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Chapter 11

Fair is the damsel, passing fair;

Sunny at distance gleams her smile;

Approach — the cloud of woful care

Hangs trembling in her eye the while.

Lucinda, a Ballad.

We must here trace a little more correctly the events which had been indistinctly seen from the window of the royal apartments, and yet more indistinctly reported by those who witnessed them. The glee maiden, already mentioned, had planted herself where a rise of two large broad steps, giving access to the main gateway of the royal apartments, gained her an advantage of a foot and a half in height over those in the court, of whom she hoped to form an audience. She wore the dress of her calling, which was more gaudy than rich, and showed the person more than did the garb of other females. She had laid aside an upper mantle, and a small basket which contained her slender stock of necessaries; and a little French spaniel dog sat beside them, as their protector. An azure blue jacket, embroidered with silver, and sitting close to the person, was open in front, and showed several waistcoats of different coloured silks, calculated to set off the symmetry of the shoulders and bosom, and remaining open at the throat. A small silver chain worn around her neck involved itself amongst these brilliant coloured waistcoats, and was again produced from them; to display a medal of the same metal, which intimated, in the name of some court or guild of minstrels, the degree she had taken in the gay or joyous science. A cmall scrip, suspended over her shoulders by a blue silk riband; hung on her left side.

Her sunny complexion, snow white teeth, brilliant black eyes, and raven locks marked her country lying far in the south of France, and the arch smile and dimpled chin bore the same character. Her luxuriant raven locks, twisted around a small gold bodkin, were kept in their position by a net of silk and gold. Short petticoats, deep laced with silver, to correspond with the jacket, red stockings which were visible so high as near the calf of the leg, and buskins of Spanish leather, completed her adjustment, which, though far from new, had been saved as an untarnished holiday suit, which much care had kept in good order. She seemed about twenty-five years old; but perhaps fatigue and wandering had anticipated the touch of time in obliterating the freshness of early youth.

We have said the glee maiden’s manner was lively, and we may add that her smile and repartee were ready. But her gaiety was assumed, as a quality essentially necessary to her trade, of which it was one of the miseries, that the professors were obliged frequently to cover an aching heart with a compelled smile. This seemed to be the case with Louise, who, whether she was actually the heroine of her own song, or whatever other cause she might have for sadness, showed at times a strain of deep melancholy thought, which interfered with and controlled the natural flow of lively spirits which the practice of the joyous science especially required. She lacked also, even in her gayest sallies, the decided boldness and effrontery of her sisterhood, who were seldom at a loss to retort a saucy jest, or turn the laugh against any who interrupted or interfered with them.

It may be here remarked, that it was impossible that this class of women, very numerous in that age, could bear a character generally respectable. They were, however, protected by the manners of the time; and such were the immunities they possessed by the rights of chivalry, that nothing was more rare than to hear of such errant damsels sustaining injury or wrong, and they passed and repassed safely, where armed travellers would probably have encountered a bloody opposition. But though licensed and protected in honour of their tuneful art, the wandering minstrels, male or female, like similar ministers to the public amusement, the itinerant musicians, for instance, and strolling comedians of our own day, led a life too irregular and precarious to be accounted a creditable part of society. Indeed, among the stricter Catholics, the profession was considered as unlawful.

Such was the damsel who, with viol in hand, and stationed on the slight elevation we have mentioned, stepped forward to the bystanders and announced herself as a mistress of the gay science, duly qualified by a brief from a Court of Love and Music held at Aix, in Provence, under the countenance of the flower of chivalry, the gallant Count Aymer; who now prayed that the cavaliers of merry Scotland, who were known over the wide world for bravery and courtesy, would permit a poor stranger to try whether she could afford them any amusement by her art. The love of song was like the love of fight, a common passion of the age, which all at least affected, whether they were actually possessed by it or no; therefore the acquiescence in Louise’s proposal was universal. At the same time, an aged, dark browed monk who was among the bystanders thought it necessary to remind the glee maiden that, since she was tolerated within these precincts, which was an unusual grace, he trusted nothing would be sung or said inconsistent with the holy character of the place.

The glee maiden bent her head low, shook her sable locks, and crossed herself reverentially, as if she disclaimed the possibility of such a transgression, and then began the song of “Poor Louise.” which we gave at length in the last chapter.

Just as she commenced, she was stopped by a cry of “Room — room — place for the Duke of Rothsay!”

“Nay, hurry no man on my score,” said a gallant young cavalier, who entered on a noble Arabian horse, which he managed with exquisite grace, though by such slight handling of the reins, such imperceptible pressure of the limbs and sway of the body, that to any eye save that of an experienced horseman the animal seemed to be putting forth his paces for his own amusement, and thus gracefully bearing forward a rider who was too indolent to give himself any trouble about the matter.

The Prince’s apparel, which was very rich, was put on with slovenly carelessness. His form, though his stature was low, and his limbs extremely slight, was elegant in the extreme; and his features no less handsome. But there was on his brow a haggard paleness, which seemed the effect of care or of dissipation, or of both these wasting causes combined. His eyes were sunk and dim, as from late indulgence in revelry on the preceding evening, while his cheek was inflamed with unnatural red, as if either the effect of the Bacchanalian orgies had not passed away from the constitution, or a morning draught had been resorted to, in order to remove the effects of the night’s debauchery.

Such was the Duke of Rothsay, and heir of the Scottish crown, a sight at once of interest and compassion. All unbonneted and made way for him, while he kept repeating carelessly, “No haste — no haste: I shall arrive soon enough at the place I am bound for. How’s this — a damsel of the joyous science? Ay, by St. Giles! and a comely wench to boot. Stand still, my merry men; never was minstrelsy marred for me. A good voice, by the mass! Begin me that lay again, sweetheart.”

