Search      Hot    Newest Novel
HOME > Classical Novels > The Custom of the Country > Chapter 46
Font Size:【Large】【Middle】【Small】 Add Bookmark  
Chapter 46

In the great high-ceilinged library of a private hotel overlooking one of the new quarters of Paris, Paul Marvell stood listlessly gazing out into the twilight.

The trees were budding symmetrically along the avenue below; and Paul, looking down, saw, between windows and tree-tops, a pair of tall iron gates with gilt ornaments, the marble curb of a semi-circular drive, and bands of spring flowers set in turf. He was now a big boy of nearly nine, who went to a fashionable private school, and he had come home that day for the Easter holidays. He had not been back since Christmas, and it was the first time he had seen the new hotel which his step-father had bought, and in which Mr. and Mrs. Moffatt had hastily established themselves, a few weeks earlier, on their return from a flying trip to America. They were always coming and going; during the two years since their marriage they had been perpetually dashing over to New York and back, or rushing down to Rome or up to the Engadine: Paul never knew where they were except when a telegram announced that they were going somewhere else. He did not even know that there was any method of communication between mothers and sons less laconic than that of the electric wire; and once, when a boy at school asked him if his mother often wrote, he had answered in all sincerity: "Oh yes--I got a telegram last week."

He had been almost sure--as sure as he ever was of anything--that he should find her at home when he arrived; but a message (for she hadn't had time to telegraph) apprised him that she and Mr. Moffatt had run down to Deauville to look at a house they thought of hiring for the summer; they were taking an early train back, and would be at home for dinner--were in fact having a lot of people to dine.

It was just what he ought to have expected, and had been used to ever since he could remember; and generally he didn't much mind, especially since his mother had become Mrs. Moffatt, and the father he had been most used to, and liked best, had abruptly disappeared from his life. But the new hotel was big and strange, and his own room, in which there was not a toy or a book, or one of his dear battered relics (none of the new servants--they were always new--could find his things, or think where they had been put), seemed the loneliest spot in the whole house. He had gone up there after his solitary luncheon, served in the immense marble dining-room by a footman on the same scale, and had tried to occupy himself with pasting post-cards into his album; but the newness and sumptuousness of the room embarrassed him--the white fur rugs and brocade chairs seemed maliciously on the watch for smears and ink-spots--and after a while he pushed the album aside and began to roam through the house.

He went to all the rooms in turn: his mother's first, the wonderful lacy bedroom, all pale silks and velvets, artful mirrors and veiled lamps, and the boudoir as big as a drawing-room, with pictures he would have liked to know about, and tables and cabinets holding things he was afraid to touch. Mr. Moffatt's rooms came next. They were soberer and darker, but as big and splendid; and in the bedroom, on the brown wall, hung a single picture--the portrait of a boy in grey velvet--that interested Paul most of all. The boy's hand rested on the head of a big dog, and he looked infinitely noble and charming, and yet (in spite of the dog) so sad and lonely that he too might have come home that very day to a strange house in which none of his old things could be found.

From these rooms Paul wandered downstairs again. The library attracted him most: there were rows and rows of books, bound in dim browns and golds, and old faded reds as rich as velvet: they all looked as if they might have had stories in them as splendid as their bindings. But the bookcases were closed with gilt trellising, and when Paul reached up to open one, a servant told him that Mr. Moffatt's secretary kept them locked because the books were too valuable to be taken down. This seemed to make the library as strange as the rest of the house, and he passed on to the ballroom at the back. Through its closed doors he heard a sound of hammering, and when he tried the door-handle a servant passing with a tray-full of glasses told him that "they" hadn't finished, and wouldn't let anybody in.

The mysterious pronoun somehow increased Paul's sense of isolation, and he went on to the drawing-rooms, steering his way prudently between the gold arm-chairs and shining tables, and wondering whether the wigged and corseleted heroes on the walls represented Mr. Moffatt's ancestors, and why, if they did, he looked so little like them. The dining-room beyond was more amusing, because busy servants were already laying the long table. It was too early for the florist, and the centre of the table was empty, but down the sides were gold baskets heaped with pulpy summer fruits-figs, strawberries and big blushing nectarines. Between them stood crystal decanters with red and yellow wine, and little dishes full of sweets; and against the walls were sideboards with great pieces of gold and silver, ewers and urns and branching candelabra, which sprinkled the green marble walls with starlike reflections.

After a while he grew tired of watching the coming and going of white-sleeved footmen, and of listening to the butler's vociferated orders, and strayed back into the library. The habit of solitude had given him a passion for the printed page, and if he could have found a book anywhere--any kind of a book--he would have forgotten the long hours and the empty house. But the tables in the library held only massive unused inkstands and immense immaculate blotters; not a single volume had slipped its golden prison.

His loneliness had grown overwhelming, and he suddenly thought of Mrs. Heeny's clippings. His mother, alarmed by an insidious gain in weight, had brought the masseuse back from New York with her, and Mrs. Heeny, with her old black bag and waterproof, was established in one of the grand bedrooms lined with mirrors. She had been loud in her joy at seeing her little friend that morning, but four years had passed since their last parting, and her personality had grown remote to him. He saw too many people, and they too often disappeared and were replaced by others: his scattered affections had ended by concentrating themselves on the charming image of the gentleman he called his French father; and since his French father had vanished no one else seemed to matter much to him.

"Oh, well," Mrs. Heeny had said, discerning the reluctance under his civil greeting, "I guess you're as strange here as I am, and we're both pretty strange to each other. You just go and look round, and see what a lovely home your Ma's got to live in; and when you get tired of that, come up here to me and I'll give you a look at my clippings."

