Dialogue Round the Subject of a Portrait, with Some Indications of the Task for Diana

An enamoured Egeria who is not a princess in her worldly state nor a goddess by origin has to play one of those parts which strain the woman’s faculties past naturalness. She must never expose her feelings to her lover; she must make her counsel weighty—otherwise she is little his nymph of the pure wells, and what she soon may be, the world will say. She has also, most imperatively, to dazzle him without the betrayal of artifice, where simple spontaneousness is beyond conjuring. But feelings that are constrained becloud the judgement besides arresting the fine jet of delivery wherewith the mastered lover is taught through his ears to think himself prompted, and submit to be controlled, by a creature super-feminine. She must make her counsel so weighty in poignant praises as to repress impulses that would rouse her own; and her betraying impulsiveness was a subject of reflection to Diana after she had given Percy Dacier, metaphorically, the key of her house. Only as true Egeria could she receive him. She was therefore grateful, she thanked and venerated this noblest of lovers for his not pressing to the word of love, and so strengthening her to point his mind, freshen his moral energies and inspirit him. His chivalrous acceptance of the conditions of their renewed intimacy was a radiant knightliness to Diana, elevating her with a living image for worship:—he so near once to being the absolute lord of her destinies! How to reward him, was her sole dangerous thought. She prayed and strove that she might give him of her best, to practically help him; and she had reason to suppose she could do it, from the visible effect of her phrases. He glistened in repeating them; he had fallen into the habit; before witnesses too; in the presence of Miss Paynham, who had taken earnestly to the art of painting, and obtained her dear Mrs. Warwick’s promise of a few sittings for the sketch of a portrait, near the close of the season. ‘A very daring thing to attempt,’ Miss Paynham said, when he was comparing her first outlines and the beautiful breathing features. ‘Even if one gets the face, the lips will seem speechless, to those who know her.’

‘If they have no recollection,’ said Dacier.

‘I mean, the endeavour should be to represent them at the moment of speaking.’

‘Put it into the eyes.’ He looked at the eyes.

She looked at the mouth. ‘But it is the mouth, more than the eyes.’

He looked at the face. ‘Where there is character, you have only to study it to be sure of a likeness.’

‘That is the task, with one who utters jewels, Mr. Dacier.’

‘Bright wit, I fear, is above the powers of your art.’

‘Still I feel it could be done. See—now—that!’

Diana’s lips had opened to say: ‘Confess me a model model: I am dissected while I sit for portrayal. I must be for a moment like the frog of the two countrymen who were disputing as to the manner of his death, when he stretched to yawn, upon which they agreed that he had defeated the truth for both of them. I am not quite inanimate.’

‘Irish countrymen,’ said Dacier.

‘The story adds, that blows were arrested; so confer the nationality as you please.’

Diana had often to divert him from a too intent perusal of her features with sparkles and stories current or invented to serve the immediate purpose.

Miss Paynham was Mrs. Warwick’s guest for a fortnight, and observed them together. She sometimes charitably laid down her pencil and left them, having forgotten this or that. They were conversing of general matters with their usual crisp precision on her return, and she was rather like the two countrymen, in debating whether it was excess of coolness or discreetness; though she was convinced of their inclinations, and expected love some day to be leaping up. Diana noticed that she had no reminder for leaving the room when it was Mr. Redworth present. These two had become very friendly, according to her hopes; and Miss Paynham was extremely solicitous to draw suggestions from Mr. Redworth and win his approval.

‘Do I appear likely to catch the mouth now, do you think, Mr. Redworth?’

