Betty had appealed to Master Maloney's esthetic sense of beauty directly she appeared before him. It was with regret, therefore, rather than with the usual calm triumph of the office boy, that he informed her that the editor was not in. Also, seeing that she was evidently perturbed by the information, he had gone out of his way to suggest that she lay her business, whatever it might be, before Mr. Renshaw's temporary successor.

Smith received her with Old-World courtesy.

"Will you sit down?" he said. "Not to wait for Comrade Renshaw, of course. He will not be back for another three months. Perhaps I can help you. I am acting editor. The work is not light," he added gratuitously. "Sometimes the cry goes round New York, 'Can Smith get through it all? Will his strength support his unquenchable spirit?' But I stagger on. I do not repine. What was it that you wished to see Comrade Renshaw about?"

He swung his monocle lightly by its cord. For the first time since she had entered the office Betty was rather glad that Mr. Renshaw was away. Conscious of her defects as a stenographer she had been looking forward somewhat apprehensively to the interview with her prospective employer. But this long, solemn youth put her at her ease. His manner suggested in some indefinable way that the whole thing was a sort of round game.

"I came about the typewriting," she said.

Smith looked at her with interest.

"Are you the nominee?"

"I beg your pardon?"

"Do you come from Mrs. Oakley?"

"Yes."

"Then all is well. The decks have been cleared against your coming. Consider yourself engaged as our official typist. By the way, _can_ you type?"

Betty laughed. This was certainly not the awkward interview she had been picturing in her mind.

"Yes," she said, "but I'm afraid I'm not very good at it."

"Never mind," said Smith. "I'm not very good at editing. Yet here I am. I foresee that we shall make an ideal team. Together, we will toil early and late till we whoop up this domestic journal into a shining model of what a domestic journal should be. What that is, at present, I do not exactly know. Excursion trains will be run from the Middle West to see this domestic journal. Visitors from Oshkosh will do it before going on to Grant's tomb. What exactly is your name?"

Betty hesitated. Yes, perhaps it would be better. "Brown," she said.

"Mine is Smith. The smiling child in the outer office is Pugsy Maloney, one of our most prominent citizens. Homely in appearance, perhaps, but one of us. You will get to like Comrade Maloney. And now, to touch on a painful subject--work. Would you care to start in now, or have you any other engagements? Perhaps you wish to see the sights of this beautiful little city before beginning? You would prefer to start in now? Excellent. You could not have come at a more suitable time, for I was on the very point of sallying out to purchase about twenty-five cents' worth of lunch. We editors, Comrade Brown, find that our tissues need constant restoration, such is the strenuous nature of our duties. You will find one or two letters on that table. Good-by, then, for the present."

He picked up his hat, smoothed it carefully and with a courtly inclination of his head, left the room.

Betty sat down, and began to think. So she was really earning her own living! It was a stimulating thought. She felt a little bewildered. She had imagined something so different. Mrs. Oakley had certainly said that _Peaceful Moments_ was a small paper, but despite that, her imagination had conjured up visions of bustle and activity, and a peremptory, overdriven editor, snapping out words of command. Smith, with his careful speech and general air of calm detachment from the noisy side of life, created an atmosphere of restfulness. If this was a sample of life in the office, she thought, the paper had been well named. She felt soothed and almost happy.

Interesting and exciting things, New York things, began to happen at once. To her, meditating, there entered Pugsy Maloney, the guardian of the gate of this shrine of Peace, a nonchalant youth of about fifteen, with a freckled, mask-like face, the expression of which never varied, bearing in his arms a cat. The cat was struggling violently, but he appeared quite unconscious of it. Its existence did not seem to occur to him.

"Say!" said Pugsy.

Betty was fond of cats.

"Oh, don't hurt her!" she cried anxiously.

Master Maloney eyed the cat as if he were seeing it for the first time.

"I wasn't hoitin' her," he said, without emotion. "Dere was two fresh kids in the street sickin' a dawg on to her. And I comes up and says, 'G'wan! What do youse t'ink youse doin', fussin' de poor dumb animal?' An' one of de guys, he says, 'G'wan! Who do youse t'ink youse is?' An' I says, 'I'm de guy what's goin' to swat youse on de coco, smarty, if youse don't quit fussin' de poor dumb animal.' So wit' dat he makes a break at swattin' me one, but I swats him one, an' I swats de odder feller one, an' den I swats dem bote some more, an' I gits de kitty, an' I brings her in here, cos I t'inks maybe youse'll look after her. I can't be boddered myself. Cats is foolishness."

And, having finished this Homeric narrative, Master Maloney fixed an expressionless eye on the ceiling, and was silent.

"How splendid of you, Pugsy!" cried Betty. "She might have been killed, poor thing."

"She had it pretty fierce," admitted Master Maloney, gazing dispassionately at the rescued animal, which had escaped from his clutch and taken up a strong position on an upper shelf of the bookcase.

"Will yo............