and, as he inserted his compositions under a fictitious signature, in his master’s newspaper, he had an opportunity of hearing the most unprejudiced opinions of a variety of critics, who often came to read the papers at their house. He stated, in short essays, some of those arguments concerning the advantages and disadvantages of politeness, luxury, the love of society, misanthropy, &c., which had formerly passed between him and Henry Campbell; and he listened to the remarks that were made upon each side of the question. How it happened, we know not; but after he had taken lessons for about six weeks from M. Pasgrave, he became extremely solicitous to have a solution of all his Stoical doubts, and to furnish himself with the best possible arguments in favour of civilized society. He could not bear the idea that he yielded his opinions to any thing less than strict demonstration: he drew up a list of queries, which concluded with the following question:—“W............