He remarked, smiling at Diana’s expressive dimple, that the mouth was difficult to catch. He did not gaze intently. Mr. Redworth was the genius of friendship, ‘the friend of women,’ Mrs. Warwick had said of him. Miss Paynham discovered it, as regarded herself. The portrait was his commission to her, kindly proposed, secretly of course, to give her occupation and the chance of winning a vogue with the face of a famous Beauty. So many, however, were Mrs. Warwick’s visitors, and so lively the chatter she directed, that accurate sketching was difficult to an amateurish hand. Whitmonby, Sullivan Smith, Westlake, Henry Wilmers, Arthur Rhodes, and other gentlemen, literary and military, were almost daily visitors when it became known that the tedium of the beautiful sitter required beguiling and there was a certainty of finding her at home. On Mrs. Warwick’s Wednesday numerous ladies decorated the group. Then was heard such a rillet of dialogue without scandal or politics, as nowhere else in Britain; all vowed it subsequently; for to the remembrance it seemed magical. Not a breath of scandal, and yet the liveliest flow. Lady Pennon came attended by a Mr. Alexander Hepburn, a handsome Scot, at whom Dacier shot one of his instinctive keen glances, before seeing that the hostess had mounted a transient colour. Mr. Hepburn, in settling himself on his chair rather too briskly, contrived the next minute to break a precious bit of China standing by his elbow; and Lady Pennon cried out, with sympathetic anguish: ‘Oh, my dear, what a trial for you!’

‘Brittle is foredoomed,’ said Diana, unruffled.

She deserved compliments, and would have had them if she had not wounded the most jealous and petulant of her courtiers.

‘Then the Turk is a sapient custodian!’ said Westlake, vexed with her flush at the entrance of the Scot.

Diana sedately took his challenge. ‘We, Mr. Westlake, have the philosophy of ownership.’

Mr. Hepburn penitentially knelt to pick up the fragments, and Westlake murmured over his head: ‘As long as it is we who are the cracked.’

‘Did we not start from China?’

‘We were consequently precipitated to Stamboul.’

‘You try to elude the lesson.’

‘I remember my first paedagogue telling me so when he rapped the book on my cranium.’

‘The mark of the book is not a disfigurement.’

It was gently worded, and the shrewder for it. The mark of the book, if not a disfigurement, was a characteristic of Westlake’s fashion of speech. Whitmonby nodded twice, for signification of a palpable hit in that bout; and he noted within him the foolishness of obtruding the remotest allusion to our personality when crossing the foils with a woman. She is down on it like the lightning, quick as she is in her contracted circle, politeness guarding her from a riposte.

Mr. Hepburn apologized very humbly, after regaining his chair. Diana smiled and said: ‘Incidents in a drawing-room are prize-shots at Dulness.’

‘And in a dining-room too,’ added Sullivan Smith. ‘I was one day at a dinner-party, apparently of undertakers hired to mourn over the joints and the birds in the dishes, when the ceiling came down, and we all sprang up merry as crickets. It led to a pretty encounter and a real prize-shot.’

‘Does that signify a duel?’ asked Lady Pennon.

”Twould be the vulgar title, to bring it into discredit with the populace, my lady.’

‘Rank me one of the populace then! I hate duelling and rejoice that it is discountenanced.’

‘The citizens, and not the populace, I think Mr. Sullivan Smith means,’ Diana said. ‘The citizen is generally right in morals. My father also was against the practice, when it raged at its “prettiest.” I have heard him relate a story of a poor friend of his, who had to march out for a trifle, and said, as he accepted the invitation, “It’s all nonsense!” and walking to the measured length, “It’s all nonsense, you know!” and when lying on the ground, at his last gasp, “I told you it was all nonsense!”’

Sullivan Smith leaned over to Whitmonby and Dacier amid the ejaculations, and whispered: ‘A lady’s way of telling the story!—and excuseable to her:—she had to Jonah the adjective. What the poor fellow said was—’ He murmured the sixty-pounder adjective, as in the belly of the whale, to rightly emphasize his noun.

Whitmonby nodded to the superior relish imparted by the vigour of masculine veracity in narration. ‘A story for its native sauce piquante,’ he said.

‘Nothing without it!’

They had each a dissolving grain of contempt for women compelled by their delicacy to spoil that kind of story which demands the piquant accompaniment to flavour it racily and make it passable. For to see insipid mildness complacently swallowed as an excellent thing, knowing the rich smack of savour proper to the story, is your anecdotal gentleman’s annoyance. But if the anecdote had supported him, Sullivan Smith would have let the expletive rest.

