In which There is a Taste of a Little Dinner and an Aftertaste

‘But Tony lives!’ Emma Dunstane cried, on her solitary height, with the full accent of envy marking the verb; and when she wrote enviously to her friend of the life among bright intelligences, and of talk worth hearing, it was a happy signification that health, frail though it might be, had grown importunate for some of the play of life. Diana sent her word to name her day, and she would have her choicest to meet her dearest. They were in the early days of December, not the best of times for improvized gatherings. Emma wanted, however, to taste them as they cropped; she was also, owing to her long isolation, timid at a notion of encountering the pick of the London world, prepared by Tony to behold ‘a wonder more than worthy of them,’ as her friend unadvisedly wrote. That was why she came unexpectedly, and for a mixture of reasons, went to an hotel. Fatality designed it so. She was reproached, but she said: ‘You have to write or you entertain at night; I should be a clog and fret you. My hotel is Maitland’s; excellent; I believe I am to lie on the pillow where a crowned head reposed! You will perceive that I am proud as well as comfortable. And I would rather meet your usual set of guests.’

‘The reason why I have been entertaining at night is, that Percy is harassed and requires enlivening,’ said Diana. ‘He brings his friends. My house is open to them, if it amuses him. What the world says, is past a thought. I owe him too much.’

Emma murmured that the world would soon be pacified.

Diana shook her head. ‘The poor man is better; able to go about his affairs; and I am honestly relieved. It lays a spectre. As for me, I do not look ahead. I serve as a kind of secretary to Percy. I labour at making abstracts by day, and at night preside at my suppertable. You would think it monotonous; no incident varies the course we run. I have no time to ask whether it is happiness. It seems to bear a resemblance.’

Emma replied: ‘He may be everything you tell me. He should not have chosen the last night of the Opera to go to your box and sit beside you till the fall of the curtain. The presence at the Opera of a man notoriously indifferent to music was enough in itself.’

Diana smiled with languor. ‘You heard of that? But the Opera was The Puritani, my favourite. And he saw me sitting in Lady Pennon’s box alone. We were compromised neck-deep already. I can kiss you, my own Emmy, till I die; ‘but what the world says, is what the wind says. Besides he has his hopes.... If I am blackened ever so thickly, he can make me white. Dear me! if the world knew that he comes here almost nightly! It will; and does it matter? I am his in soul; the rest is waste-paper—a half-printed sheet.’

‘Provided he is worthy of such devotion!’

‘He is absolute worthiness. He is the prince of men: I dread to say, mine! for fear. But Emmy will not judge him tomorrow by contrast with more voluble talkers.—I can do anything but read poetry now. That kills me!—See him through me. In nature, character, intellect, he has no rival. Whenever I despond—and it comes now and then—I rebuke myself with this one admonition.

Simply to have known him! Admit that for a woman to find one who is worthy among the opposite creatures, is a happy termination of her quest, and in some sort dismisses her to the Shades, an uncomplaining ferry-bird. If my end were at hand I should have no cause to lament it. We women miss life only when we have to confess we have never met the man to reverence.’

Emma had to hear a very great deal of Mr. Percy. Diana’s comparison of herself to ‘the busy bee at a window-pane,’ was more in her old manner; and her friend would have hearkened to the marvels of the gentle man less unrefreshed, had it not appeared to her that her Tony gave in excess for what was given in return. She hinted her view...

‘It is expected of our sex,’ Diana said.

The work of busy bee at a window-pane had at any rate not spoilt her beauty, though she had voluntarily, profitlessly, become this man’s drudge, and her sprightly fancy, her ready humour and darting look all round in discussion, were rather deadened.

But the loss was not perceptible in the circle of her guests. Present at a dinner little indicating the last, were Whitmonby, in lively trim for shuffling, dealing, cutting, trumping or drawing trumps; Westlake, polishing epigrams under his eyelids; Henry Wilmers, who timed an anecdote to strike as the passing hour without freezing the current; Sullivan Smith, smoked, cured and ready to flavour; Percy Dacier, pleasant listener, measured speaker; and young Arthur Rhodes, the neophyte of the hostess’s training; of whom she had said to Emma, ‘The dear boy very kindly serves to frank an unlicenced widow’; and whom she prompted and made her utmost of, with her natural tact. These she mixed and leavened. The talk was on high levels and low; an enchantment to Emma Dunstane: now a story; a question opening new routes, sharp sketches of known personages; a paradox shot by laughter as soon as uttered; and all so smoothly; not a shadow of the dominant holder-forth or a momentary prospect of dead flats; the mellow ring of appositeness being the concordant note of deliveries running linked as they flashed, and a tolerant philosophy of the sage in the world recurrently the keynote.

Once only had Diana to protect her nurseling. He cited a funny line from a recent popular volume of verse, in perfect A propos, looking at Sullivan Smith; who replied, that the poets had become too many for him, and he read none now. Diana said: ‘There are many Alexanders, but Alexander of Macedon is not dwarfed by the number.’ She gave him an opening for a smarter reply, but he lost it in a comment—against Whitmonby’s cardinal rule: ‘The neatest turn of the wrist that ever swung a hero to crack a crown!’ and he bowed to young Rhodes: ‘I’ll read your versicler tomorrow morning early.’ The latter expressed a fear that the hour was too critical for poetry.

‘I have taken the dose at a very early hour,’ said Whitmonby, to bring conversation to the flow again, ‘and it effaced the critical mind completely.’

‘But did not silence the critical nose,’ observed Westlake.

Wilmers named the owner of the longest nose in Europe.

‘Potentially, indeed a critic!’ said Diana.

‘Nights beside it must be fearful, and good matter for a divorce, if the poor dear lady could hale it to the doors of the Vatican!’ Sullivan Smith exclaimed. ‘But there’s character in noses.’

‘Calculable by inches?’ Dacier asked.

‘More than in any other feature,’ said Lady Dunstane. ‘The Riffords are all prodigiously gifted and amusing: suspendens omnia naso. It should be prayed for in families.’

‘Totum ut to faciant, Fabulle, nasum,’ rejoined Whitmonby. ‘Lady Isabella was reading the tale of the German princess, who had a sentinel stationed some hundred yards away to whisk off the flies, and she owned to me that her hand instinctively travelled upward.’

‘Candour is the best concealment, when one has to carry a saddle of absurdity,’ said Diana. ‘Touchstone’s “poor thing, but mine own,” is godlike in its enveloping fold.’

‘The most comforting sermon ever delivered on property in poverty,’ said Arthur Rhodes.

Westlake assented. ‘His choice of Audrey strikes me as an exhibition of the sure instinct for pasture of the philosophical jester in a forest.’

‘With nature’s woman, if he can find her, the urban seems equally at home,’ said Lady Dunstane.

‘Baron Pawle is an example,’ added Whitmonby. ‘His cook is a pattern wife to him. I heard him say at table that she was responsible for all except the wines. “I wouldn’t have them on my conscience, with a Judge!” my lady retorted.’

‘When poor Madame de Jacquieres was dying,’ said Wilmers, ‘her confessor sat by her bedside, prepared for his ministrations. “Pour commencer, mon ami, jamais je n’ai fait rien hors nature.”’

Lord Wadaster had uttered something tolerably similar: ‘I am a sinner, and in good society.’ Sir Abraham Hartiston, a minor satellite of the Regent, diversified this: ‘I am a sinner, and go to good society.’ Madame la Comtesse de la Roche–Aigle, the cause of many deaths, declared it unwomanly to fear anything save ‘les revenants.’ Yet the countess could say the pretty thing: ‘Foot on a flower, then think............