Little rice, little bean,No meat in between.

　　Hard work ain't easy,Dry bread ain't greasy.

　　He was up now and singing as he mended things he had broken the day before. Some old pieces ofsong he'd learned on the prison farm or in the War afterward. Nothing like what they sang at SweetHome, where yearning fashioned every note.

　　The songs he knew from Georgia were flat-headed nails for pounding and pounding and pounding.

　　Lay my bead on the railroad line,Train come along, pacify my mind.

　　If I had my weight in lime,I'd whip my captain till he went stone blind.

　　five-cent nickel, Ten-cent dime,Busting rocks is busting time.

　　But they didn't fit, these songs. They were too loud, had too much power for the little house choreshe was engaged in — resetting table legs; glazing.

　　He couldn't go back to "Storm upon the Waters" that they sang under the trees of Sweet Home, sohe contented himself with mmmmmmmmm, throwing in a line if one occurred to him, and whatoccurred over and over was "Bare feet and chamomile sap,/ Took off my shoes; took off my hat."It was tempting to change the words (Gimme back my shoes; gimme back my hat), because hedidn't believe he could live with a woman — any woman — for over two out of three months. Thatwas about as long as he could abide one place. After Delaware and before that Alfred, Georgia,where he slept underground and crawled into sunlight for the sole purpose of breaking rock,walking off when he got ready was the only way he could convince himself that he would nolonger have to sleep, pee, eat or swing a sledge hammer in chains. But this was not a normalwoman in a normal house. As soon as he had stepped through the red light he knew that, comparedto 124, the rest of the world was bald. After Alfred he had shut down a generous portion of hishead, operating on the part that helped him walk, eat, sleep, sing. If he could do those things —with a little work and a little sex thrown in — he asked for no more, for more required him todwell on Halle's face and Sixo laughing. To recall trembling in a box built into the ground.

　　Grateful for the daylight spent doing mule work in a quarry because he did not tremble when hehad a hammer in his hands. The box had done what Sweet Home had not, what working like an assand living like a dog had not: drove him crazy so he would not lose his mind.

　　By the time he got to Ohio, then to Cincinnati, then to Halle Suggs' mother's house, he thought hehad seen and felt it all. Even now as he put back the window frame he had smashed, he could notaccount for the pleasure in his surprise at seeing Halle's wife alive, barefoot with uncovered hair— walking around the corner of the house with her shoes and stockings in her hands. The closedportion of his head opened like a greased lock.

　　"I was thinking of looking for work around here. What you think?""Ain't much. River mostly. And hogs.""Well, I never worked on water, but I can pick up anything heavy as me, hogs included.""Whitepeople better here than Kentucky but you may have to scramble some.""It ain't whether I scramble; it's where. You saying it's all right to scramble here?""Better than all right.""Your girl, Denver. Seems to me she's of a different mind." "Why you say that?""She's got a waiting way about her. Something she's expecting and it ain't me.""I don't know what it could be.""Well, whatever it is, she believes I'm interrupting it.""Don't worry about her. She's a charmed child. From the beginning.""Is that right?""Uh huh. Nothing b............