Major Carew Mahoney capped Mrs. Warwick’s tale of the unfortunate duellist with another, that confessed the practice absurd, though he approved of it; and he cited Lord Larrian’s opinion: ‘It keeps men braced to civil conduct.’

‘I would not differ with the dear old lord; but no! the pistol is the sceptre of the bully,’ said Diana.

Mr. Hepburn, with the widest of eyes on her in perpetuity, warmly agreed; and the man was notorious among men for his contrary action.

‘Most righteously our Princess Egeria distinguishes her reign by prohibiting it,’ said Lady Singleby.

‘And how,’ Sullivan Smith sighed heavily, ‘how, I’d ask, are ladies to be protected from the bully?’

He was beset: ‘So it was all for us? all in consideration for our benefit?’

He mournfully exclaimed: ‘Why, surely!’

‘That is the funeral apology of the Rod, at the close of every barbarous chapter,’ said Diana.

‘Too fine in mind, too fat in body; that is a consequence with men, dear madam. The conqueror stands to his weapons, or he loses his possessions.’

‘Mr. Sullivan Smith jumps at his pleasure from the special to the general, and will be back, if we follow him, Lady Pennon. It is the trick men charge to women, showing that they can resemble us.’

Lady Pennon thumped her knee. ‘Not a bit. There’s no resemblance, and they know nothing of us.’

‘Women are a blank to them, I believe,’ said Whitmonby, treacherously bowing;—and Westlake said:

‘Traces of a singular scrawl have been observed when they were held in close proximity to the fire.’

‘Once, on the top of a coach,’ Whitmonby resumed, ‘I heard a comely dame of the period when summers are ceasing threatened by her husband with a divorce, for omitting to put sandwiches in their luncheon-basket. She made him the inscrutable answer: “Ah, poor man! you will go down ignorant to your grave!” We laughed, and to this day I cannot tell you why.’

‘That laugh was from a basket lacking provision; and I think we could trace our separation to it,’ Diana said to Lady Pennon, who replied: ‘They expose themselves; they get no nearer to the riddle.’

Miss Courtney, a rising young actress, encouraged by a smile from Mrs. Warwick, remarked: ‘On the stage, we have each our parts equally.’

‘And speaking parts; not personae mutae.’

‘The stage has advanced in verisimilitude,’ Henry Wilmers added slyly; and Diana rejoined: ‘You recognize a verisimilitude of the mirror when it is in advance of reality. Flatter the sketch, Miss Paynham, for a likeness to be seen. Probably there are still Old Conservatives who would prefer the personation of us by boys.’

‘I don’t know,’ Westlake affected dubiousness. ‘I have heard that a step to the riddle is gained by a serious contemplation of boys.’

‘Serious?’

‘That is the doubt.’

‘The doubt throws its light on the step!’

‘I advise them not to take any leap from their step,’ said Lady Pennon.

‘It would be a way of learning that we are no wiser than our sires; but perhaps too painful a way,’ Whitmonby observed. ‘Poor Mountford Wilts boasted of knowing women; and—he married. To jump into the mouth of the enigma, is not to read it.’

‘You are figures of conceit when you speculate on us, Mr. Whitmonby.’

‘An occupation of our leisure, my lady, for your amusement.’

‘The leisure of the humming-top, a thousand to the minute, with the pretence that it sleeps!’ Diana said.

‘The sacrilegious hand to strip you of your mystery is withered as it stretches,’ exclaimed Westlake. ‘The sage and the devout are in accord for once.’

‘And whichever of the two I may be, I’m one of them, happy to do my homage blindfold!’ Sullivan Smith waved the sign of it.

Diana sent her eyes over him and Mr. Hepburn, seeing Dacier. ‘That rosy mediaevalism seems the utmost we can expect.’ An instant she saddened, foreboding her words to be ominous, because of suddenly thirsting for a modern cry from him, the silent. She quitted her woman’s............