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Chapter 10 Mrs. Oakley

Betty, when she stepped on board the boat for Marseilles, had had no definite plan of action. She had been caught up and swept away by an over-mastering desire for escape that left no room in her mind for thoughts of the morrow. It was not till the train was roaring its way across southern France that she found herself sufficiently composed to review her position and make plans.

She would not go back. She could not. The words she had used in her letter to Mr. Scobell were no melodramatic rhetoric. They were a plain and literal statement of the truth. Death would be infinitely preferable to life at Mervo on her stepfather's conditions.

But, that settled, what then? What was she to do? The gods are businesslike. They sell; they do not give. And for what they sell they demand a heavy price. We may buy life of them in many ways: with our honor, our health, our independence, our happiness, with our brains or with our hands. But somehow or other, in whatever currency we may choose to pay it, the price must be paid.

Betty faced the problem. What had she? What could she give? Her independence? That, certainly. She saw now what a mockery that fancied independence had been. She had come and gone as she pleased, her path smoothed by her stepfather's money, and she had been accustomed to consider herself free. She had learned wisdom now, and could understand that it was only by sacrificing such artificial independence that she could win through to freedom. The world was a market, and the only independent people in it were those who had a market value.

What was her market value? What could she do? She looked back at her life, and saw that she had dabbled. She had a little of most things--enough of nothing. She could sketch a little, play a little, sing a little, write a little. Also--and, as she remembered it, she felt for the first time a tremor of hope--she could use a typewriter reasonably well. That one accomplishment stood out in the welter of her thoughts, solid and comforting, like a rock in a quicksand. It was something definite, something marketable, something of value for which persons paid.

The tremor of hope did not comfort her long. Her mood was critical, and she saw that in this, her one accomplishment, she was, as in everything else, an amateur. She could not compete against professionals. She closed her eyes, and had a momentary vision of those professionals, keen of face, leathern of finger, rattling out myriads of words at a dizzy speed. And, at that, all her courage suddenly broke; she drooped forlornly, and, hiding her face on the cushioned arm-rest, she began to cry.

Tears are the Turkish bath of the soul. Nature never intended woman to pass dry-eyed through crises of emotion. A casual stranger, meeting Betty on her way to the boat, might have thought that she looked a little worried,--nothing more. The same stranger, if he had happened to enter the compartment at this juncture, would have set her down at sight as broken-hearted beyond recovery. Yet such is the magic of tears that it was at this very moment that Betty was beginning to be conscious of a distinct change for the better. Her heart still ached, and to think of John even for an instant was to feel the knife turning in the wound, but her brain was clear; the panic fear had gone, and she faced the future resolutely once more. For she had just remembered the existence of Mrs. Oakley.

* * * * *

Only once in her life had Betty met her stepfather's celebrated aunt, and the meeting had taken place nearly twelve years ago. The figure that remained in her memory was of a pale-eyed, grenadier-like old lady, almost entirely surrounded by clocks. It was these clocks that had impressed her most. She was too young to be awed by the knowledge that the tall old woman who stared at her just like a sandy cat she had once possessed was one of the three richest women in the whole wide world. She only remembered thinking that the finger which emerged from the plaid shawl and prodded her cheek was unpleasantly bony. But the clocks had absorbed her. It was as if all the clocks in the world had been gathered together into that one room. There had been big clocks, with almost human faces; small, perky clocks; clocks of strange shape; and one dingy, medium-sized clock in particular which had made her cry out with delight. Her visit had chanced to begin shortly before eleven in the morning, and she had not been in the room ten minutes before there was a whirring, and the majority of the clocks began to announce the hour, each after its own fashion--some with a slow bloom, some with a rapid, bell-like sound. But the medium-sized clock, unexpectedly belying its appearance of being nothing of particular importance, had performed its task in a way quite distinct from the others. It had suddenly produced from its interior a shabby little gold man with a trumpet, who had blown eleven little blasts before sliding backward into his house and shutting the door after him. Betty had waited in rapt silence till he finished, and had then shouted eagerly for more.

Just as the beginner at golf may effect a drive surpassing that of the expert, so may a child unconsciously eclipse the practised courtier. There was no soft side to Mrs. Oakley's character, as thousands of suave would-be borrowers had discovered in their time, but there was a soft spot. To general praise of her collection of clocks she was impervious; it was unique, and she did not require you to tell her so, but exhibit admiration for the clock with the little trumpeter, and she melted. It was the one oasis of sentiment in the Sahara of her mental outlook, the grain of radium in the pitchblende. Years ago it had stood in a little New England farmhouse, and a child had clapped her hands and shouted, even as Betty had done, when the golden man slid from his hiding-place. Much water had flowed beneath the bridge since those............

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