The word woke a train of dormant associations, and Paul saw himself seated on a dingy carpet, between two familiar taciturn old presences, while he rummaged in the depths of a bag stuffed with strips of newspaper.

He found Mrs. Heeny sitting in a pink arm-chair, her bonnet perched on a pink-shaded electric lamp and her numerous implements spread out on an immense pink toilet-table. Vague as his recollection of her was, she gave him at once a sense of reassurance that nothing else in the house conveyed, and after he had examined all her scissors and pastes and nail-polishers he turned to the bag, which stood on the carpet at her feet as if she were waiting for a train.

"My, my!" she said, "do you want to get into that again? How you used to hunt in it for taffy, to be sure, when your Pa brought you up to Grandma Spragg's o' Saturdays! Well, I'm afraid there ain't any taffy in it now; but there's piles and piles of lovely new clippings you ain't seen."

"My Papa?" He paused, his hand among the strips of newspaper. "My Papa never saw my Grandma Spragg. He never went to America."

"Never went to America? Your Pa never--? Why, land alive!" Mrs. Heeny gasped, a blush empurpling her large warm face. "Why, Paul Marvell, don't you remember your own father, you that bear his name?" she exclaimed.

The boy blushed also, conscious that it must have been wrong to forget, and yet not seeing how he was to blame.

"That one died a long long time ago, didn't he? I was thinking of my French father," he explained.

"Oh, mercy," ejaculated Mrs. Heeny; and as if to cut the conversation short she stooped over, creaking like a ship, and thrust her plump strong hand into the bag.

"Here, now, just you look at these clippings--I guess you'll find a lot in them about your Ma.--Where do they come from? Why, out of the papers, of course," she added, in response to Paul's enquiry. "You'd oughter start a scrap-book yourself--you're plenty old enough. You could make a beauty just about your Ma, with her picture pasted in the front--and another about Mr. Moffatt and his collections. There's one I cut out the other day that says he's the greatest collector in America."

Paul listened, fascinated. He had the feeling that Mrs. Heeny's clippings, aside from their great intrinsic interest, might furnish him the clue to many things he didn't understand, and that nobody had ever had time to explain to him. His mother's marriages, for instance: he was sure there was a great deal to find out about them. But she always said: "I'll tell you all about it when I come back"--and when she came back it was invariably to rush off somewhere else. So he had remained without a key to her transitions, and had had to take for granted numberless things that seemed to have no parallel in the experience of the other boys he knew.

"Here--here it is," said Mrs. Heeny, adjusting the big tortoiseshell spectacles she had taken to wearing, and reading out in a slow chant that seemed to Paul to come out of some lost remoteness of his infancy.

"'It is reported in London that the price paid by Mr. Elmer Moffatt for the celebrated Grey Boy is the largest sum ever given for a Vandyck. Since Mr. Moffatt began to buy extensively it is estimated in art circles that values have gone up at least seventy-five per cent.'"

But the price of the Grey Boy did not interest Paul, and he said a little impatiently: "I'd rather hear about my mother."

"To be sure you would! You wait now." Mrs. Heeny made another dive, and again began to spread her clippings on her lap like cards on a big black table.

"Here's one about her last portrait--no, here's a better one about her pearl necklace, the one Mr. Moffatt gave her last Christmas. 'The necklace, which was formerly the property of an Austrian Archduchess, is composed of five hundred perfectly matched pearls that took thirty years to collect. It is estimated among dealers in precious stones that since Mr. Moffatt began to buy the price of pearls has gone up over fifty per cent.'"

Even this did not fix Paul's attention. He wanted to hear about his mother and Mr. Moffatt, and not about their things; and he didn't quite know how to frame his question. But Mrs. Heeny looked kindly at him and he tried. "Why is mother married to Mr. Moffatt now?"

"Why, you must know that much, Paul." Mrs. Heeny again looked warm and worried. "She's married to him because she got a divorce--that's why." And suddenly she had another inspiration. "Didn't she ever send you over any of those splendid clippings that came out the time they were married? Why, I declare, that's a shame; but I must have some of 'em right here."

She dived again, shuffled, sorted, and pulled out a long discoloured strip. "I've carried this round with me ever since, and so many's wanted to read it, it's all torn." She smoothed out the paper and began:

"'Divorce and remarriage of Mrs. Undine Spragg-de Chelles. American Marquise renounces ancient French title to wed Railroad King. Quick work untying and tying. Boy and girl romance renewed. "'Reno, November 23d. The Marquise de Chelles, of Paris, France, formerly Mrs. Undine Spragg Marvell, of Apex City and New York, got a decree of divorce at a special session of the Court last night, and was remarried fifteen minutes later to Mr. Elmer Moffatt, the billionaire Railroad King, who was the Marquise's first husband.

"'No case has ever been railroaded through the divorce courts of this State at a higher rate of speed: as Mr. Moffatt said last night, before he and his bride jumped onto their east-bound special, every record has been broken. It was just six months ago yesterday that the present Mrs. Moffatt came to Reno to look for her divorce. Owing to a delayed train, her counsel was late yesterday in receiving some necessary papers, and it was feared the decision would have to............

Join or Log In! You need to log in to continue reading
   
 

Login into Your Account

Email: 
Password: 
  Remember me on this computer.

All The Data From The Network AND User Upload, If Infringement, Please Contact Us To Delete! Contact Us
About Us | Terms of Use | Privacy Policy | Tag List | Recent Search  
©2010-2018 wenovel.com, All Rights Reserved