Louise did not know the person who addressed her; but the general respect paid by all around, and the easy and indifferent manner in which it was received, showed her she was addressed by a man of the highest quality. She recommenced her lay, and sung her best accordingly; while the young duke seemed thoughtful and rather affected towards the close of the ditty. But it was not his habit to cherish such melancholy affections.

“This is a plaintive ditty, my nut brown maid,” said he, chucking the retreating glee maiden under the chin, and detaining her by the collar of her dress, which was not difficult, as he sat on horseback so close to the steps on which she stood. “But I warrant me you have livelier notes at will, ma bella tenebrosa; ay, and canst sing in bower as well as wold, and by night as well as day.”

“I am no nightingale, my lord,” said Louise, endeavouring to escape a species of gallantry which ill suited the place and circumstances — a discrepancy to which he who addressed it to her seemed contemptuously indifferent.

“What hast thou there, darling?” he added, removing his hold from her collar to the scrip which she carried.

Glad was Louise to escape his grasp, by slipping the knot of the riband, and leaving the little bag in the Prince’s hand, as, retiring back beyond his reach, she answered, “Nuts, my lord, of the last season.”

The Prince pulled out a handful of nuts accordingly. “Nuts, child! they will break thine ivory teeth, hurt thy pretty voice,” said Rothsay, cracking one with his teeth, like a village schoolboy.

“They are not the walnuts of my own sunny clime, my lord,” said Louise; “but they hang low, and are within the reach of the poor.”

“You shall have something to afford you better fare, poor wandering ape,” said the Duke, in a tone in which feeling predominated more than in the affected and contemptuous gallantry of his first address to the glee maiden.

At this moment, as he turned to ask an attendant for his purse, the Prince encountered the stern and piercing look of a tall black man, seated on a powerful iron grey horse, who had entered the court with attendants while the Duke of Rothsay was engaged with Louise, and now remained stupefied and almost turned to stone by his surprise and anger at this unseemly spectacle. Even one who had never seen Archibald Earl of Douglas, called the Grim, must have known him by his swart complexion, his gigantic frame, his buff coat of bull’s hide, and his air of courage, firmness, and sagacity, mixed with indomitable pride. The loss of an eye in battle, though not perceptible at first sight, as the ball of the injured organ remained similar to the other, gave yet a stern, immovable glare to the whole aspect.

The meeting of the royal son in law with his terrible stepfather [father in law] was in circumstances which arrested the attention of all present; and the bystanders waited the issue with silence and suppressed breath, lest they should lose any part of what was to ensue.

When the Duke of Rothsay saw the expression which occupied the stern features of Douglas, and remarked that the Earl did not make the least motion towards respectful, or even civil, salutation, he seemed determined to show him how little respect he was disposed to pay to his displeased looks. He took his purse from his chamberlain.

“Here, pretty one,” he said, “I give thee one gold piece for the song thou hast sung me, another for the nuts I have stolen from thee, and a third for the kiss thou art about to give me. For know, my pretty one, that when fair lips, and thine for fault of better may be called so, make sweet music for my pleasure, I am sworn to St. Valentine to press them to mine.”

“My song is recompensed nobly,” said Louise, shrinking back; “my nuts are sold to a good market; farther traffic, my lord, were neither befitting you nor beseeming me.”

“What! you coy it, my nymph of the highway?” said the Prince, contemptuously. “Know damsel, that one asks you a grace who is unused to denial.”

“It is the Prince of Scotland — the Duke of Rothsay,” said the courtiers around, to the terrified Louise, pressing forward the trembling young woman; “you must not thwart his humor.”

“But I cannot reach your lordship,” she said, timidly, “you sit so high on horseback.”

“If I must alight,” said Rothsay, “there shall be the heavier penalty. What does the wench tremble for? Place thy foot on the toe of my boot, give me hold of thy hand. Gallantly done!” He kissed her as she stood thus suspended in the air, perched upon his foot and supported by his hand; saying, “There is thy kiss, and there is my purse to pay it; and to grace thee farther, Rothsay will wear thy scrip for the day.”

He suffered the frightened girl to spring to the ground, and turned his looks from her to bend them contemptuously on the Earl of Douglas, as if he had said, “All this I do in despite of you and of your daughter’s claims.”

“By St. Bride of Douglas!” said the Earl, pressing towards the Prince, “this is too much, unmannered boy, as void of sense as honour! You know what considerations restrain the hand of Douglas, else had you never dared —”

“Can you play at spang cockle, my lord?” said the Prince, placing a nut on the second joint of his forefinger, and spinning it off by a smart application of the thumb. The nut struck on Douglas’s broad breast, who burst out into a dreadful exclamation of wrath, inarticulate, but resembling the growl of a lion in depth and sternness of expression.

“I cry your pardon, most mighty lord,” said the Duke of Rothsay, scornfully, while all around trembled; “I did not conceive my pellet could have wounded you, seeing you wear a buff coat. Surely, I trust, it did not hit your eye?”

The prior, despatched by the King, as we have seen in the last chapter, had by this time made way through the crowd, and laying hold on Douglas’s rein, in a manner that made it impossible for him to advance, reminded him that the Prince was the son of his sovereign; and the husband of his daughter.

“Fear not, sir prior,” said Douglas. “I despise the childish boy too much to raise a finger against him. But I will return insult for insult. Here, any of you who love the Douglas, spurn me this quean from the monastery gates; and let her be so scourged that she may bitte............

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